{"title":"William Nicholson","description":null,"products":[{"product_id":"london-types-hawker-william-nicholson","title":"London Types: Hawker - William Nicholson","description":"\u003cp\u003eA striking woodcut from William Nicholson's 1898 'London Types' series, capturing a street hawker through bold silhouettes and a muted, earthy palette.\u003c\/p\u003e\n    \u003cp\u003eThis woodcut originates from the 1898 publication 'London Types', a collaborative project between artist William Nicholson and poet William Ernest Henley. The series documents the various tradespeople and figures common to the streets of late-Victorian London. Nicholson employs a restricted palette, relying on bold blocks of colour and stark silhouettes to define his subjects. The composition is deliberately flat, drawing inspiration from the aesthetic principles of Japanese woodblock prints, which were widely admired by British artists during this period.\n\nThe Hawker is depicted with a sense of quiet observation. Nicholson avoids excessive detail, choosing instead to capture the essence of the figure through simplified forms and strong outlines. The background is reduced to a minimal horizon line, which forces the viewer to focus on the central character and the small figure with a donkey in the distance. This economy of means is characteristic of Nicholson's approach to printmaking, where he prioritised graphic impact over descriptive realism. The muted tones of ochre, black, and deep plum reflect the atmospheric conditions of the city at the turn of the century.\n\nNicholson was a master of the woodcut medium, often carving his own blocks to achieve the desired texture and weight of line. His work in 'London Types' provides a social record of a city in transition, capturing the individuals who occupied the margins of urban life. By stripping away the superfluous, he presents a direct and honest portrayal of his subjects. This print is an example of his ability to convey character through posture and silhouette alone, demonstrating a sophisticated understanding of graphic design and visual storytelling.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/female-model-vilhelm-lundstrom-2\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eFemale Model - Vilhelm Lundstrøm — Vilhelm Lundstrøm\u003c\/a\u003e\n\u003ca href=\"\/products\/the-ten-largest-no-10-old-age-hilma-af-klint\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Ten Largest, No. 10, Old Age - Hilma af Klint — Hilma af Klint\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"William Nicholson","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":57872652697935,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":57879917986127,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":57879918018895,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/London-Types_-Hawker_Poster_CompositorV1_1780878499159.jpg?v=1780955791"},{"product_id":"an-almanac-of-twelve-sports-boxing-william-nicholson","title":"An Almanac of Twelve Sports: Boxing - William Nicholson","description":"\u003cp\u003eA striking woodcut print by William Nicholson from his 1898 series, An Almanac of Twelve Sports, depicting a boxing match with bold silhouettes and minimal colour.\u003c\/p\u003e\n    \u003cp\u003eThis woodcut print is a plate from the 1898 publication, An Almanac of Twelve Sports, which featured verses by Rudyard Kipling alongside illustrations by William Nicholson. Nicholson, working alongside James Pryde under the pseudonym the Beggarstaff Brothers, developed a distinct visual language characterised by bold silhouettes and a restricted colour palette. This approach drew inspiration from the flat planes of Japanese woodblock prints and the graphic economy of poster design.\n\nThe image depicts two boxers in the ring, captured in a moment of physical engagement. Nicholson employs a limited range of tones, using black ink to define the figures and the surrounding structure, while a muted ochre provides the background. The composition is stark and direct, focusing on the tension between the two athletes. By stripping away unnecessary detail, the artist directs the viewer to the essential geometry of the sport. The heavy outlines and solid blocks of colour create a sense of weight and movement, typical of Nicholson's graphic work during this period.\n\nNicholson's contribution to the Almanac series remains a notable example of late nineteenth-century British graphic art. His ability to convey narrative and character through minimal means allowed him to produce images that are both immediate and enduring. This print reflects the transition from Victorian illustrative traditions toward a more modern, simplified aesthetic. The work is presented here as a high-quality fine art print, preserving the texture and tonal qualities of the original woodcut process. It offers a glimpse into the intersection of literature and visual art at the turn of the century, where the printed page became a site for artistic experimentation.