{"title":"Francisco Jose De Goya Y Lucientes","description":null,"products":[{"product_id":"diversion-de-espana-francisco-jose-de-goya-y-lucientes","title":"Diversión de España - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA powerful lithograph from Goya's final series, The Bulls of Bordeaux, capturing the raw energy and chaos of the Spanish bullring.\u003c\/p\u003e\n\u003cp\u003eThis lithograph, titled Diversión de España, belongs to the series known as The Bulls of Bordeaux, produced by Francisco Goya during his final years in France. Goya, who had moved to Bordeaux in 1824, utilised the then-novel medium of lithography to capture the chaotic energy of the bullring. Unlike his earlier etched series, the Tauromaquia, these works rely on the soft, tonal qualities of the lithographic crayon to create atmospheric depth and a sense of immediate, visceral action.\u003c\/p\u003e\n\u003cp\u003eThe composition is divided between the frenetic activity of the arena floor and the dense, observational crowd surrounding the perimeter. In the centre, several bulls are depicted in various states of motion, some charging and others engaged with the matadors. The figures in the foreground are rendered with a loose, expressive hand, reflecting Goya's late style where form is suggested through shadow and gesture rather than rigid outline. The artist captures the danger inherent in the spectacle, with fallen figures and agitated animals creating a scene of tension.\u003c\/p\u003e\n\u003cp\u003eTechnically, the work demonstrates Goya's mastery of the lithographic process. He achieves a range of greys through the application of the crayon, allowing for a chiaroscuro effect that draws the eye across the arena. The crowd is depicted as a collective mass, their faces blurred and indistinct, which contrasts with the sharper, more defined figures of the bullfighters and the bulls themselves. This print offers a glimpse into the artist's preoccupation with Spanish cultural traditions, viewed from the distance of his self-imposed exile. It remains a significant example of his late graphic output, showing his ability to adapt to new technologies while maintaining his distinct, unflinching observational style.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/bird-of-prey-and-merlan-fish-gustave-dore-1\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eBird of Prey and Merlan Fish - Gustave Doré — Gustave Doré\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/combat-of-the-giaour-and-the-pasha-eugene-delacroix\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eCombat of the Giaour and the Pasha - Eugène Delacroix — Eugène Delacroix\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58363884044623,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58363884110159,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58363884208463,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58363884241231,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58363884306767,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Diversi-n-de-Espa-a_Poster_CompositorV1_1785594186796.jpg?v=1785596244"},{"product_id":"grande-hazana-con-muertos-francisco-jose-de-goya-y-lucientes","title":"Grande hazaña! Con muertos! - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA powerful etching from Goya's Los Desastres de la Guerra series, depicting the grim reality of conflict with stark, unflinching detail.\u003c\/p\u003e\n\u003cp\u003eThis print is plate 39 from the series Los Desastres de la Guerra (The Disasters of War), a collection of eighty-two etchings produced by Francisco Goya between 1810 and 1820. The series documents the brutality of the Peninsular War between Spain and Napoleonic France, as well as the subsequent famine in Madrid.\u003c\/p\u003e\n\u003cp\u003eIn this specific composition, Goya depicts the aftermath of a violent encounter. The scene shows the mutilated bodies of three men, their limbs severed and hung from a tree like butchered livestock. The title, which translates to 'Great feat! With dead men!', serves as a biting commentary on the dehumanisation inherent in conflict. By juxtaposing the term 'heroic' with the grotesque reality of the scene, Goya exposes the grim absurdity of war.\u003c\/p\u003e\n\u003cp\u003eThe technical execution relies on a combination of etching and drypoint. Goya uses sharp, biting lines to define the contorted forms of the corpses, while the background remains relatively sparse to focus the viewer on the central horror. The stark contrast between the white paper and the dark, etched lines creates a sense of immediate, visceral discomfort. Unlike traditional war art that glorifies the victor or the fallen, this work presents the raw, unvarnished consequences of violence. It is a document of human suffering, stripped of any patriotic or religious veneer. The figures are rendered with a brutal honesty that avoids sentimentality, forcing an engagement with the reality of the conflict. This print remains a stark observation of the cruelty that individuals inflict upon one another during times of political and social upheaval.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/mariano-ceballos-rijdend-op-een-stier-francisco-de-goya\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMariano Ceballos rijdend op een stier - Francisco de Goya — Francisco Goya\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-grand-duchess-olga-nikolaevna-karl-bryullov\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Grand Duchess Olga Nikolaevna - Karl Bryullov — Karl Bryullov\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58365034004815,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58365034070351,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58365034168655,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58365034201423,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58365034266959,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Grande-haza-a-Con-muertos-_Poster_CompositorV1_1785601345344.jpg?v=1785603460"},{"product_id":"otras-leyes-por-el-pueblo-francisco-jose-de-goya-y-lucientes","title":"Otras leyes por el pueblo - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA haunting etching from Goya's Los Disparates series, depicting a group of figures presenting a scroll to a solitary elephant.\u003c\/p\u003e\n\u003cp\u003eOtras leyes por el pueblo (Other Rules for the People) is a plate from the series Los Disparates, also known as Los Proverbios. Francisco Goya produced these works during his final years in Spain, a period marked by political instability and personal isolation. The series is noted for its enigmatic, often dark, and dreamlike imagery, which departs from the more direct social commentary found in his earlier series, such as Los Caprichos.\u003c\/p\u003e\n\u003cp\u003eIn this composition, a group of figures in traditional, perhaps ecclesiastical or scholarly, attire stands to the left. They hold a scroll or tablet, seemingly presenting it to a large, solitary elephant that occupies the right side of the frame. The contrast between the human figures and the animal is stark. The elephant, rendered with heavy, textured lines, appears indifferent or perhaps bewildered by the document presented to it. The use of aquatint creates a moody, atmospheric shadow that envelops the scene, focusing the viewer's attention on the interaction between the figures and the beast.\u003c\/p\u003e\n\u003cp\u003eGoya employs a masterful use of light and shadow to create a sense of unease. The figures are illuminated by a source that leaves the background in darkness, suggesting a stage-like setting. The print invites multiple interpretations, ranging from political allegory regarding the absurdity of governance to philosophical reflections on the nature of authority and the irrationality of human institutions. The technical execution, particularly the combination of etching and aquatint, allows for a wide range of tonal values, from the deep blacks of the elephant's hide to the subtle greys of the ground. This print remains a compelling example of Goya's late graphic work, demonstrating his ability to convey complex, often unsettling ideas through visual metaphor.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/mariano-ceballos-rijdend-op-een-stier-francisco-de-goya\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMariano Ceballos rijdend op een stier - Francisco de Goya — Francisco Goya\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-grand-duchess-olga-nikolaevna-karl-bryullov\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Grand Duchess Olga Nikolaevna - Karl Bryullov — Karl Bryullov\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58365073359183,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58365073424719,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58365073523023,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58365073555791,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58365073621327,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Otras-leyes-por-el-pueblo_Poster_CompositorV1_1785604173937.jpg?v=1785604939"},{"product_id":"the-sleep-of-reason-produces-monsters-francisco-jose-de-goya-y-lucientes","title":"The Sleep of Reason Produces Monsters - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA seminal etching and aquatint from Goya's Los Caprichos series, exploring the tension between human reason and the subconscious mind.\u003c\/p\u003e\n\u003cp\u003eThe Sleep of Reason Produces Monsters is plate 43 from Los Caprichos, a series of eighty prints by Francisco Goya. This work functions as a critique of the social and intellectual climate of late eighteenth-century Spain. The composition features a central figure, widely interpreted as a self-portrait of the artist, slumped over a desk in a state of slumber. As his rational mind rests, a swarm of nocturnal creatures, including owls and bats, emerges from the shadows behind him. A lynx sits quietly to the right, observing the scene with wide, alert eyes.\u003c\/p\u003e\n\u003cp\u003eGoya utilised a combination of etching and aquatint to achieve the atmospheric tonal shifts present in the print. The aquatint process allows for the soft, grainy textures that define the dark background, creating a stark contrast against the lighter, etched lines of the figure and the desk. The title of the work is inscribed on the side of the desk, serving as a clear articulation of the artist's intent. Goya suggests that when imagination is abandoned by reason, it produces impossible monsters, but when united with reason, it becomes the mother of the arts.\u003c\/p\u003e\n\u003cp\u003eThis print reflects the artist's engagement with Enlightenment ideals and his subsequent disillusionment with the prevailing superstitions of his time. The imagery is both psychological and satirical, moving away from the formal constraints of the period. The work remains a significant example of Goya's technical mastery in printmaking, demonstrating his ability to convey complex philosophical concepts through visual narrative. The stark monochromatic palette focuses the viewer on the tension between the sleeping man and the encroaching darkness, inviting contemplation on the fragility of human logic.\u003c\/p\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58365276750159,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58365276815695,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58365276913999,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58365276946767,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58365277012303,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Sleep-of-Reason-Produces-Monsters_Poster_CompositorV1_1785605623951.jpg?v=1785607233"},{"product_id":"andalusian-smuggler-francisco-jose-de-goya-y-lucientes","title":"Andalusian Smuggler - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA haunting lithograph by Francisco Goya, depicting a solitary figure emerging from shadow with raw, expressive texture.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Francisco Goya depicts a solitary figure, traditionally identified as an Andalusian smuggler. Created during the artist's final years in Bordeaux, the work demonstrates his mastery of the lithographic medium, a technique he adopted late in his career. The composition relies on the interplay of shadow and texture, with the figure emerging from a dark, atmospheric background.\u003c\/p\u003e\n\u003cp\u003eGoya employs a rough, gestural application of the lithographic crayon to build form. The smuggler is wrapped in a heavy cloak, his face partially obscured, which adds to the sense of mystery and isolation. The background is not a defined space but rather a dense, textured void that forces the viewer to focus entirely on the subject's weary expression. The print captures the psychological depth characteristic of Goya's later works, where the focus shifts from social commentary to the internal state of the individual.