{"title":"Vasily Vereshchagin","description":null,"products":[{"product_id":"in-defeated-moscow-arsonists-or-shooting-in-the-kremlin-vasily-vereshchagin","title":"In Defeated Moscow (Arsonists or Shooting in the Kremlin) - Vasily Vereshchagin","description":"\u003cp\u003eA stark, realistic depiction of the execution of Russian citizens by French soldiers in the Kremlin during the 1812 occupation.\u003c\/p\u003e\n    \u003cp\u003eVasily Vereshchagin, a painter known for his unflinching depictions of war, produced this work as part of his 1812 series. The painting captures a grim episode during the French occupation of Moscow, where Napoleon ordered the execution of Russian citizens accused of arson. Vereshchagin, who served as a soldier himself, rejected the romanticised portrayals of conflict common in his era. Instead, he focused on the cold, mechanical nature of state-sanctioned violence.\n\nThe composition is divided by the line of French soldiers on the right, their muskets levelled at the prisoners standing against the backdrop of the Kremlin walls. The smoke from the firing line obscures the scene, creating a hazy, suffocating atmosphere. On the ground, the bodies of those already executed lie in the foreground, rendered with a clinical attention to detail. The architecture of the Kremlin, with its traditional Russian religious iconography visible in the archway, contrasts sharply with the rigid, uniform presence of the French firing squad.\n\nVereshchagin travelled extensively to research his subjects, often visiting the actual sites of the battles he depicted. His approach was documentary in nature, aiming to show the human cost of military ambition. By focusing on the specific moment of execution, he forces the viewer to confront the brutality inherent in the occupation. The work remains a stark example of his ability to combine historical narrative with a critical perspective on power and conflict. The muted palette, dominated by greys, browns, and the dull red of the soldiers' plumes, reinforces the sombre tone of the event.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/on-the-quai-william-james-glackens\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eOn the Quai - William James Glackens — William James Glackens\u003c\/a\u003e\n\u003ca href=\"\/products\/abandoned-mill-1-fyodor-vasilyev\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eAbandoned Mill 1 - Fyodor Vasilyev — Fyodor Vasilyev\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vasily Vereshchagin","offers":[{"title":"Fine Art Poster \/ A4 (21x29.7 cm) \/ -","offer_id":58078799200591,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A3 (29.7 x 42  cm) \/ -","offer_id":58078836949327,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A2 (42 x 59.4  cm) \/ -","offer_id":58078836982095,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ B2 (50x70 cm) \/ -","offer_id":58078837014863,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A1 (59.4 x 84.1  cm) \/ -","offer_id":58078837047631,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/In-Defeated-Moscow-Arsonists-or-Shooting-in-the-Kremlin-_Poster_CompositorV1_1782697091393.jpg?v=1782697777"},{"product_id":"blowing-from-guns-in-british-india-vasily-vereshchagin","title":"Blowing from Guns in British India - Vasily Vereshchagin","description":"\u003cp\u003eA stark, realist depiction of a colonial execution by Russian artist Vasily Vereshchagin, capturing the grim mechanics of imperial power in 19th-century India.\u003c\/p\u003e\n    \u003cp\u003eVasily Vereshchagin, a Russian painter known for his unflinching depictions of war, produced this work during his travels through India. The painting captures a method of execution used by the British colonial authorities, particularly following the Indian Rebellion of 1857. Vereshchagin was a veteran of several military campaigns, and his approach to art was defined by a desire to document the harsh realities of conflict rather than to glorify the actions of empires.\n\nThe composition is stark and methodical. British soldiers in red tunics stand in a line, their backs to the viewer, facing the artillery pieces. The condemned individuals are positioned at the muzzles of the cannons. The dry, dusty atmosphere of the Indian plains is rendered with a muted palette, emphasising the oppressive heat and the grim nature of the scene. Vereshchagin avoids dramatic flourishes, choosing instead to present the event with a cold, observational precision that forces the viewer to confront the mechanics of colonial power.