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/female-model-vilhelm-lundstrom-2\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eFemale Model - Vilhelm Lundstrøm — Vilhelm Lundstrøm\u003c\/a\u003e\n\u003ca href=\"\/products\/the-ten-largest-no-10-old-age-hilma-af-klint\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Ten Largest, No. 10, Old Age - Hilma af Klint — Hilma af Klint\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"William Nicholson","offers":[{"title":"Fine Art Poster \/ A4 (21x29.7 cm) \/ -","offer_id":57872653615439,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A3 (29.7 x 42  cm) \/ -","offer_id":57872683761999,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A2 (42 x 59.4  cm) \/ -","offer_id":57872683794767,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ B2 (50x70 cm) \/ -","offer_id":57872683827535,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A1 (59.4 x 84.1  cm) \/ -","offer_id":57872683860303,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/An-Almanac-of-Twelve-Sports_-Boxing_Poster_CompositorV1_1780878620645.jpg?v=1780881368"},{"product_id":"the-cabriolet-william-nicholson","title":"The Cabriolet - William Nicholson","description":"\u003cp\u003eA classic woodcut print by William Nicholson, featuring a driver in a cabriolet, characterised by bold silhouettes and a limited, muted colour palette.\u003c\/p\u003e\n    \u003cp\u003eThe Cabriolet is a woodcut print by the British artist William Nicholson, originally published in his 1897 collection titled An Alphabet. Nicholson, working alongside his brother-in-law James Pryde under the pseudonym the Beggarstaff Brothers, developed a distinctive graphic style that prioritised bold silhouettes and economy of line. This approach drew inspiration from Japanese woodblock prints and the poster art of the late nineteenth century.\n\nThe image depicts a driver in a top hat seated within a two-wheeled carriage, pulled by a horse in motion. Nicholson employs a limited palette of black, tan, and muted olive, which allows the stark contrast between the dark ink and the paper ground to define the forms. The composition is flat, eschewing traditional perspective in favour of a graphic arrangement that emphasises the shape of the carriage and the posture of the horse. The whip, rendered as a single, sweeping line, adds a sense of movement to the otherwise static, blocky forms.\n\nThis work reflects the artist's interest in the visual language of everyday life in Britain at the turn of the century. By reducing the subject to its essential visual components, Nicholson creates an image that is both legible and stylised. The print demonstrates his technical skill in woodcutting, where the removal of material is as important as the ink left on the surface. The result is a clean, direct representation that avoids unnecessary detail, focusing instead on the character of the subject through silhouette and tone. This print remains a representative example of Nicholson's graphic work, which helped shape the aesthetic of British illustration during the Edwardian period.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/female-model-vilhelm-lundstrom-2\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eFemale Model - Vilhelm Lundstrøm — Vilhelm Lundstrøm\u003c\/a\u003e\n\u003ca href=\"\/products\/the-ten-largest-no-10-old-age-hilma-af-klint\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Ten Largest, No. 10, Old Age - Hilma af Klint — Hilma af Klint\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"William Nicholson","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":57872653779279,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":57879918870863,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":57879918903631,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Cabriolet_Poster_CompositorV1_1780878621370.jpg?v=1780962748"},{"product_id":"an-alphabet-b-is-for-beggar-william-nicholson","title":"An Alphabet: B is for Beggar - William Nicholson","description":"\u003cp\u003eA striking 1897 woodcut illustration by William Nicholson, featuring a minimalist graphic style and bold, flat colour blocks.\u003c\/p\u003e\n    \u003cp\u003eThis print originates from William Nicholson's 1897 publication, An Alphabet. The series is a collection of woodcuts that demonstrate the artist's mastery of economy and graphic impact. Nicholson, working alongside his brother-in-law James Pryde under the pseudonym the Beggarstaff Brothers, applied the principles of poster design to the medium of the book illustration. \n\nThe image depicts a solitary figure in profile, rendered with minimal lines and a restricted palette. The composition relies on the contrast between the dark, solid background and the lighter foreground elements. Nicholson uses large areas of flat colour to define the form of the beggar, whose tattered cloak and staff are suggested through simple, bold shapes rather than fine detail. The inclusion of the letter B and the accompanying text integrates typography directly into the visual field, a hallmark of the graphic design aesthetic prevalent at the end of the nineteenth century.