\u003c\/p\u003e\n\u003cp\u003eUnlike his earlier etchings, which often utilised precise lines, this work relies on tonal variation and the tactile quality of the stone. The rough edges of the composition suggest a spontaneous, almost experimental approach to the medium. The figure's posture, slightly hunched and guarded, conveys a sense of vulnerability and defiance. This print is a fine example of Goya's ability to convey complex human emotion through minimal visual information. It remains a compelling study of character, stripped of narrative artifice, and presented with a raw, immediate quality that defines his late-period output.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/bird-of-prey-and-merlan-fish-gustave-dore-1\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eBird of Prey and Merlan Fish - Gustave Doré — Gustave Doré\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/friolerie-raphael-kirchner-1\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eFriolerie - Raphael Kirchner — Raphael Kirchner\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58366020157775,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58366020223311,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58366020321615,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58366020354383,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58366020419919,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Andalusian-Smuggler_Poster_CompositorV1_1785608111277.jpg?v=1785613288"},{"product_id":"god-forgive-her-its-her-own-mother-francisco-jose-de-goya-y-lucientes","title":"God Forgive Her! It's Her Own Mother! - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA satirical etching from Goya's Los Caprichos series, depicting a poignant and cynical encounter between a young woman and her mother.\u003c\/p\u003e\n\u003cp\u003eThis print is plate 16 from Los Caprichos, a series of eighty etchings by Francisco Goya. The artist produced this collection to critique the social, religious, and moral failings of late eighteenth-century Spanish society. In this specific composition, Goya depicts a young, well-dressed woman walking with a fan, while an older, hunched woman in a shawl follows closely behind. The title, inscribed at the bottom, reveals the cynical nature of the scene: the younger woman is a prostitute who fails to recognise her own mother, who is also engaged in the trade.\u003c\/p\u003e\n\u003cp\u003eGoya employs aquatint to create atmospheric depth and shadow, which contrasts with the sharp, biting lines of the etching process. The figures are placed against a sparse, darkened background, which directs the viewer's attention to the interaction between the two women. The younger woman appears oblivious and detached, while the older figure is rendered with a sense of weariness and decay.\u003c\/p\u003e\n\u003cp\u003eLos Caprichos remains a significant body of work for its departure from traditional portraiture and religious iconography. Goya used the medium of printmaking to explore human folly, superstition, and hypocrisy. By combining technical mastery with biting social commentary, he created images that function as both aesthetic objects and critical observations. This print exemplifies his ability to capture the darker aspects of urban life with economy and precision. The use of light and shadow serves to isolate the subjects, creating a sense of isolation that permeates the entire series. Collectors of Goya's work value these prints for their technical innovation and their unflinching look at the complexities of the human condition.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/mariano-ceballos-rijdend-op-een-stier-francisco-de-goya\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMariano Ceballos rijdend op een stier - Francisco de Goya — Francisco Goya\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-grand-duchess-olga-nikolaevna-karl-bryullov\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Grand Duchess Olga Nikolaevna - Karl Bryullov — Karl Bryullov\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58366415176015,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58366415241551,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58366415339855,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58366415372623,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58366415438159,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/God-Forgive-Her-It-s-Her-Own-Mother-_Poster_CompositorV1_1785611329816.jpg?v=1785616691"},{"product_id":"love-and-death-francisco-jose-de-goya-y-lucientes","title":"Love and Death - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching and aquatint from Goya's Los Caprichos series, depicting a woman cradling a dying man in a scene of intense emotional gravity.\u003c\/p\u003e\n\u003cp\u003eLove and Death, or El amor y la muerte, is the tenth plate from the series Los Caprichos, a collection of eighty prints produced by Francisco Goya between 1797 and 1799. This work demonstrates the artist's mastery of aquatint, a technique he used to create atmospheric depth and shadow. The composition depicts a woman supporting a dying man, his body limp in her arms. A sword lies discarded on the ground, suggesting a duel or a violent encounter has just occurred. The figures are positioned against a stark, dark background, which draws the viewer's attention to the emotional tension between the two subjects.\u003c\/p\u003e\n\u003cp\u003eGoya's approach to this scene avoids sentimentality. Instead, he focuses on the raw physicality of the moment. The man's head is thrown back, his expression one of finality, while the woman's posture conveys both grief and physical exertion. The use of light and shadow, characteristic of Goya's work during this period, creates a sense of unease. The stark contrast between the pale figures and the surrounding darkness creates a theatrical quality, typical of the artist's interest in human folly and the darker aspects of existence.\u003c\/p\u003e\n\u003cp\u003eLos Caprichos were intended as a critique of contemporary Spanish society, addressing themes of superstition, corruption, and the irrationality of human behaviour. While this specific plate leans into a more personal, dramatic narrative, it remains consistent with the broader themes of the series. The print is a fine example of Goya's technical skill, showing his ability to convey complex psychological states through minimal visual information. The lines are precise, and the tonal variations achieved through aquatint provide a sense of volume and texture that defines the figures against the void.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/mariano-ceballos-rijdend-op-een-stier-francisco-de-goya\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMariano Ceballos rijdend op een stier - Francisco de Goya — Francisco Goya\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-grand-duchess-olga-nikolaevna-karl-bryullov\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Grand Duchess Olga Nikolaevna - Karl Bryullov — Karl Bryullov\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58366421991759,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58366422057295,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58366422155599,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58366422188367,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58366422253903,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Love-and-Death_Poster_CompositorV1_1785615188398.jpg?v=1785616878"},{"product_id":"there-is-plenty-to-suck-francisco-jose-de-goya-y-lucientes","title":"There is Plenty to Suck - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA satirical etching from Goya's 'Los Caprichos' series, depicting grotesque figures in a dark, allegorical scene of social commentary.\u003c\/p\u003e\n\u003cp\u003eThis etching and aquatint, titled 'Mucho hay que chupar' (There is Plenty to Suck), is plate 45 from Francisco Goya's celebrated series 'Los Caprichos'. Published in 1799, this collection of eighty prints functions as a biting critique of the social, political, and religious institutions of late eighteenth-century Spain. Goya employs his mastery of aquatint to create deep, atmospheric shadows that heighten the grotesque nature of his subjects.\u003c\/p\u003e\n\u003cp\u003eThe composition depicts three elderly, witch-like figures huddled together. Their faces are distorted, reflecting Goya's interest in physiognomy as a tool for moral commentary. In the foreground, a basket filled with small, doll-like figures sits before them. The title suggests a cynical observation on exploitation, greed, or the parasitic nature of those in power. The presence of bats in the upper register adds a layer of dark, nocturnal symbolism, a common motif in Goya's work to represent ignorance or the irrational forces of the human psyche.\u003c\/p\u003e\n\u003cp\u003eGoya's technique here is precise yet expressive. The etched lines define the sharp, angular features of the figures, while the aquatint wash provides a soft, tonal depth that grounds the scene in a murky, unsettling reality. By moving away from the formal constraints of his earlier court commissions, Goya used this medium to explore the darker corners of human behaviour. This print remains a clear example of his ability to blend social satire with a personal, often nightmarish, vision. The work invites the viewer to look beyond the surface of the grotesque to identify the underlying human follies that Goya sought to expose through his art.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/mariano-ceballos-rijdend-op-een-stier-francisco-de-goya\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMariano Ceballos rijdend op een stier - Francisco de Goya — Francisco Goya\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-grand-duchess-olga-nikolaevna-karl-bryullov\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Grand Duchess Olga Nikolaevna - Karl Bryullov — Karl Bryullov\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58366596645199,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58366596710735,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58366596809039,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58366596841807,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58366596907343,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/There-is-Plenty-to-Suck_Poster_CompositorV1_1785617894645.jpg?v=1785619195"},{"product_id":"and-so-was-his-grandfather-francisco-jose-de-goya-y-lucientes","title":"And So Was His Grandfather - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA satirical etching from Goya's Los Caprichos series, mocking the obsession with noble ancestry through the depiction of a donkey studying his lineage.\u003c\/p\u003e\n\u003cp\u003eThis work is plate 39 from Los Caprichos, a series of eighty prints published by Francisco Goya in 1799. The series functions as a social critique, employing satire to address the corruption, superstition, and ignorance prevalent in Spanish society at the time. In this specific etching, Goya depicts a donkey seated at a desk, intently studying a genealogical book that traces a lineage of other donkeys. The title, Asta su Abuelo (And So Was His Grandfather), mocks the obsession with noble ancestry and bloodlines among the Spanish aristocracy. By replacing human figures with animals, Goya exposes the absurdity of those who pride themselves on heritage while lacking personal merit or intellect.\u003c\/p\u003e\n\u003cp\u003eThe technical execution relies on the combination of etching and aquatint. The aquatint process allows for the soft, tonal gradations seen in the background and the shading of the figure, which contrasts with the sharper, linear definition of the book and the donkey's features. Goya uses light to focus the viewer's attention on the subject, creating a sense of theatricality. The donkey is dressed in human clothing, a common device in Goya's work to suggest that the vices he portrays are universal human failings. The composition is stark, removing unnecessary detail to ensure the satirical message remains clear. This print remains a significant example of Goya's ability to use the medium of printmaking as a vehicle for political and social commentary, demonstrating his keen observation of human folly and his refusal to conform to the artistic expectations of his era.