\n\nThis work belongs to a series of paintings Vereshchagin created after his time in India, where he sought to examine the consequences of British rule. His work often caused controversy during his lifetime, as it challenged the prevailing narratives of imperial benevolence. By focusing on the clinical execution of prisoners, he strips away the romanticism often associated with military history. The painting remains a significant document of the period, reflecting the artist's preoccupation with the human cost of political and military dominance. The technical execution, from the uniform details of the soldiers to the vast, empty horizon, serves to isolate the central action, ensuring that the viewer focuses on the gravity of the moment. It is an example of the artist's commitment to visual reportage, where the canvas functions as a record of historical trauma.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/two-peaches-and-two-plums-henri-fantin-latour\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eTwo Peaches and Two Plums - Henri Fantin-Latour — Henri Fantin-Latour\u003c\/a\u003e\n\u003ca href=\"\/products\/on-the-quai-william-james-glackens\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eOn the Quai - William James Glackens — William James Glackens\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vasily Vereshchagin","offers":[{"title":"Fine Art Poster \/ A4 (21x29.7 cm) \/ -","offer_id":58078832132431,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A3 (29.7 x 42  cm) \/ -","offer_id":58078873715023,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A2 (42 x 59.4  cm) \/ -","offer_id":58078873747791,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ B2 (50x70 cm) \/ -","offer_id":58078873780559,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A1 (59.4 x 84.1  cm) \/ -","offer_id":58078873813327,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Blowing-from-Guns-in-British-India_Poster_CompositorV1_1782697812095.jpg?v=1782698772"},{"product_id":"vehicle-in-delhi-vasily-vereshchagin","title":"Vehicle in Delhi - Vasily Vereshchagin","description":"\u003cp\u003eA realist study of a traditional bullock cart in Delhi, captured with the precise observation and bright, natural light characteristic of Vasily Vereshchagin.\u003c\/p\u003e\n    \u003cp\u003eVasily Vereshchagin, a Russian painter known for his extensive travels and documentation of military and cultural subjects, produced this work during his time in India. The painting captures a traditional bullock cart, a common mode of transport in the region during the nineteenth century. The artist focuses on the stark, bright light of the Indian sun, which casts sharp shadows across the dusty ground and illuminates the white hide of the oxen.\n\nThe composition is straightforward, placing the cart in profile against a clear, expansive sky. A driver sits under the canopy, which is rendered in a distinct shade of pink, providing a contrast to the blue sky and the neutral tones of the landscape. In the distance, the faint silhouette of a dome suggests the architectural context of Delhi. Vereshchagin was interested in the ethnographic details of the places he visited, and his approach here is observational rather than romanticised. He records the physical reality of the scene, from the structure of the wooden wheels to the harness of the animals.\n\nThis piece belongs to a larger series of works created following his travels through British India. Vereshchagin often sought to present the realities of life in the East to a European audience, moving away from the purely decorative or exoticised depictions common among his contemporaries. The clarity of the light and the precision of the brushwork reflect his training in the academic tradition, yet his subject matter remains grounded in his personal experiences of travel. The work provides a glimpse into a specific moment in history, capturing the intersection of daily life and the environment in late nineteenth-century India.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/pilgrimage-to-the-church-of-san-isidro-francisco-goya-1\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePilgrimage to the Church of San Isidro - Francisco Goya — Francisco Goya\u003c\/a\u003e\n\u003ca href=\"\/products\/portrait-of-p-a-chikhachev-karl-bryullov\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of P. A. Chikhachev - Karl Bryullov — Karl Bryullov\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vasily Vereshchagin","offers":[{"title":"Fine Art Poster \/ A4 (21x29.7 cm) \/ -","offer_id":58078884659535,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A3 (29.7 x 42  cm) \/ -","offer_id":58078887772495,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A2 (42 x 59.4  cm) \/ -","offer_id":58078887805263,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ B2 (50x70 cm) \/ -","offer_id":58078887838031,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A1 (59.4 x 84.1  cm) \/ -","offer_id":58078887870799,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Vehicle-in-Delhi_Poster_CompositorV1_1782699013248.jpg?v=1782699240"},{"product_id":"in-jerusalem-royal-tombs-vasily-vereshchagin","title":"In Jerusalem. Royal Tombs - Vasily Vereshchagin","description":"\u003cp\u003eA realist depiction of the Tombs of the Kings in Jerusalem, capturing a procession of figures against ancient stone architecture.