{"title":"Jean Augustin Daiwaille","description":null,"products":[{"product_id":"hoofd-van-een-man-head-of-a-man-jean-augustin-daiwaille","title":"Hoofd van een man (Head of a Man) - Jean Augustin Daiwaille","description":"\u003cp\u003eA refined lithographic portrait study of a man in profile, demonstrating the technical precision and draughtsmanship of Dutch artist Jean Augustin Daiwaille.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille depicts the head of a man in profile, turned slightly towards the right. Daiwaille, a Dutch artist active during the early nineteenth century, was known for his technical proficiency in portraiture and his contributions to the development of lithography in the Netherlands. The work demonstrates a focus on anatomical accuracy and the subtle modulation of light across the facial features.\u003c\/p\u003e\n\u003cp\u003eThe artist employs fine, controlled lines to define the subject's hair, jawline, and features. The shading is achieved through delicate hatching, which provides volume to the form without relying on heavy contrast. The subject's expression is neutral, suggesting a study of character rather than a formal commissioned portrait. The composition is sparse, placing the figure against a plain background, which directs the viewer's attention to the draftsmanship.\u003c\/p\u003e\n\u003cp\u003eLithography allowed artists of this period to replicate the qualities of pencil or chalk drawings with greater ease than traditional engraving methods. Daiwaille utilised this medium to capture the texture of the skin and the softness of the hair. The print reflects the academic training common to the era, where the study of the human head was a standard exercise for artists. The work remains a clear example of the technical standards maintained by Dutch printmakers during the Romantic period, prioritising clarity and precision in the rendering of the human form. The paper retains its original tone, providing a neutral ground that complements the monochromatic ink work.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/andalusian-smuggler-francisco-jose-de-goya-y-lucientes\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eAndalusian Smuggler - Francisco José de Goya y Lucientes — Francisco José de Goya y Lucientes\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/two-bathers-by-the-water-rodolphe-bresdin\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eTwo Bathers by the Water - Rodolphe Bresdin — Rodolphe Bresdin\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464140984655,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464141050191,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464141148495,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464141181263,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464141246799,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Hoofd-van-een-man-Head-of-a-Man-_Poster_CompositorV1_1786271823240.jpg?v=1786580563"},{"product_id":"meisje-met-muts-girl-with-a-cap-jean-augustin-daiwaille","title":"Meisje met muts (Girl with a Cap) - Jean Augustin Daiwaille","description":"\u003cp\u003eA delicate nineteenth-century lithograph by Jean Augustin Daiwaille, depicting a young woman in a cap with a contemplative expression.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille captures a young woman in a moment of quiet contemplation. The artist, a Dutch painter and lithographer, demonstrates his technical proficiency through the subtle modulation of tone across the subject's face and the folds of her cap. The work belongs to a period when lithography gained popularity as a medium for reproducing portraiture and character studies, allowing for a soft, painterly quality that mimics the appearance of charcoal or chalk drawings.\u003c\/p\u003e\n\u003cp\u003eThe composition focuses entirely on the subject, who is depicted in a three-quarter view with her gaze directed upwards. This upward tilt provides a sense of narrative ambiguity, inviting the viewer to consider the subject's internal state. Daiwaille uses delicate hatching to define the shadows beneath the chin and along the neck, which creates a gentle volume against the stark, unadorned background of the paper. The cap, rendered with lighter, more fluid strokes, provides a soft frame for the face, contrasting with the more defined features of the eyes and mouth.\u003c\/p\u003e\n\u003cp\u003eAs a practitioner of the early nineteenth-century Dutch school, Daiwaille often produced works that prioritised clarity and technical precision. This print is a fine example of his ability to convey character through minimal means. The lack of environmental context ensures that the viewer remains engaged with the subject's expression. The presence of the 'No. 9' notation in the upper left corner suggests this piece was part of a larger series or a collection of studies intended for distribution or instructional use. The print retains the original character of the stone, showing the artist's hand in the varied pressure applied to the lithographic crayon.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscapes-number-3-alexandre-calame\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscapes Number 3 - Alexandre Calame — Alexandre Calame\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/christ-on-the-way-to-golgotha-franz-hanfstaengl\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eChrist on the Way to Golgotha - Franz Hanfstaengl — Franz Hanfstaengl\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464154583375,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464154648911,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464154747215,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464154779983,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464154845519,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Meisje-met-muts-Girl-with-a-Cap-_Poster_CompositorV1_1786272128783.jpg?v=1786580801"},{"product_id":"jongen-van-opzij-gezien-jean-augustin-daiwaille","title":"Jongen van opzij gezien - Jean Augustin Daiwaille","description":"\u003cp\u003eA refined nineteenth-century lithograph portrait of a young boy in profile, demonstrating the technical precision of Dutch artist Jean Augustin Daiwaille.