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/haphazard-james-ward\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eHaphazard - James Ward — James Ward\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/mariano-ceballos-rijdend-op-een-stier-francisco-de-goya\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMariano Ceballos rijdend op een stier - Francisco de Goya — Francisco Goya\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58366889066831,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58366889132367,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58366889230671,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58366889263439,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58366889328975,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/And-So-Was-His-Grandfather_Poster_CompositorV1_1785621733982.jpg?v=1785621837"},{"product_id":"los-proverbios-album-cover-francisco-jose-de-goya-y-lucientes","title":"Los Proverbios (Album Cover) - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA detailed reproduction of the marbled paper and leather binding from the original Los Proverbios album by Francisco Goya.\u003c\/p\u003e\n\u003cp\u003eThis image depicts the exterior binding of the collection known as Los Proverbios, or The Proverbs, by the Spanish master Francisco José de Goya y Lucientes. The cover features traditional marbled paper, a technique where pigments are floated on a viscous solution and transferred to paper to create unique, swirling patterns. The dark, organic forms in shades of charcoal, deep brown, and rust suggest the atmospheric and often unsettling nature of the etchings contained within the volume.\u003c\/p\u003e\n\u003cp\u003eGoya produced these works during his later years, a period marked by personal isolation and a shift toward more cryptic, allegorical subject matter. The binding itself reflects the material culture of nineteenth-century print collecting, where portfolios were often encased in durable leather spines and decorative paper boards to protect the delicate etchings inside. The contrast between the rigid, dark leather spine and the fluid, chaotic patterns of the marbled paper provides a physical manifestation of the tension between order and irrationality found in Goya's late graphic work.\u003c\/p\u003e\n\u003cp\u003eAs a historical object, this cover represents the physical vessel for some of the most enigmatic prints in the history of Western art. The marbling process, while decorative, possesses a visual density that mirrors the complex, layered narratives of the plates themselves. This print offers a view into the tactile history of Goya's output, capturing the aesthetic presentation of his work as it would have appeared to a contemporary collector. It is a study in the intersection of craft and fine art, documenting the preservation of Goya's vision through the medium of bookbinding.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/haphazard-james-ward\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eHaphazard - James Ward — James Ward\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/mariano-ceballos-rijdend-op-een-stier-francisco-de-goya\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMariano Ceballos rijdend op een stier - Francisco de Goya — Francisco Goya\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58367180013903,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58367180079439,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58367180177743,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58367180210511,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58367180276047,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Los-Proverbios-Album-Cover-_Poster_CompositorV1_1785625537842.jpg?v=1785626636"},{"product_id":"ceballos-mounted-on-a-bull-breaks-short-spears-in-the-ring-at-madrid-francisco-jose-de-goya-y-lucientes","title":"Ceballos Mounted on a Bull Breaks Short Spears in the Ring at Madrid - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA detailed etching from Goya's 'La Tauromaquia' series, capturing a tense moment between a mounted picador and a bull in the Madrid ring.\u003c\/p\u003e\n\u003cp\u003eThis etching belongs to 'La Tauromaquia', a series of thirty-three prints by Francisco Goya that document the history and practice of bullfighting in Spain. Published in 1816, the series captures the raw energy and danger inherent in the spectacle. In this specific plate, Goya depicts the picador Ceballos, mounted on horseback, engaged in the act of placing short spears, or banderillas, into the bull. The composition is stark, focusing entirely on the interaction between the man, the horse, and the animal.\u003c\/p\u003e\n\u003cp\u003eGoya employs a combination of etching and aquatint to create the atmospheric depth and tonal variation seen across the arena floor. The lines are precise, capturing the tension in the horse's posture and the aggressive stance of the bull. Unlike his earlier series, which often focused on social commentary or the horrors of war, 'La Tauromaquia' functions as a technical and historical observation of the sport. The artist avoids unnecessary background detail, ensuring the viewer remains fixed on the physical struggle. The use of light and shadow, characteristic of Goya's later graphic work, defines the forms and creates a sense of immediate action. This print provides a clear example of the artist's mastery of the copper plate, where he balances the brutality of the event with a refined, controlled aesthetic. The work remains a significant record of Spanish cultural history, presented through the lens of an artist who observed the world with unflinching clarity.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/view-of-the-beach-at-beverly-massachusetts-john-frederick-kensett\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eView of the Beach at Beverly, Massachusetts - John Frederick Kensett — John Frederick Kensett\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/haphazard-james-ward\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eHaphazard - James Ward — James Ward\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58367234900303,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58367234965839,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58367235064143,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58367235096911,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58367235162447,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Ceballos-Mounted-on-a-Bull-Breaks-Short-Spears-in-the-Ring-at-Madrid_Poster_CompositorV1_1785627924957.jpg?v=1785628357"},{"product_id":"the-spirited-moor-gazul-is-the-first-to-spear-bulls-according-to-rules-francisco-jose-de-goya-y-lucientes","title":"The Spirited Moor Gazul is the First to Spear Bulls according to Rules - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching from Goya's La Tauromaquia series, depicting the legendary Moorish figure Gazul in the bullring.\u003c\/p\u003e\n\u003cp\u003eThis etching belongs to the series La Tauromaquia, a collection of thirty-three prints produced by Francisco Goya between 1815 and 1816. The series documents the history and evolution of bullfighting in Spain, moving from ancient traditions to the modern practices of his own time. In this specific plate, Goya depicts the legendary Moorish figure Gazul, who is credited in historical accounts with establishing the formal rules of the sport.\u003c\/p\u003e\n\u003cp\u003eThe composition captures a moment of high tension. The rider, mounted on a horse, leans into the action as he prepares to strike the bull with a spear. Goya employs a combination of etching, aquatint, and drypoint to create a sense of movement and atmosphere. The use of aquatint provides a soft, tonal background that contrasts with the sharp, biting lines of the etching needle. This technique allows the artist to focus the viewer's attention on the physical struggle between the man and the animal.\u003c\/p\u003e\n\u003cp\u003eGoya avoids unnecessary ornamentation, choosing instead to focus on the raw energy of the scene. The horse is depicted in a strained posture, reflecting the danger inherent in the encounter. The figure of Gazul is rendered with economy, his form defined by precise strokes that convey both his skill and his concentration. By choosing to illustrate this specific historical narrative, Goya connects the contemporary spectacle of the bullring to its cultural origins. The print serves as a record of Spanish tradition, presented with the technical mastery that defines Goya's later graphic work. The muted palette and the stark, open space surrounding the figures enhance the dramatic quality of the event, ensuring that the focus remains entirely on the action of the spearman.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-asleep-over-his-book-william-blake\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Asleep Over His Book - William Blake — William Blake\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/view-of-the-beach-at-beverly-massachusetts-john-frederick-kensett\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eView of the Beach at Beverly, Massachusetts - John Frederick Kensett — John Frederick Kensett\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58367465128271,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58367465193807,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58367465292111,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58367465324879,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58367465390415,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Spirited-Moor-Gazul-is-the-First-to-Spear-Bulls-according-to-Rules_Poster_CompositorV1_1785635855952.jpg?v=1785637179"},{"product_id":"the-dogs-let-loose-on-the-bull-francisco-jose-de-goya-y-lucientes","title":"The Dogs Let Loose on the Bull - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching from Goya's La Tauromaquia series, capturing the raw energy and tonal complexity of a bullfight in early nineteenth-century Spain.\u003c\/p\u003e\n\u003cp\u003eThis print belongs to the series titled La Tauromaquia, a collection of thirty-three etchings by Francisco Goya that document the history and practice of bullfighting in Spain. Published in 1816, the series demonstrates the artist's mastery of aquatint, a technique used here to create atmospheric depth and dramatic tonal contrasts.\u003c\/p\u003e\n\u003cp\u003eIn this specific plate, Goya captures a chaotic moment within the bullring. The composition focuses on the central struggle between a bull and several dogs, while spectators and a mounted figure observe from the periphery. The use of aquatint allows for a soft, wash-like effect that defines the dusty arena floor and the hazy background, contrasting with the sharper, more aggressive lines used to delineate the animals in motion.\u003c\/p\u003e\n\u003cp\u003eGoya avoids the idealised depictions of the sport common in his era. Instead, he presents the raw, visceral nature of the event. The figures are rendered with economy, yet they convey a sense of tension and movement. The print reflects the artist's interest in the darker aspects of human spectacle and the brutal reality of the arena. The monochromatic palette, typical of Goya's graphic work, focuses the viewer's attention on the interplay of light and shadow, which serves to heighten the sense of drama. This work provides an insight into the cultural practices of early nineteenth-century Spain, viewed through the lens of an artist who was deeply observant of the human condition and the complexities of social ritual.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-asleep-over-his-book-william-blake\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Asleep Over His Book - William Blake — William Blake\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/view-of-the-beach-at-beverly-massachusetts-john-frederick-kensett\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eView of the Beach at Beverly, Massachusetts - John Frederick Kensett — John Frederick Kensett\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58367476531535,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58367476597071,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58367476695375,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58367476728143,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58367476793679,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Dogs-Let-Loose-on-the-Bull_Poster_CompositorV1_1785637954133.jpg?v=1785638195"},{"product_id":"mariano-ceballos-alias-the-indian-kills-the-bull-from-his-horse-francisco-jose-de-goya-y-lucientes","title":"Mariano Ceballos, alias the Indian, kills the bull from his horse - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching from Goya's La Tauromaquia series, depicting the legendary bullfighter Mariano Ceballos in the heat of the arena.