\u003c\/p\u003e\n    \u003cp\u003eVasily Vereshchagin, a Russian painter known for his extensive travels and documentation of diverse cultures, produced this work during his period of focus on the Middle East. The painting depicts the entrance to the Tombs of the Kings in Jerusalem, a site of historical and religious interest. Vereshchagin employs a stark contrast between the cool, shadowed rock face of the tomb entrance and the bright, sun-drenched stone visible through the archway. \n\nThe composition is dominated by the massive, weathered stone architecture, which dwarfs the human figures. A group of individuals dressed in white, flowing garments moves through the space, their forms providing a sense of scale and movement against the static, ancient masonry. To the left, a solitary figure in darker, ornate clothing stands in profile, creating a visual counterpoint to the procession. \n\nVereshchagin was not merely a painter of scenes, but an observer who sought to capture the atmosphere of the locations he visited. His technique here relies on precise brushwork to render the textures of the limestone and the folds of the fabric. The lighting is deliberate, drawing the eye from the foreground into the depth of the tomb complex. This work reflects the artist's interest in the intersection of human activity and historical architecture. By placing his subjects within these ancient structures, he invites the viewer to consider the passage of time and the continuity of tradition in the region. The palette is restrained, favouring earthy tones, ochres, and the stark white of the pilgrims' robes, which serves to unify the composition while maintaining a focus on the architectural environment.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/staande-jongen-met-een-fluit-eberhard-cornelis-rahms\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eStaande jongen met een fluit - Eberhard Cornelis Rahms — Eberhard Cornelis Rahms\u003c\/a\u003e\n\u003ca href=\"\/products\/two-peaches-and-two-plums-henri-fantin-latour\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eTwo Peaches and Two Plums - Henri Fantin-Latour — Henri Fantin-Latour\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vasily Vereshchagin","offers":[{"title":"Fine Art Poster \/ A4 (21x29.7 cm) \/ -","offer_id":58078891376975,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A3 (29.7 x 42  cm) \/ -","offer_id":58078891606351,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A2 (42 x 59.4  cm) \/ -","offer_id":58078891639119,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ B2 (50x70 cm) \/ -","offer_id":58078891671887,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A1 (59.4 x 84.1  cm) \/ -","offer_id":58078891704655,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/In-Jerusalem_Poster_CompositorV1_1782698287905.jpg?v=1782700370"},{"product_id":"ruins-of-a-theater-in-chuguchak-vasily-vereshchagin","title":"Ruins of a Theater in Chuguchak - Vasily Vereshchagin","description":"\u003cp\u003eA stark, realistic depiction of a ruined theatre in Chuguchak, featuring the remnants of architecture and scattered skulls under a clear blue sky.\u003c\/p\u003e\n    \u003cp\u003eVasily Vereshchagin, a Russian painter known for his unflinching depictions of war and travel, produced this work during his time in Turkestan. The painting captures the aftermath of conflict in the city of Chuguchak, located in present-day Xinjiang. Vereshchagin travelled extensively through Central Asia, documenting the physical destruction caused by military campaigns and the subsequent abandonment of local structures.\n\nThe composition focuses on the skeletal remains of a theatre, a building once central to the social life of the community. The artist employs a stark, clear light that emphasises the crumbling masonry and the circular aperture in the wall. The palette is dominated by ochre, dusty pink, and the deep blue of the sky, creating a contrast between the arid environment and the remnants of human architecture. \n\nNotably, the foreground contains scattered human skulls, a recurring motif in Vereshchagin's work. These elements serve as a direct reference to the violence that occurred in the region. By placing these remains within the context of a ruined public space, the artist invites the viewer to consider the human cost of imperial expansion. The painting avoids romanticising the scene, opting instead for a documentary approach that prioritises the reality of the site. The bare trees and the presence of birds circling overhead add to the atmosphere of desolation. This work is part of the Turkestan Series, a collection of paintings that brought Vereshchagin international attention for their technical precision and their refusal to ignore the grim consequences of the conflicts he witnessed.