\n\nNicholson's approach to this series reflects a departure from the ornate styles common in Victorian book production. By stripping away unnecessary ornamentation, he focuses the viewer's attention on the silhouette and the character of the subject. The woodcut technique provides a tactile quality to the print, with the grain and ink application contributing to the overall visual texture. This work is an example of the transition toward a more modern, graphic sensibility in British art, where the power of the image is derived from its clarity and directness. The print remains a study in how limited means can produce a strong, memorable visual statement.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/female-model-vilhelm-lundstrom-2\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eFemale Model - Vilhelm Lundstrøm — Vilhelm Lundstrøm\u003c\/a\u003e\n\u003ca href=\"\/products\/the-ten-largest-no-10-old-age-hilma-af-klint\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Ten Largest, No. 10, Old Age - Hilma af Klint — Hilma af Klint\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"William Nicholson","offers":[{"title":"Fine Art Poster \/ A4 (21x29.7 cm) \/ -","offer_id":57872653877583,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A3 (29.7 x 42  cm) \/ -","offer_id":57872685793615,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A2 (42 x 59.4  cm) \/ -","offer_id":57872685826383,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ B2 (50x70 cm) \/ -","offer_id":57872685859151,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A1 (59.4 x 84.1  cm) \/ -","offer_id":57872685891919,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/An-Alphabet_-B-is-for-Beggar_Poster_CompositorV1_1780878620870.jpg?v=1780881629"},{"product_id":"london-types-sandwich-man-william-nicholson","title":"London Types: Sandwich Man - William Nicholson","description":"\u003cp\u003eA striking woodcut print from William Nicholson's 1898 'London Types' series, depicting a sandwich man with bold lines and a limited, earthy colour palette.\u003c\/p\u003e\n    \u003cp\u003eThis woodcut print is part of the 'London Types' series, a collection published in 1898 that captures the diverse characters inhabiting the streets of the capital at the turn of the century. William Nicholson employs a restricted palette of black, white, and ochre, a technique that draws inspiration from the bold aesthetic of Japanese woodblock prints. The composition focuses on a sandwich man, a common sight in Victorian London, who carries advertising boards suspended from his shoulders. The text on his board, 'Ecce Homo', adds a layer of irony to the mundane task of street advertising.\n\nNicholson uses heavy, confident lines to define the figure against the background. The lack of excessive detail allows the viewer to focus on the silhouette and the posture of the subject. The print avoids sentimentality, presenting the man as a functional element of the urban environment. His clothing is rendered with simple, repetitive patterns that suggest texture without cluttering the visual field. The background elements, such as the architectural steps and the passing pedestrian, are reduced to basic shapes, ensuring the sandwich man remains the primary subject.\n\nThis work reflects the artist's interest in the graphic potential of the woodcut medium. By stripping away unnecessary ornamentation, Nicholson achieves a clarity that was quite distinct from the prevailing illustrative styles of the era. The print serves as a historical record of a specific social class and occupation, documenting the visual culture of London during a period of rapid urban change. It is a direct, honest depiction that relies on economy of form to convey its subject matter effectively.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/products\/female-model-vilhelm-lundstrom-2\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eFemale Model - Vilhelm Lundstrøm — Vilhelm Lundstrøm\u003c\/a\u003e\n\u003ca href=\"\/products\/the-ten-largest-no-10-old-age-hilma-af-klint\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Ten Largest, No. 10, Old Age - Hilma af Klint — Hilma af Klint\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"William Nicholson","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":57872654205263,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":57879918936399,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":57879918969167,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/London-Types_-Sandwich-Man_Poster_CompositorV1_1780878728116.jpg?v=1780962847"},{"product_id":"london-types-the-drum-major-william-nicholson","title":"London Types: The Drum Major - William Nicholson","description":"\u003cp\u003eA striking woodcut print from William Nicholson's 1898 London Types series, featuring a Drum Major rendered in bold lines and a muted colour palette.