\u003c\/p\u003e\n\u003cp\u003eThis print is plate 23 from the series La Tauromaquia, a collection of thirty-three etchings by Francisco Goya. The series documents the history and practice of bullfighting in Spain, a subject that fascinated the artist throughout his career. In this specific composition, Goya depicts Mariano Ceballos, a legendary figure known for his daring style in the bullring. The scene captures the moment of impact between the bull and the horse, rendered with the characteristic economy of line and dramatic use of shadow that defines Goya's graphic work.\u003c\/p\u003e\n\u003cp\u003eGoya employed a combination of etching, aquatint, and drypoint to achieve the tonal variations present in the arena floor and the distant, indistinct crowd. The composition focuses on the violent energy of the encounter, placing the figures against a relatively sparse background. This approach directs the viewer's attention to the physical struggle between man, horse, and animal. The artist avoids unnecessary detail, preferring to convey the tension of the event through the posture of the figures and the stark contrast between light and dark areas.\u003c\/p\u003e\n\u003cp\u003eLa Tauromaquia was published in 1816, during a period when Goya was increasingly preoccupied with the darker aspects of human behaviour and spectacle. Unlike his earlier, more decorative works, these prints demonstrate a raw, observational quality. The series remains a primary source for understanding the evolution of the bullfight in the early nineteenth century, as well as Goya's mastery of printmaking techniques. The print offers a glimpse into the cultural life of Spain, presented through the lens of an artist who observed his surroundings with unflinching clarity.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-asleep-over-his-book-william-blake\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Asleep Over His Book - William Blake — William Blake\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-pontic-rhododendron-robert-john-thornton\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Pontic Rhododendron - Robert John Thornton — Robert John Thornton\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58367570706767,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58367570772303,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58367570870607,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58367570903375,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58367570968911,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Mariano-Ceballos-alias-the-Indian-kills-the-bull-from-his-horse_Poster_CompositorV1_1785640850903.jpg?v=1785642562"},{"product_id":"not-in-this-case-either-francisco-jose-de-goya-y-lucientes","title":"Not [in this case] either - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA powerful etching from Goya's 'The Disasters of War' series, depicting the stark contrast between a victim of execution and an indifferent soldier.\u003c\/p\u003e\n\u003cp\u003eThis etching belongs to the series 'The Disasters of War' (Los Desastres de la Guerra), a collection of eighty-two prints created by Francisco Goya between 1810 and 1820. The series documents the atrocities committed during the Peninsular War between France and Spain. Goya utilised etching, drypoint, and burnishing to capture the brutality of the conflict with unflinching precision.\u003c\/p\u003e\n\u003cp\u003eIn this specific plate, Goya depicts a man hanging from a tree, his body limp and lifeless. To the right, a soldier reclines against a stone structure, observing the scene with a detached, almost casual demeanour. The contrast between the victim and the observer is stark. The soldier's posture suggests a chilling indifference to the violence that has occurred. Goya employs sharp, expressive lines to define the textures of the tree bark, the soldier's uniform, and the rough ground. The composition relies on the juxtaposition of the verticality of the hanging figure against the horizontal, relaxed form of the soldier.\u003c\/p\u003e\n\u003cp\u003eUnlike traditional war art that glorified military heroism, Goya focused on the suffering of individuals and the moral decay of those who perpetrate such acts. The title, 'No es lo mismo' (Not [in this case] either), serves as a biting commentary on the dehumanisation inherent in war. The work avoids sentimentality, presenting the grim reality of execution as a mundane occurrence for the occupying forces. The print demonstrates Goya's mastery of light and shadow, using the white of the paper to create a sense of bleakness and exposure. This piece remains a stark observation of human cruelty, stripped of any patriotic or romantic veneer.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-coronation-of-queen-victoria-john-martin\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Coronation of Queen Victoria - John Martin — John Martin\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-pontic-rhododendron-robert-john-thornton\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Pontic Rhododendron - Robert John Thornton — Robert John Thornton\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58367690342735,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58367690408271,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58367690506575,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58367690539343,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58367690604879,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Not-in-this-case-either_Poster_CompositorV1_1785646489351.jpg?v=1785649343"},{"product_id":"the-sleep-of-reason-produces-monsters-francisco-jose-de-goya-y-lucientes-1","title":"The Sleep of Reason Produces Monsters - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA seminal etching from Goya's Los Caprichos series, depicting a sleeping figure surrounded by nocturnal creatures as a critique of irrationality.\u003c\/p\u003e\n\u003cp\u003eThis etching is Plate 43 from the series Los Caprichos, a collection of eighty prints published by Francisco Goya in 1799. The composition depicts a sleeping figure slumped over a desk, his head resting on his arms. Behind him, a swarm of nocturnal creatures, including owls, bats, and a lynx, emerge from the shadows. The desk is inscribed with the title: El sueño de la razón produce monstruos.\u003c\/p\u003e\n\u003cp\u003eGoya utilised a combination of etching and aquatint to achieve the atmospheric tonal shifts that define the work. The fine, hatched lines of the etching provide the structure for the figures, while the aquatint creates the grainy, dark background that suggests a space filled with unease. The artist intended this series as a critique of the superstitions and social follies prevalent in Spanish society during the late eighteenth century.\u003c\/p\u003e\n\u003cp\u003eRather than a simple depiction of a nightmare, the image functions as a commentary on the Enlightenment. Goya suggests that when human reason is abandoned, the mind becomes susceptible to irrationality and chaos. The artist himself appears to be the subject, as he often used his own likeness in his prints. The presence of the lynx, a creature associated with sharp vision, adds a layer of irony to the scene of blindness and slumber. This print remains one of the most recognised images in the history of graphic art, demonstrating Goya's technical mastery and his ability to translate complex philosophical concepts into visual form. The stark contrast between the sleeping man and the active, menacing creatures creates a tension that is characteristic of Goya's later, more introspective work.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-coronation-of-queen-victoria-john-martin\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Coronation of Queen Victoria - John Martin — John Martin\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-pontic-rhododendron-robert-john-thornton\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Pontic Rhododendron - Robert John Thornton — Robert John Thornton\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58368247988559,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58368248054095,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58368248152399,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58368248185167,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58368248250703,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Sleep-of-Reason-Produces-Monsters_Poster_CompositorV1_1785659389769.jpg?v=1785662851"},{"product_id":"the-agility-and-audacity-of-juanito-apinani-in-the-ring-at-madrid-francisco-jose-de-goya-y-lucientes","title":"The Agility and Audacity of Juanito Apiñani in the Ring at Madrid - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA striking etching from Goya's La Tauromaquia series, capturing the precise, athletic movement of a bullfighter vaulting over a bull.\u003c\/p\u003e\n\u003cp\u003eThis print belongs to La Tauromaquia, a series of thirty-three etchings by Francisco Goya that examine the history and practice of bullfighting in Spain. Published in 1816, the series demonstrates Goya's mastery of aquatint and etching techniques, which he used to capture the movement and tension inherent in the spectacle.\u003c\/p\u003e\n\u003cp\u003eThe composition focuses on the figure of Juanito Apiñani, a matador known for his daring style. Goya depicts the precise moment the bullfighter uses a pole to vault over the charging bull. The artist employs a sparse, clean background to direct the viewer's attention to the physical exertion of the athlete and the animal. The crowd in the upper tier is rendered with economical strokes, providing a sense of scale without distracting from the central action.\u003c\/p\u003e\n\u003cp\u003eGoya's approach to this subject is observational rather than celebratory. He documents the mechanics of the event, using shadow and line to define the weight of the bull and the suspension of the human form. The use of aquatint creates a subtle tonal range across the arena floor, grounding the figures in a physical space. This work reflects Goya's interest in the darker, more visceral aspects of Spanish culture during the early nineteenth century. The print is a fine example of his ability to translate the chaos of the bullring into a controlled, graphic format.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-coronation-of-queen-victoria-john-martin\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Coronation of Queen Victoria - John Martin — John Martin\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-pontic-rhododendron-robert-john-thornton\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Pontic Rhododendron - Robert John Thornton — Robert John Thornton\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58368362578255,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58368362643791,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58368362742095,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58368362774863,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58368362840399,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Agility-and-Audacity-of-Juanito-Api-ani-in-the-Ring-at-Madrid_Poster_CompositorV1_1785664334279.jpg?v=1785665693"},{"product_id":"dreadful-events-in-the-front-rows-of-the-ring-at-madrid-and-death-of-the-mayor-of-torrejon-francisco-jose-de-goya-y-lucientes","title":"Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching from Goya's 'La Tauromaquia' series, capturing a chaotic and violent moment within a Spanish bullring.\u003c\/p\u003e\n\u003cp\u003eThis work belongs to the series 'La Tauromaquia', a collection of thirty-three prints produced by Francisco Goya between 1815 and 1816. The series documents the history and spectacle of bullfighting in Spain, moving from historical origins to the contemporary practices of Goya's era. This specific plate captures a chaotic scene within the bullring, where the barrier has been breached, resulting in a violent collision between the bull and the spectators.\u003c\/p\u003e\n\u003cp\u003eGoya employs a combination of etching, aquatint, and drypoint to achieve a stark, atmospheric quality. The composition is defined by the horizontal lines of the wooden barriers, which contrast with the frantic, jumbled forms of the figures caught in the bull's path. The bull itself is rendered with heavy, dark lines, creating a sense of mass and momentum that dominates the right side of the frame. The background remains largely empty, a characteristic choice that focuses the viewer's attention on the immediate, visceral action occurring in the foreground.