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille captures a young boy in profile, demonstrating the artist's technical command of the medium. Daiwaille, a Dutch painter and lithographer, was active during the early nineteenth century and contributed to the popularisation of lithography in the Netherlands. His work often focused on portraiture, where he employed subtle tonal gradations to model form and texture.\u003c\/p\u003e\n\u003cp\u003eThe composition is sparse, focusing entirely on the subject against a neutral background. The boy is depicted with a soft, naturalistic expression. Daiwaille uses fine, controlled lines to define the curls of the hair and the contours of the face. The shading is achieved through delicate cross-hatching and stippling, which allows for a smooth transition between light and shadow. This approach gives the skin a lifelike quality, typical of the period's interest in realistic portraiture.\u003c\/p\u003e\n\u003cp\u003eAs a lithograph, the work reflects the technical possibilities of the process, which allowed artists to replicate the appearance of pencil or chalk drawings with high fidelity. The inclusion of the mark 'No. 10' suggests this print was part of a larger series or a drawing manual, common in the nineteenth century for educational purposes or artistic study. The simplicity of the presentation directs the viewer to the anatomical precision of the drawing. The artist captures the specific features of the child with clarity, avoiding unnecessary detail in the clothing or surroundings. This print is an example of the refined graphic work produced by Daiwaille, who was also known for his role as the director of the Amsterdam Academy of Fine Arts.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscapes-number-3-alexandre-calame\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscapes Number 3 - Alexandre Calame — Alexandre Calame\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/christ-on-the-way-to-golgotha-franz-hanfstaengl\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eChrist on the Way to Golgotha - Franz Hanfstaengl — Franz Hanfstaengl\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464160579919,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464160645455,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464160743759,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464160776527,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464160842063,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Jongen-van-opzij-gezien_Poster_CompositorV1_1786272408353.jpg?v=1786580952"},{"product_id":"oude-vrouw-met-hoofddoek-old-woman-with-headscarf-jean-augustin-daiwaille","title":"Oude vrouw met hoofddoek (Old Woman with Headscarf) - Jean Augustin Daiwaille","description":"\u003cp\u003eA delicate lithographic portrait of an elderly woman by the Dutch artist Jean Augustin Daiwaille, showcasing his mastery of line and subtle shading.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille captures the quiet dignity of an elderly woman. The artist employs a restrained technique, focusing on the subtle contours of the face and the soft folds of the headscarf. By utilising the specific properties of the lithographic stone, Daiwaille achieves a delicate tonal range that mimics the appearance of a pencil or chalk drawing. The subject is depicted in a three-quarter profile, her gaze directed slightly downward, which lends the portrait a contemplative quality.\u003c\/p\u003e\n\u003cp\u003eDaiwaille was a significant figure in the development of Dutch lithography during the early nineteenth century. His work often explored character studies and portraiture, reflecting a broader interest in human expression and the everyday lives of individuals. This particular print demonstrates his technical proficiency in managing light and shadow without the need for heavy contrast. The composition remains sparse, placing the entire focus on the subject's features and the texture of her garment. The clean margins and the inclusion of the plate number suggest this piece was part of a larger series or a drawing manual, which were common formats for lithographic artists of the period to disseminate their skills to students and collectors.\u003c\/p\u003e\n\u003cp\u003eThe print is an example of the technical precision that defined the early era of lithography in the Netherlands. It avoids unnecessary ornamentation, relying instead on the clarity of the line and the soft application of shading to define form. The result is a portrait that feels immediate and unpretentious, capturing a fleeting moment of stillness. For those interested in the history of printmaking, this work offers a clear view into the methods used by nineteenth-century artists to translate the nuances of drawing into a reproducible medium.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscapes-number-3-alexandre-calame\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscapes Number 3 - Alexandre Calame — Alexandre Calame\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/christ-on-the-way-to-golgotha-franz-hanfstaengl\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eChrist on the Way to Golgotha - Franz Hanfstaengl — Franz Hanfstaengl\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464176439631,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464176505167,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464176603471,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464176636239,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464176701775,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Oude-vrouw-met-hoofddoek-Old-Woman-with-Headscarf-_Poster_CompositorV1_1786272644931.jpg?v=1786581338"},{"product_id":"still-life-with-fruit-and-shells-jean-augustin-daiwaille","title":"Still Life with Fruit and Shells - Jean Augustin Daiwaille","description":"\u003cp\u003eA classic Dutch still life featuring a collection of fruit and shells, rendered with soft light and careful attention to texture.\u003c\/p\u003e\n\u003cp\u003eThis composition by Jean Augustin Daiwaille presents a traditional arrangement of fruit and shells set against a dark, atmospheric background. The artist, a Dutch painter active during the early nineteenth century, demonstrates a technical focus on the textures of organic forms. The grouping includes white and dark grapes, a melon, and several pome fruits, all rendered with a soft, diffused light that defines their rounded volumes.