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/staande-jongen-met-een-fluit-eberhard-cornelis-rahms\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eStaande jongen met een fluit - Eberhard Cornelis Rahms — Eberhard Cornelis Rahms\u003c\/a\u003e\n\u003ca href=\"\/products\/kuiken-bij-een-grote-haan-john-buxton-knight\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eKuiken bij een grote haan - John Buxton Knight — John Buxton Knight\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vasily Vereshchagin","offers":[{"title":"Fine Art Poster \/ A4 (21x29.7 cm) \/ -","offer_id":58078893441359,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A3 (29.7 x 42  cm) \/ -","offer_id":58078908252495,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A2 (42 x 59.4  cm) \/ -","offer_id":58078908285263,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ B2 (50x70 cm) \/ -","offer_id":58078908318031,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A1 (59.4 x 84.1  cm) \/ -","offer_id":58078908350799,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Ruins-of-a-Theater-in-Chuguchak_Poster_CompositorV1_1782700449931.jpg?v=1782700834"},{"product_id":"the-colonnade-in-the-jain-temple-at-mount-abu-in-the-evening-vasily-vereshchagin","title":"The Colonnade in the Jain Temple at Mount Abu in the Evening - Vasily Vereshchagin","description":"\u003cp\u003eA detailed architectural study by Vasily Vereshchagin, capturing the quiet atmosphere and stone craftsmanship of a Jain temple at Mount Abu.\u003c\/p\u003e\n    \u003cp\u003eVasily Vereshchagin, a Russian painter known for his extensive travels and documentation of diverse cultures, produced this work during his time in India in the 1870s. The painting depicts the interior of a Jain temple at Mount Abu, a site celebrated for its marble architecture and precise stone carving. Vereshchagin focuses on the play of light and shadow within the colonnade, capturing the transition of the day as evening approaches. The columns, adorned with figures and geometric patterns, recede into the distance, creating a sense of depth that draws the viewer into the quiet space.\n\nA solitary figure sits near the base of a pillar, providing a sense of scale and human presence within the monumental architecture. To the right, a drum rests on a simple wooden stand, adding a domestic or ritualistic element to the scene. Vereshchagin employs a muted palette of ochre, brown, and soft grey to replicate the texture of the stone and the dim atmosphere of the temple interior. His approach avoids romanticised depictions of the East, preferring instead a direct observation of the environment and its inhabitants. The precision in the rendering of the architectural details reflects his training and his desire to provide an accurate record of the structures he encountered during his journey.\n\nThis work is part of a larger series of paintings Vereshchagin created following his Indian travels. These pieces were often exhibited together to provide a comprehensive view of the region. The composition relies on the rhythmic repetition of the pillars, which guides the eye through the temple. By focusing on the interplay between the architectural form and the natural light, Vereshchagin captures a specific moment of stillness. The painting remains a record of the artist's engagement with the physical and cultural environment of nineteenth-century India.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/staande-jongen-met-een-fluit-eberhard-cornelis-rahms\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eStaande jongen met een fluit - Eberhard Cornelis Rahms — Eberhard Cornelis Rahms\u003c\/a\u003e\n\u003ca href=\"\/products\/kuiken-bij-een-grote-haan-john-buxton-knight\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eKuiken bij een grote haan - John Buxton Knight — John Buxton Knight\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Vasily Vereshchagin","offers":[{"title":"Fine Art Poster \/ A4 (21x29.7 cm) \/ -","offer_id":58078908383567,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A3 (29.7 x 42  cm) \/ -","offer_id":58078909006159,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A2 (42 x 59.4  cm) \/ -","offer_id":58078909038927,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ B2 (50x70 cm) \/ -","offer_id":58078909071695,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A1 (59.4 x 84.1  cm) \/ -","offer_id":58078909104463,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Colonnade-in-the-Jain-Temple-at-Mount-Abu-in-the-Evening_Poster_CompositorV1_1782700570633.jpg?v=1782701066"}],"url":"https:\/\/www.solisprints.com\/collections\/vasily-vereshchagin.oembed","provider":"Solis Prints","version":"1.0","type":"link"}