\u003c\/p\u003e\n\u003cp\u003eUnlike earlier, more celebratory depictions of the sport, Goya's approach here is unflinching. He captures the danger inherent in the bullring, presenting the event as a moment of sudden, unpredictable tragedy. The use of aquatint provides a tonal depth that mimics the harsh, dusty light of a Spanish afternoon, while the etched lines define the anatomy of the animal and the desperate movements of the crowd. This print offers a clear example of Goya's technical mastery, demonstrating his ability to convey complex narratives through minimal, highly controlled marks. It remains a significant piece for those interested in the intersection of Spanish cultural history and the development of printmaking techniques during the early nineteenth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-coronation-of-queen-victoria-john-martin\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Coronation of Queen Victoria - John Martin — John Martin\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-pontic-rhododendron-robert-john-thornton\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Pontic Rhododendron - Robert John Thornton — Robert John Thornton\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58368489619791,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58368489685327,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58368489783631,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58368489816399,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58368489881935,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Dreadful-Events-in-the-Front-Rows-of-the-Ring-at-Madrid-and-Death-of-the-Mayor-of-Torrejon_Poster_CompositorV1_1785668117636.jpg?v=1785669514"},{"product_id":"charles-v-spearing-a-bull-in-the-ring-at-valladolid-francisco-jose-de-goya-y-lucientes","title":"Charles V Spearing a Bull in the Ring at Valladolid - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching from Goya's 'La Tauromaquia' series, depicting the Holy Roman Emperor Charles V engaging a bull in the ring.\u003c\/p\u003e\n\u003cp\u003eThis print belongs to the series 'La Tauromaquia', a collection of thirty-three etchings produced by Francisco Goya between 1815 and 1816. The series documents the history and evolution of bullfighting in Spain, moving from ancient traditions to the modern practices of the artist's own time. In this specific plate, Goya depicts the Holy Roman Emperor Charles V, who was known for his personal participation in the sport.\u003c\/p\u003e\n\u003cp\u003eThe composition focuses on the dramatic interaction between the mounted monarch and the bull. Goya employs aquatint to create deep, atmospheric shadows that contrast with the lighter areas of the arena floor. The horse and rider are positioned centrally, with the bull caught in a moment of intense movement beneath them. The artist uses fine lines for the details of the costume and the horse's anatomy, while the aquatint wash provides a sense of volume and depth to the figures.\u003c\/p\u003e\n\u003cp\u003eGoya's approach to the subject is rooted in his interest in Spanish cultural history and the visceral nature of the spectacle. Unlike his later, more abstract works, this series demonstrates a technical mastery of printmaking processes. The use of drypoint adds texture to the darker areas, creating a sense of weight and presence. The print captures the tension of the encounter, reflecting the historical narrative of the nobility engaging in the bullring. This work is an example of Goya's ability to combine historical documentation with his own stylistic interpretation of light and shadow, resulting in a composition that remains focused on the physical reality of the event.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-coronation-of-queen-victoria-john-martin\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Coronation of Queen Victoria - John Martin — John Martin\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-pontic-rhododendron-robert-john-thornton\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Pontic Rhododendron - Robert John Thornton — Robert John Thornton\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58368658899279,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58368658964815,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58368659063119,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58368659095887,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58368659161423,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Charles-V-Spearing-a-Bull-in-the-Ring-at-Valladolid_Poster_CompositorV1_1785670300149.jpg?v=1785672150"},{"product_id":"a-spanish-mounted-knight-breaking-short-spears-with-the-help-of-assistants-francisco-jose-de-goya-y-lucientes","title":"A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA detailed etching from Goya's La Tauromaquia series, capturing the dramatic tension of a bullfight with masterful use of aquatint and line.\u003c\/p\u003e\n\u003cp\u003eThis print belongs to La Tauromaquia, a series of thirty-three etchings by Francisco Goya that examine the history and practice of bullfighting in Spain. Published in 1816, the series demonstrates the artist's technical mastery of aquatint and etching, processes he used to convey the dramatic tension of the arena. In this specific composition, Goya captures a moment of action where a mounted knight, or picador, engages with a bull. The scene is populated by assistants who provide support, their figures rendered with characteristic economy and precision.\u003c\/p\u003e\n\u003cp\u003eGoya employs a monochromatic palette to focus the viewer's attention on the interplay of light and shadow across the sandy floor of the bullring. The use of aquatint creates soft, atmospheric tones that contrast with the sharper, etched lines defining the figures and the bull. Unlike earlier depictions of the sport, which often favoured a more decorative or celebratory approach, Goya presents the event with a sense of raw immediacy. The composition is balanced, drawing the eye across the horizontal plane of the arena while maintaining a clear focus on the central confrontation.\u003c\/p\u003e\n\u003cp\u003eThe series remains a significant record of early nineteenth-century Spanish culture, reflecting the artist's fascination with the spectacle and danger inherent in the bullring. Goya's ability to manipulate tone and texture allows for a sense of depth that draws the viewer into the scene. This print is an example of his late-career output, where he moved away from formal portraiture to explore more visceral and human subjects. The work is printed on high-quality paper, preserving the fine details of the original copper plate, including the subtle gradations of the aquatint wash that define the dusty environment of the ring.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/rhyl-sands-david-cox\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eRhyl Sands - David Cox — David Cox\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58369056538959,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58369056604495,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58369056702799,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58369056735567,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58369056801103,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/A-Spanish-Mounted-Knight-Breaking-Short-Spears-with-the-Help-of-Assistants_Poster_CompositorV1_1785675753382.jpg?v=1785677818"},{"product_id":"pedro-romero-killing-the-halted-bull-francisco-jose-de-goya-y-lucientes","title":"Pedro Romero Killing the Halted Bull - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA detailed etching from Goya's La Tauromaquia series, depicting the legendary matador Pedro Romero in the bullring.\u003c\/p\u003e\n\u003cp\u003eThis print belongs to the series La Tauromaquia, a collection of thirty-three etchings by Francisco Goya. The series documents the history and practice of bullfighting in Spain. Goya utilised a combination of etching, aquatint, and drypoint to capture the tension of the arena.\u003c\/p\u003e\n\u003cp\u003eIn this specific plate, the matador Pedro Romero faces a bull that has come to a standstill. The composition is stark, focusing on the confrontation between man and beast. Goya employs a minimalist approach to the background, allowing the viewer to concentrate on the precise posture of the matador and the physical presence of the bull. The use of aquatint provides subtle tonal variations, creating a sense of depth within the sandy floor of the ring.\u003c\/p\u003e\n\u003cp\u003eRomero was a legendary figure in the history of bullfighting, known for his technical skill and composure. Goya depicts him with a sense of controlled movement, contrasting with the heavy, static form of the animal. The spectators in the background are rendered with loose, economical lines, suggesting their presence without distracting from the central action. This work demonstrates Goya's ability to observe human behaviour and animal anatomy with equal precision. The series was produced during a period when Goya was exploring the darker aspects of human nature, yet here he remains focused on the ritualised violence of the spectacle. The print reflects the artist's deep familiarity with the traditions of his homeland, presented with a technical mastery that defines his graphic output.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/rhyl-sands-david-cox\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eRhyl Sands - David Cox — David Cox\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58369308066127,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58369308131663,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58369308229967,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58369308262735,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58369308328271,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Pedro-Romero-Killing-the-Halted-Bull_Poster_CompositorV1_1785679845491.jpg?v=1785680761"},{"product_id":"another-way-of-hunting-on-foot-francisco-jose-de-goya-y-lucientes","title":"Another Way of Hunting on Foot - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA striking etching and aquatint from Goya's La Tauromaquia series, depicting a raw, rural bullfighting scene with masterful use of light and shadow.\u003c\/p\u003e\n\u003cp\u003eAnother Way of Hunting on Foot is a plate from the series La Tauromaquia, a collection of thirty-three prints by Francisco Goya. Published in 1816, this series documents the history and practice of bullfighting in Spain. Goya employs a combination of etching and aquatint to achieve the atmospheric tonal shifts that define the work. The aquatint provides a soft, granular texture across the background, which contrasts with the sharper, more aggressive lines used to render the figures of the men and the bull.\u003c\/p\u003e\n\u003cp\u003eThe composition captures a moment of physical tension. Two men, positioned on opposite sides of the animal, engage the bull with spears. Their postures are low and strained, conveying the exertion required for this method of hunting. Unlike the formalised arena combat seen in other plates of the series, this scene depicts a more raw, rural encounter. The background is sparse, consisting of a simple horizon line and a few trees, which keeps the focus entirely on the interaction between the hunters and their prey.\u003c\/p\u003e\n\u003cp\u003eGoya was a master of the print medium, and his technical skill is evident in the way he manages light and shadow to create a sense of volume and movement. The figures appear grounded in the space, their forms emerging from the sepia tones of the paper. This print offers a glimpse into the cultural practices of early nineteenth-century Spain, stripped of romanticised embellishment. It is a direct observation of human struggle and animal instinct. The work remains a primary example of Goya's ability to capture the visceral nature of his subjects through the disciplined application of printmaking techniques.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/rhyl-sands-david-cox\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eRhyl Sands - David Cox — David Cox\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58369797030223,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58369797095759,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58369797194063,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58369797226831,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58369797292367,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Another-Way-of-Hunting-on-Foot_Poster_CompositorV1_1785684145871.jpg?v=1785687361"},{"product_id":"horse-thrown-by-a-bull-francisco-jose-de-goya-y-lucientes","title":"Horse Thrown by a Bull - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA striking etching from Goya's La Tauromaquia series, capturing the raw intensity and brutal mechanics of a bullfight in early 19th-century Spain.