\u003c\/p\u003e\n\u003cp\u003eThe inclusion of shells in the foreground introduces a variation in surface quality, contrasting the smooth, waxy skins of the fruit with the calcified, irregular edges of the marine objects. Daiwaille employs a muted palette, relying on subtle shifts in tone to create depth rather than relying on high-contrast lighting. The arrangement follows a classic pyramidal structure, common in European still life painting, which directs the viewer's eye across the varied surfaces of the produce.\u003c\/p\u003e\n\u003cp\u003eDaiwaille was known for his portraiture and his ability to capture fine detail, a skill he applied here to the subtle variations in the colour of the grapes and the mottled skin of the melon. The work avoids excessive ornamentation, focusing instead on the physical presence of the objects. The brushwork remains controlled, allowing for a clear depiction of the individual items while maintaining a unified atmosphere. This piece reflects the period's interest in the observation of nature, presented with a sense of quietude. The dark background serves to push the objects forward, ensuring the focus remains on the tactile qualities of the fruit and the delicate structure of the shells. It is a representative example of the Dutch tradition of still life painting, adapted to the aesthetic sensibilities of the early nineteenth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/verhaal-van-de-jongen-jantje-nr-5-pieter-van-loon\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eVerhaal van de jongen Jantje, nr. 5 - Pieter van Loon — Pieter van Loon\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/sports-of-a-country-fair-part-the-second-thomas-rowlandson\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSports of a Country Fair, Part the Second - Thomas Rowlandson — Thomas Rowlandson\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464177586511,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464177652047,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464177750351,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464177783119,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464177848655,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Still-Life-with-Fruit-and-Shells_Poster_CompositorV1_1786272879275.jpg?v=1786581348"},{"product_id":"jonge-vrouw-met-hoofddoek-jean-augustin-daiwaille","title":"Jonge vrouw met hoofddoek - Jean Augustin Daiwaille","description":"\u003cp\u003eA refined nineteenth-century lithograph by Jean Augustin Daiwaille, depicting a young woman in profile with delicate tonal modelling.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille captures a young woman in profile, her gaze directed upward and away from the viewer. The work demonstrates the technical precision Daiwaille brought to the medium of lithography, a process that was gaining popularity in the early nineteenth century for its ability to replicate the soft, tonal qualities of charcoal or chalk drawings. The artist uses subtle gradations of grey to model the subject's features, creating a sense of volume and depth within the facial structure. The headscarf is rendered with light, deliberate strokes, allowing the texture of the fabric to contrast with the smooth skin of the face.\u003c\/p\u003e\n\u003cp\u003eDaiwaille was a Dutch artist who operated a lithographic studio in Amsterdam, contributing to the spread of the medium through his own prints and his instruction of other artists. His approach to portraiture often favoured a quiet, contemplative mood, avoiding excessive ornamentation to focus on the expression of the sitter. The composition is sparse, placing the figure against a plain background, which directs the viewer's attention entirely to the subject's profile and the play of light across her features. This print reflects the broader interest in character studies and physiognomy that occupied many artists of the Romantic period. The work is marked with a simple numerical identifier, suggesting it was part of a larger series of studies or instructional plates intended for students of drawing. The clarity of the lines and the controlled application of ink demonstrate the high standard of craftsmanship associated with Daiwaille's workshop during this era.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscapes-number-3-alexandre-calame\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscapes Number 3 - Alexandre Calame — Alexandre Calame\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/christ-on-the-way-to-golgotha-franz-hanfstaengl\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eChrist on the Way to Golgotha - Franz Hanfstaengl — Franz Hanfstaengl\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464183517519,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464183583055,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464183681359,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464183714127,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464183779663,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Jonge-vrouw-met-hoofddoek_Poster_CompositorV1_1786273275428.jpg?v=1786581676"},{"product_id":"naar-links-kijkende-man-jean-augustin-daiwaille","title":"Naar links kijkende man - Jean Augustin Daiwaille","description":"\u003cp\u003eA refined nineteenth-century lithograph by Jean Augustin Daiwaille, depicting a man in profile with precise anatomical detail.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille presents a study of a man in profile, oriented towards the left. Daiwaille, a Dutch artist active during the early nineteenth century, gained recognition for his technical proficiency in the medium of lithography. This work demonstrates his ability to capture anatomical detail and subtle tonal variations through the application of lithographic crayon on stone.\u003c\/p\u003e\n\u003cp\u003eThe subject is rendered with a focus on the structural features of the face, including the prominent jawline and the contours of the neck. The artist employs a restrained approach, using fine hatching to suggest shadow and volume without overwhelming the composition. The figure is draped in a simple garment, which directs the viewer's attention to the expressive quality of the facial features. The inclusion of the mark 'No. 3' at the top suggests this piece was part of a larger series or a drawing manual, common for artists of the period who produced instructional materials for students of fine art.