\u003c\/p\u003e\n    \u003cp\u003eThis woodcut print is part of the London Types series, a collection published in 1898 that documents various figures found on the streets of the capital at the turn of the century. William Nicholson employs a restricted palette and bold, graphic lines to define the figure of the Drum Major. The composition relies on flat planes of colour, a technique influenced by the aesthetic of Japanese woodblock prints which were popular among artists of the period.\n\nThe Drum Major stands with a sense of authority, his uniform rendered with minimal detail yet clear characterisation. Nicholson uses the woodcut medium to create strong contrasts between the dark outlines and the muted background tones. The figure is presented without unnecessary ornamentation, allowing the viewer to focus on the silhouette and the posture of the subject. This approach strips away the excess of Victorian academic painting, favouring a direct and simplified visual language.\n\nNicholson was a master of the woodcut, often using a limited number of blocks to achieve depth and texture. In this print, the heavy cloak and the staff held by the subject are depicted with economy, demonstrating the artist's ability to capture a likeness through suggestion rather than exhaustive detail. The series as a whole provides a social record of London, capturing individuals from different walks of life, from the humble flower seller to the military figure seen here. This print is a representative example of Nicholson's graphic work, which remains appreciated for its clarity and stylistic restraint.\u003c\/p\u003e","brand":"William Nicholson","offers":[{"title":"Fine Art Poster \/ A4 (21x29.7 cm) \/ -","offer_id":57872654893391,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A3 (29.7 x 42  cm) \/ -","offer_id":57872687202639,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A2 (42 x 59.4  cm) \/ -","offer_id":57872687235407,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ B2 (50x70 cm) \/ -","offer_id":57872687268175,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A1 (59.4 x 84.1  cm) \/ -","offer_id":57872687300943,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/London-Types_-The-Drum-Major_Poster_CompositorV1_1780878729186.jpg?v=1780881746"},{"product_id":"an-almanac-of-twelve-sports-november-boxing-william-nicholson","title":"An Almanac of Twelve Sports: November (Boxing) - William Nicholson","description":"\u003cp\u003eA striking woodcut print by William Nicholson from his 1898 series, An Almanac of Twelve Sports, depicting a boxing match for the month of November.\u003c\/p\u003e\n    \u003cp\u003eThis woodcut print is a plate from the 1898 publication, An Almanac of Twelve Sports, which featured verses by Rudyard Kipling alongside illustrations by William Nicholson. The series captures various sporting activities associated with the months of the year, with this particular image representing November through the sport of boxing.\n\nNicholson utilised a distinct aesthetic for this series, employing bold, simplified forms and a restricted colour palette. The composition relies on the contrast between the dark, solid silhouettes of the boxers and the lighter, neutral background. By using large areas of black ink, Nicholson creates a sense of weight and physical presence, focusing on the tension of the match rather than fine detail. The figures are rendered with minimal lines, yet their postures convey the dynamic movement and aggression inherent in the sport.\n\nThis work reflects the graphic design sensibilities of the late nineteenth century, where the influence of Japanese woodblock prints encouraged artists to experiment with flat planes of colour and strong outlines. Nicholson was a master of this technique, often using a limited range of tones to achieve maximum visual impact. The print is characteristic of his approach to illustration, which prioritised clarity and character over decorative excess. The inclusion of the word November at the base of the print serves as a direct reference to the almanac format, grounding the sporting scene within the structure of the calendar year. This piece is a fine example of British graphic art from the turn of the century, demonstrating how commercial illustration could achieve a high level of artistic merit through economy of means and careful composition.\u003c\/p\u003e","brand":"William Nicholson","offers":[{"title":"Fine Art Poster \/ A4 (21x29.7 cm) \/ -","offer_id":57913838010703,"sku":null,"price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A3 (29.7 x 42  cm) \/ -","offer_id":57913843614031,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A2 (42 x 59.4  cm) \/ -","offer_id":57913843646799,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ B2 (50x70 cm) \/ -","offer_id":57913843679567,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ A1 (59.4 x 84.1  cm) \/ -","offer_id":57913843712335,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/An-Almanac-of-Twelve-Sports_-November-Boxing-_Poster_CompositorV1_1781401447498.jpg?v=1781410471"}],"url":"https:\/\/www.solisprints.com\/collections\/william-nicholson.oembed","provider":"Solis Prints","version":"1.0","type":"link"}