\u003c\/p\u003e\n\u003cp\u003eThis print belongs to the series titled La Tauromaquia, a collection of thirty-three etchings produced by Francisco Goya between 1815 and 1816. The series documents the history and practice of bullfighting in Spain, moving from historical origins to the contemporary techniques of the artist's era. Goya employs a combination of etching, aquatint, and drypoint to achieve a wide range of tonal values, creating a stark contrast between the illuminated figures and the shadowed arena.\u003c\/p\u003e\n\u003cp\u003eThe composition captures a moment of extreme physical tension. A bull has successfully overturned a horse, leaving the animal in a vulnerable, inverted position. The surrounding figures, including the picador and other participants, are rendered with economy of line, yet they convey the chaotic energy of the event. Goya avoids romanticising the spectacle. Instead, he focuses on the raw, often brutal mechanics of the encounter. The use of aquatint provides a grainy, atmospheric quality to the background, which pushes the central action forward and emphasises the isolation of the struggle within the bullring.\u003c\/p\u003e\n\u003cp\u003eUnlike earlier depictions of bullfighting that focused on heroism or pageantry, Goya presents the scene with a detached, observational quality. The print demonstrates his mastery of printmaking techniques, particularly his ability to manipulate light to define form and space. The work remains a significant example of his late graphic output, reflecting his interest in the darker aspects of human activity and the visceral nature of public spectacle. This museum-grade fine art print reproduces the tonal depth and fine line work of the original plate, offering a clear view of Goya's technical precision and his unflinching approach to his subject matter.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/rhyl-sands-david-cox\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eRhyl Sands - David Cox — David Cox\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58370212069711,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58370212135247,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58370212233551,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58370212266319,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58370212331855,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Horse-Thrown-by-a-Bull_Poster_CompositorV1_1785688888159.jpg?v=1785691627"},{"product_id":"the-famous-martincho-places-the-banderillas-playing-the-bull-with-the-movement-of-his-body-francisco-jose-de-goya-y-lucientes","title":"The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA striking etching from Goya's 'La Tauromaquia' series, capturing the intense physical encounter between a matador and a bull in the arena.\u003c\/p\u003e\n\u003cp\u003eThis print is plate 15 from the series 'La Tauromaquia', a collection of thirty-three etchings by Francisco Goya. The work depicts the matador Martincho in the bullring, performing a daring manoeuvre. Goya uses aquatint to create a stark, atmospheric contrast between the figures and the arena floor. The composition focuses on the physical tension between the man and the animal, capturing a moment of precise movement.\u003c\/p\u003e\n\u003cp\u003eGoya produced these prints during a period of relative isolation, drawing upon his memories of bullfighting spectacles. Unlike earlier depictions of the sport, which often focused on the pageantry or the crowd, Goya concentrates on the raw interaction within the ring. The use of varied etching techniques allows for a range of textures, from the smooth, shadowed ground to the finer details of the matador's clothing and the bull's form. The sparse background directs the viewer's attention to the central action, stripping away unnecessary detail to focus on the mechanics of the fight.\u003c\/p\u003e\n\u003cp\u003e'La Tauromaquia' reflects Goya's interest in the history and cultural practice of bullfighting in Spain. The artist employs a monochromatic palette, relying on the depth of the ink to convey the weight and gravity of the scene. This print demonstrates his mastery of printmaking, particularly in his ability to manipulate light and shadow to define space. The work remains a primary example of his technical skill and his ability to render dynamic motion through static lines. As a museum-grade reproduction, this print preserves the tonal qualities and fine line work of the original copper plate, offering a clear view of Goya's approach to composition and narrative.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/rhyl-sands-david-cox\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eRhyl Sands - David Cox — David Cox\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58370382463311,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58370382528847,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58370382627151,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58370382659919,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58370382725455,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Famous-Martincho-Places-the-Banderillas-Playing-the-Bull-with-the-Movement-of-His-Body_Poster_CompositorV1_1785695463288.jpg?v=1785699540"},{"product_id":"a-bullfighter-mounted-on-the-shoulders-of-an-assistant-spearing-a-bull-francisco-jose-de-goya-y-lucientes","title":"A Bullfighter, Mounted on the Shoulders of an Assistant, Spearing a Bull - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching from Goya's 'La Tauromaquia' series, depicting a bullfighter mounted on an assistant's shoulders to strike a bull.\u003c\/p\u003e\n\u003cp\u003eThis etching belongs to the series 'La Tauromaquia', a collection of thirty-three prints produced by Francisco Goya between 1815 and 1816. The series documents the history and practice of bullfighting in Spain, a subject that fascinated the artist throughout his career. In this specific composition, Goya captures a precarious moment in the arena. A bullfighter, perched upon the shoulders of an assistant, prepares to strike the bull with a spear. The scene is rendered with the characteristic economy of line and dramatic use of shadow that defines Goya's later graphic work.\u003c\/p\u003e\n\u003cp\u003eThe print demonstrates Goya's mastery of aquatint, a technique he used to create atmospheric depth and texture within the dusty, sun-scorched environment of the bullring. The figures are arranged in a sparse, open space, focusing the viewer's attention on the physical tension between the human participants and the animal. The composition avoids unnecessary detail, allowing the raw energy of the encounter to dominate the frame. Goya does not romanticise the spectacle; instead, he presents the event with a detached, observational quality that reflects his interest in the brutal realities of Spanish tradition.\u003c\/p\u003e\n\u003cp\u003eAs a printmaker, Goya pushed the boundaries of traditional etching, often combining multiple techniques to achieve tonal variation. The contrast between the dark, murky background and the lighter, more defined figures creates a sense of movement and instability. This work provides a window into the cultural practices of early nineteenth-century Spain, captured by an artist who was deeply engaged with the social and historical narratives of his time. The print remains a significant example of Goya's technical skill and his ability to convey complex human drama through the medium of black and white ink on paper.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/ballerina-carlotta-chabert-as-venus-francesco-hayez\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eBallerina Carlotta Chabert as Venus - Francesco Hayez — Francesco Hayez\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58371062792527,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58371062858063,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58371062956367,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58371062989135,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58371063054671,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/A-Bullfighter-Mounted-on-the-Shoulders-of-an-Assistant-Spearing-a-Bull_Poster_CompositorV1_1785706154172.jpg?v=1785708627"},{"product_id":"the-celebrated-picador-fernando-del-toro-draws-the-fierce-beast-on-with-his-pique-francisco-jose-de-goya-y-lucientes","title":"The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast On with His Pique - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA detailed etching from Goya's La Tauromaquia series, capturing the tense confrontation between a picador and a bull in the arena.\u003c\/p\u003e\n\u003cp\u003eThis etching belongs to the series titled La Tauromaquia, a collection of thirty-three prints documenting the history and practice of bullfighting in Spain. Francisco Goya produced these works between 1815 and 1816, employing a combination of etching, aquatint, and drypoint to capture the tension of the arena.\u003c\/p\u003e\n\u003cp\u003eIn this specific plate, Goya depicts Fernando del Toro, a noted picador of the period. The composition focuses on the interaction between the mounted horseman and the bull. The picador holds his pique, a long lance used to weaken the bull, while the animal stands in a confrontational stance. Goya uses the aquatint process to create atmospheric depth, suggesting the dusty environment of the ring and the hazy presence of the crowd in the background. The figures are rendered with precise, economical lines that convey the physical strain of the encounter.\u003c\/p\u003e\n\u003cp\u003eUnlike earlier depictions of bullfighting that focused on the spectacle, Goya provides a stark, observational account of the sport. The contrast between the light-filled centre of the ring and the darker, shadowed areas creates a sense of immediate drama. The work reflects Goya's interest in the visceral nature of public spectacles and his technical mastery of printmaking. The plate is numbered 27 in the series, consistent with the standard catalogue of his graphic works. This print offers a view into the technical skill Goya applied to his later graphic series, where he moved away from traditional narrative styles toward a more direct, unflinching representation of his subjects.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/ballerina-carlotta-chabert-as-venus-francesco-hayez\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eBallerina Carlotta Chabert as Venus - Francesco Hayez — Francesco Hayez\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58371713990991,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58371714056527,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58371714154831,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58371714187599,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58371714253135,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Celebrated-Picador-Fernando-del-Toro-Draws-the-Fierce-Beast-On-with-His-Pique_Poster_CompositorV1_1785713502757.jpg?v=1785713946"},{"product_id":"another-madness-of-his-in-the-same-ring-francisco-jose-de-goya-y-lucientes","title":"Another Madness of His in the Same Ring - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching from Goya's 'La Tauromaquia' series, depicting a daring bullfighter performing a dangerous stunt atop a table in the ring.\u003c\/p\u003e\n\u003cp\u003eThis print belongs to the series 'La Tauromaquia', a collection of thirty-three etchings produced by Francisco Goya between 1815 and 1816. The series documents the history and practice of bullfighting in Spain, moving from historical origins to the specific techniques of the nineteenth century. In this particular plate, Goya captures a moment of extreme danger and absurdity within the bullring. A matador stands precariously atop a table, exposed to the charge of a bull. The composition relies on the stark contrast between the dark, textured background and the lighter, open space of the arena floor.\u003c\/p\u003e\n\u003cp\u003eGoya employs a combination of etching, aquatint, and drypoint to achieve the tonal variations seen in the shadows and the bull's hide. The lines are precise, conveying the tension of the scene through the posture of the figures and the aggressive stance of the animal. Unlike his earlier series, such as 'Los Caprichos', which often leaned into social satire or the supernatural, 'La Tauromaquia' maintains a focus on the physical reality of the sport, though Goya frequently selects moments that emphasise the recklessness of the participants. The figures in the background, observing the spectacle, provide a sense of scale and context, grounding the central action in the social environment of the arena.\u003c\/p\u003e\n\u003cp\u003eAs a master of printmaking, Goya used these plates to explore the limits of light and shadow. The aquatint process allows for soft, atmospheric washes that define the depth of the ring, while the etched lines provide the necessary detail for the figures. This work offers a glimpse into the artist's technical precision and his interest in the dramatic potential of human and animal interaction. It remains a significant example of his late graphic work, demonstrating his ability to render complex movement and psychological intensity within a small, monochromatic format.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/ballerina-carlotta-chabert-as-venus-francesco-hayez\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eBallerina Carlotta Chabert as Venus - Francesco Hayez — Francesco Hayez\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58371793453391,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58371793518927,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58371793617231,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58371793649999,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58371793715535,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Another-Madness-of-His-in-the-Same-Ring_Poster_CompositorV1_1785714366853.jpg?v=1785717340"},{"product_id":"the-very-skillful-student-of-falces-wrapped-in-his-cape-tricks-the-bull-with-the-play-of-his-body-francisco-jose-de-goya-y-lucientes","title":"The Very Skillful Student of Falces, Wrapped in His Cape, Tricks the Bull with the Play of his Body - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA classic etching and aquatint from Goya's 'La Tauromaquia' series, depicting a matador engaging a bull with precise, dramatic movement.\u003c\/p\u003e\n\u003cp\u003eThis etching and aquatint belongs to the series 'La Tauromaquia', a collection of thirty-three prints produced by Francisco Goya between 1814 and 1816. The series documents the history and practice of bullfighting in Spain, moving from historical origins to the techniques of the nineteenth century.\u003c\/p\u003e\n\u003cp\u003eIn this specific plate, Goya captures a moment of tension between the matador and the bull. The student of Falces stands firm, his body partially obscured by the heavy folds of his cape. The bull, caught in a moment of aggressive movement, leans into the encounter. Goya uses aquatint to create deep shadows on the ground, which anchor the figures within the arena. The background features a faint, sketch-like rendering of the spectators, which keeps the focus on the central action.\u003c\/p\u003e\n\u003cp\u003eThe composition relies on the contrast between the dark, solid forms of the man and beast against the lighter, expansive space of the arena floor. Goya avoids unnecessary detail, preferring to communicate the danger and precision of the sport through posture and shadow. The work demonstrates his mastery of printmaking techniques, particularly his ability to manipulate tone to suggest volume and atmosphere.\u003c\/p\u003e\n\u003cp\u003e'La Tauromaquia' remains a significant record of Spanish cultural practice. Goya presents these scenes with a detached, observational quality, allowing the viewer to witness the mechanics of the bullfight without romanticising the violence. This print is an example of his late-career focus on the graphic arts, where he explored themes of human struggle and spectacle. The clarity of the line work and the controlled application of aquatint provide a clear view of the technical skill required to produce such a series during the early nineteenth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-charles-i-of-england-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Charles I of England - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/horse-thrown-by-a-bull-francisco-jose-de-goya-y-lucientes\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eHorse Thrown by a Bull - Francisco José de Goya y Lucientes — Francisco José de Goya y Lucientes\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco Goya","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58371846930767,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58371846996303,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58371847094607,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58371847127375,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58371847192911,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Very-Skillful-Student-of-Falces-Wrapped-in-His-Cape-Tricks-the-Bull-with-the-Play-of-his-Body_Poster_CompositorV1_1785718762700.jpg?v=1785719860"},{"product_id":"the-cid-campeador-spearing-another-bull-francisco-jose-de-goya-y-lucientes","title":"The Cid Campeador Spearing Another Bull - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA classic etching from Goya's 'La Tauromaquia' series, depicting the legendary El Cid Campeador in a dramatic bullfighting encounter.\u003c\/p\u003e\n\u003cp\u003eThis work belongs to the series 'La Tauromaquia', a collection of thirty-three prints produced by Francisco Goya during the mid-1810s. The series explores the history and practice of bullfighting in Spain, moving from historical accounts to contemporary scenes of the arena. This specific plate, numbered eleven, depicts the legendary figure El Cid Campeador engaged in a mounted combat with a bull.\u003c\/p\u003e\n\u003cp\u003eGoya employs a combination of etching and aquatint to create the atmospheric quality of the scene. The central action is rendered with economy, focusing on the tension between the horseman and the animal. The horse, braced against the charge, and the bull, lowered in aggression, form a compact unit of energy. The surrounding frame, featuring decorative putti and scrolling foliage, provides a stark contrast to the stark, monochromatic depiction of the fight itself. This ornamental border was added in later editions of the series, distinguishing these prints from the initial proofs.\u003c\/p\u003e\n\u003cp\u003eThe artist demonstrates a mastery of light and shadow, using the aquatint process to suggest the dusty, sun-drenched environment of the bullring. By choosing to depict a historical hero, Goya connects the spectacle of the bullfight to the broader narrative of Spanish identity and tradition. The composition remains focused on the physical mechanics of the encounter, avoiding unnecessary embellishment. This print offers a view into Goya's technical approach to printmaking, where the interplay of line and tone defines the drama of the subject matter. It remains a significant example of his work in the medium, reflecting his interest in the visceral nature of public spectacles.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-dogs-let-loose-on-the-bull-francisco-jose-de-goya-y-lucientes\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Dogs Let Loose on the Bull - Francisco José de Goya y Lucientes — Francisco José de Goya y Lucientes\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco Goya","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58372066541903,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58372066607439,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58372066705743,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58372066738511,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58372066804047,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Cid-Campeador-Spearing-Another-Bull_Poster_CompositorV1_1785720818102.jpg?v=1785727381"},{"product_id":"origin-of-the-harpoons-or-banderillas-francisco-jose-de-goya-y-lucientes","title":"Origin of the Harpoons or Banderillas - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA detailed etching from Goya's 'La Tauromaquia' series, capturing a historical moment in the practice of Spanish bullfighting.\u003c\/p\u003e\n\u003cp\u003eThis print is part of 'La Tauromaquia', a series of thirty-three etchings by Francisco Goya. Published in 1816, the collection documents the history and practice of bullfighting in Spain. In this specific plate, Goya depicts an early method of the sport, where the matador engages the bull with harpoons or banderillas. The composition focuses on the tension between the human figure and the animal. The matador stands in a dynamic posture, arm raised to deploy the weapon, while the bull remains alert and grounded.\u003c\/p\u003e\n\u003cp\u003eGoya employs aquatint to create subtle tonal variations across the arena floor, providing a sense of space and atmosphere. The lines are precise, capturing the texture of the clothing and the musculature of the bull. Unlike his later, more chaotic works, this series maintains a documentary quality, reflecting the artist's interest in the cultural traditions of his home country. The figures in the background provide context, suggesting the presence of an audience or other participants within the bullring.\u003c\/p\u003e\n\u003cp\u003eTechnically, the work demonstrates Goya's mastery of printmaking. He balances the dark, etched lines of the figures with the softer, washed tones of the aquatint. This approach allows for a clear separation of foreground and background elements. The print offers a glimpse into the evolution of the bullfight, moving away from the mounted combat of the past toward the foot-based performance that became standard. It is a study of movement and historical practice, rendered with the technical rigour characteristic of Goya's mature period.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-dogs-let-loose-on-the-bull-francisco-jose-de-goya-y-lucientes\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Dogs Let Loose on the Bull - Francisco José de Goya y Lucientes — Francisco José de Goya y Lucientes\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco Goya","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58372066902351,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58372066967887,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58372067066191,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58372067098959,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58372067164495,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Origin-of-the-Harpoons-or-Banderillas_Poster_CompositorV1_1785720586045.jpg?v=1785727429"},{"product_id":"death-of-pepe-illo-francisco-jose-de-goya-y-lucientes","title":"Death of Pepe Illo - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching from Goya's La Tauromaquia series, depicting the fatal encounter of the matador Pepe Illo in the bullring.\u003c\/p\u003e\n\u003cp\u003eThis print is Plate 29 from the series La Tauromaquia, a collection of thirty-three etchings by Francisco Goya documenting the history and practice of bullfighting in Spain. The scene depicts the fatal goring of the famous matador José Delgado Guerra, known as Pepe Illo, in the Madrid bullring in 1801. Goya employs a combination of etching, aquatint, and drypoint to capture the chaotic energy of the arena. The composition focuses on the central struggle between the matador and the bull, while the surrounding figures and the distant, indistinct crowd provide a sense of scale and atmosphere.\u003c\/p\u003e\n\u003cp\u003eGoya uses light and shadow to direct the viewer's attention to the violent encounter. The stark contrast between the illuminated centre of the ring and the darker periphery creates a sense of immediate danger. The lines are precise, reflecting Goya's technical mastery of the copper plate. Unlike earlier, more formal depictions of the sport, this work captures the raw, unvarnished reality of the event. The figures are rendered with a sense of movement and urgency, conveying the peril inherent in the matador's profession.\u003c\/p\u003e\n\u003cp\u003eAs a document of Spanish culture, the series offers a perspective on the spectacle of the bullfight during the early nineteenth century. Goya does not romanticise the scene, choosing instead to present the brutality of the sport with clinical observation. The print remains a significant example of Goya's graphic work, demonstrating his ability to convey complex narratives through minimal means. The technical execution, particularly the use of aquatint to create tonal depth, allows for a nuanced rendering of the dusty arena floor and the shifting light of the afternoon. This print is a fine example of Goya's late graphic style, where economy of line meets emotional intensity.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/man-leading-a-camel-edwin-lord-weeks\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan Leading a Camel - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/ballerina-carlotta-chabert-as-venus-francesco-hayez\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eBallerina Carlotta Chabert as Venus - Francesco Hayez — Francesco Hayez\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58372154032463,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58372154097999,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58372154196303,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58372154229071,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58372154294607,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Death-of-Pepe-Illo_Poster_CompositorV1_1785726228231.jpg?v=1785729461"},{"product_id":"pepe-illo-making-the-pass-of-the-recorte-francisco-jose-de-goya-y-lucientes","title":"Pepe Illo Making the Pass of the 'Recorte' - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching from Goya's 'La Tauromaquia' series, depicting the matador Pepe Illo performing a daring pass in the bullring.\u003c\/p\u003e\n\u003cp\u003eThis work is plate 29 from the series 'La Tauromaquia', a collection of thirty-three prints produced by Francisco Goya between 1815 and 1816. The series documents the history and practice of bullfighting in Spain, a subject that fascinated the artist throughout his career. In this specific scene, Goya captures the matador Pepe Illo performing the 'recorte', a daring manoeuvre where the bullfighter dodges the animal at close range.\u003c\/p\u003e\n\u003cp\u003eThe composition demonstrates Goya's mastery of aquatint, a technique he employed to create atmospheric depth and tonal variation. The figures of the matador and the bull are positioned in the foreground, their forms defined by sharp, expressive lines that convey the tension of the encounter. In the background, the blurred forms of the picadors and the indistinct crowd in the stands provide a sense of scale and environment, without distracting from the central action.\u003c\/p\u003e\n\u003cp\u003eGoya's approach to the subject is observational rather than celebratory. He focuses on the physical mechanics of the sport, the danger inherent in the performance, and the stark reality of the arena. The use of dark, moody tones across the plate reflects the gravity of the event. By stripping away unnecessary detail, Goya directs the viewer's attention to the precise moment of interaction between man and beast. This print remains a significant example of Goya's technical skill in printmaking, showing his ability to manipulate light and shadow to evoke movement and drama within a static medium.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/anger-thomas-rowlandson\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eAnger - Thomas Rowlandson — Thomas Rowlandson\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/death-of-pepe-illo-francisco-jose-de-goya-y-lucientes\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eDeath of Pepe Illo - Francisco José de Goya y Lucientes — Francisco José de Goya y Lucientes\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco Goya","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58372241359183,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58372241424719,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58372241523023,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58372241555791,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58372241621327,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Pepe-Illo-Making-the-Pass-of-the-Recorte-_Poster_CompositorV1_1785729505929.jpg?v=1785733765"},{"product_id":"a-picador-is-unhorsed-and-falls-under-the-bull-francisco-jose-de-goya-y-lucientes","title":"A Picador Is Unhorsed and Falls under the Bull - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching from Goya's La Tauromaquia series, capturing a perilous moment in the bullring with masterful use of aquatint and shadow.\u003c\/p\u003e\n\u003cp\u003eThis etching belongs to the series La Tauromaquia, a collection of thirty-three prints produced by Francisco Goya between 1815 and 1816. The series documents the history and practice of bullfighting in Spain, moving from historical origins to the specific techniques of the nineteenth century. Goya employs a combination of etching, aquatint, and drypoint to achieve a tonal range that captures the harsh, sun-drenched atmosphere of the bullring.\u003c\/p\u003e\n\u003cp\u003eThe composition focuses on a moment of physical peril. A picador, having been unhorsed, lies beneath the weight of the bull and his fallen mount. The scene is rendered with a stark economy of line. Goya uses aquatint to create deep shadows beneath the animals, grounding the figures in the centre of the arena. The background features a simplified barrier and a crowd of spectators, whose presence is suggested through minimal, gestural marks. This lack of detail in the periphery directs the viewer's attention to the central struggle.\u003c\/p\u003e\n\u003cp\u003eGoya avoids romanticising the spectacle. Instead, he presents the violence of the event with a detached, observational quality. The contrast between the dark, muscular form of the bull and the lighter, vulnerable forms of the horse and rider creates a sense of immediate tension. The print demonstrates Goya's technical mastery of the copper plate, particularly in his ability to convey texture and weight through varied biting times in the aquatint process. This work remains a significant example of his late graphic output, reflecting his interest in the visceral nature of public spectacles and the human condition within them.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/anger-thomas-rowlandson\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eAnger - Thomas Rowlandson — Thomas Rowlandson\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/resting-along-the-trail-william-shayer\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eResting Along The Trail - William Shayer — William Shayer\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58372737270095,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58372737335631,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58372737433935,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58372737466703,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58372737532239,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/A-Picador-Is-Unhorsed-and-Falls-under-the-Bull_Poster_CompositorV1_1785733742791.jpg?v=1785746587"},{"product_id":"a-spanish-mounted-knight-in-the-ring-breaking-short-spears-without-the-help-of-assistants-francisco-jose-de-goya-y-lucientes","title":"A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA detailed etching from Goya's 'La Tauromaquia' series, depicting a mounted knight facing a bull in the arena.\u003c\/p\u003e\n\u003cp\u003eThis etching belongs to the series 'La Tauromaquia', a collection of thirty-three prints produced by Francisco Goya between 1815 and 1816. The series documents the history and practice of bullfighting in Spain, moving from historical origins to the contemporary techniques of the nineteenth century. In this specific plate, Goya captures a mounted knight, or 'caballero', engaged in the act of breaking short spears, known as 'rejoncillos', while facing a bull.\u003c\/p\u003e\n\u003cp\u003eThe composition is defined by the stark contrast between the open, sun-drenched arena floor and the dark, muscular form of the bull. Goya employs aquatint to create the soft, atmospheric shadows that stretch across the sand, providing a sense of depth and movement. The knight, dressed in traditional attire, maintains a steady posture on horseback, his focus directed toward the animal. The background features a simple wooden barrier, behind which a small group of spectators is visible, their presence rendered with minimal, suggestive lines.\u003c\/p\u003e\n\u003cp\u003eGoya's technical approach in this series demonstrates his mastery of printmaking. He uses etching to define the sharp outlines of the figures and the horse's anatomy, while aquatint adds tonal variation and texture to the scene. The work avoids unnecessary detail, focusing instead on the tension inherent in the encounter. By stripping away extraneous elements, Goya directs the viewer's attention to the physical interaction between man and beast. This print is a clear example of his ability to document cultural practices through a lens of dramatic realism, capturing the danger and precision required in the bullring. The work remains a significant record of Spanish equestrian traditions as they existed during the early nineteenth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/anger-thomas-rowlandson\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eAnger - Thomas Rowlandson — Thomas Rowlandson\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/resting-along-the-trail-william-shayer\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eResting Along The Trail - William Shayer — William Shayer\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58373027103055,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58373027168591,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58373027266895,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58373027299663,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58373027365199,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/A-Spanish-Mounted-Knight-in-the-Ring-Breaking-Short-Spears-Without-the-Help-of-Assistants_Poster_CompositorV1_1785744102750.jpg?v=1785749972"},{"product_id":"a-moor-caught-by-the-bull-in-the-ring-francisco-jose-de-goya-y-lucientes","title":"A Moor Caught by the Bull in the Ring - Francisco José de Goya y Lucientes","description":"\u003cp\u003eA dramatic etching and aquatint from Goya's 'La Tauromaquia' series, capturing the raw intensity of a bullfight.\u003c\/p\u003e\n\u003cp\u003eThis print belongs to the series 'La Tauromaquia', a collection of thirty-three etchings by Francisco Goya. Published in 1816, the series documents the history and practice of bullfighting in Spain. Goya employs a combination of etching and aquatint to create dramatic contrasts between light and shadow, a technique that defines the visual impact of the work.\u003c\/p\u003e\n\u003cp\u003eThe scene depicts a specific moment of danger within the bullring. A bull has caught a Moorish figure, lifting him from the ground with its horns. The composition is stark, focusing on the physical struggle between the animal and the human. Goya uses the aquatint process to create a textured, atmospheric background, which pushes the figures into the foreground. The figures are rendered with economy, yet their postures convey the violence and chaos of the event.\u003c\/p\u003e\n\u003cp\u003eUnlike earlier depictions of bullfighting that focused on the pageantry of the sport, Goya presents the raw reality of the encounter. The artist had a lifelong interest in the spectacle of the ring, and his work in this series reflects both his technical mastery of printmaking and his observational approach to his subject matter. The use of tone through aquatint allows for a sense of depth and volume, grounding the figures in the dusty arena. This print is a representative example of Goya's late graphic work, where he moved away from traditional academic styles toward a more expressive and direct visual language. The work remains a significant record of Spanish cultural history, captured through the lens of one of the most influential artists of the period.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/anger-thomas-rowlandson\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eAnger - Thomas Rowlandson — Thomas Rowlandson\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/resting-along-the-trail-william-shayer\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eResting Along The Trail - William Shayer — William Shayer\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Francisco José de Goya y Lucientes","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58373028446543,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58373028512079,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58373028610383,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58373028643151,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58373028708687,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/A-Moor-Caught-by-the-Bull-in-the-Ring_Poster_CompositorV1_1785743988952.jpg?v=1785750070"}],"url":"https:\/\/www.solisprints.com\/en-nz\/collections\/francisco-jose-de-goya-y-lucientes.oembed","provider":"Solis Prints","version":"1.0","type":"link"}