\u003c\/p\u003e\n\u003cp\u003eDaiwaille was a significant figure in the development of Dutch lithography, often collaborating with other artists to refine the process. His work frequently reflects the academic standards of the time, prioritising clarity of form and precise observation. The print retains the original margins and the faint inscription 'Lith. van J.A. Daiwaille' at the base, confirming its origin in his studio. This piece offers an insight into the technical exercises and portrait studies that defined the practice of professional lithographers in the early nineteenth century. The composition remains balanced, providing a clear example of the period's interest in physiognomy and the study of the human form.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscapes-number-3-alexandre-calame\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscapes Number 3 - Alexandre Calame — Alexandre Calame\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/man-on-horseback-in-the-desert-eugene-delacroix\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan on Horseback in the Desert - Eugène Delacroix — Eugène Delacroix\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464193315151,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464193380687,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464193478991,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464193511759,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464193577295,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Naar-links-kijkende-man_Poster_CompositorV1_1786273571301.jpg?v=1786581960"},{"product_id":"vrouw-met-hoofddoek-jean-augustin-daiwaille","title":"Vrouw met hoofddoek - Jean Augustin Daiwaille","description":"\u003cp\u003eA refined nineteenth-century lithograph by Jean Augustin Daiwaille, capturing a woman in a headscarf with expressive, dramatic lighting.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille captures a study of a woman in a headscarf, rendered with the technical precision characteristic of early nineteenth-century Dutch printmaking. Daiwaille, a painter and lithographer based in Amsterdam, was known for his portraiture and his contribution to the development of lithography as a medium for fine art reproduction. The work focuses on the subject's upward gaze, which imparts a sense of dramatic tension and emotional weight to the composition.\u003c\/p\u003e\n\u003cp\u003eThe artist employs subtle tonal gradations to model the features of the face and the folds of the fabric. By using the lithographic stone, Daiwaille achieves a softness in the shading that mimics the appearance of charcoal or chalk drawings. The background remains largely empty, which directs the viewer's attention to the expression of the subject. The lighting emanates from an unseen source, creating highlights on the forehead and nose while leaving the neck and lower portions of the garment in shadow.\u003c\/p\u003e\n\u003cp\u003eThis print reflects the broader interest in physiognomy and character studies that occupied many artists of the period. Rather than a formal portrait, the work functions as a study of expression and light. The simplicity of the presentation allows for an examination of the artist's draftsmanship and his ability to convey mood through minimal visual information. The inclusion of the plate number in the upper right corner suggests this piece was part of a larger series or a drawing manual, which were common formats for disseminating artistic techniques during the era. The work remains a clear example of the technical capabilities of early lithography, demonstrating how artists could translate the nuances of pencil and wash into a reproducible format without losing the delicacy of the original hand.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscapes-number-3-alexandre-calame\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscapes Number 3 - Alexandre Calame — Alexandre Calame\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/man-on-horseback-in-the-desert-eugene-delacroix\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMan on Horseback in the Desert - Eugène Delacroix — Eugène Delacroix\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464209305935,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464209371471,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464209469775,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464209502543,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464209568079,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Vrouw-met-hoofddoek_Poster_CompositorV1_1786273929125.jpg?v=1786582380"},{"product_id":"biddende-man-praying-man-jean-augustin-daiwaille","title":"Biddende man (Praying Man) - Jean Augustin Daiwaille","description":"\u003cp\u003eA sensitive lithographic portrait by Jean Augustin Daiwaille, capturing a man in a moment of quiet, intense prayer.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille captures a figure in a moment of intense devotion. The subject, a man with a weathered face, is depicted with his hands clasped in prayer. A simple cloth head covering frames his features, drawing the viewer's attention to the expression of concentration and spiritual focus. Daiwaille employs the lithographic medium to create soft transitions between light and shadow, giving the face a sense of volume and emotional weight.\u003c\/p\u003e\n\u003cp\u003eDaiwaille was a prominent figure in the Dutch art scene during the early nineteenth century. He gained recognition for his technical skill in lithography, a medium that was then gaining popularity for its ability to replicate the nuances of drawing. His work often explored human character through portraiture, moving away from the rigid formality of earlier periods toward a more expressive, Romantic sensibility. The composition is stripped of background detail, ensuring that the psychological state of the subject remains the primary focus. The subtle cross-hatching and shading techniques demonstrate the artist's command over the stone, allowing for a delicate rendering of the skin and the folds of the fabric.\u003c\/p\u003e\n\u003cp\u003eThis print reflects the broader interest in physiognomy and the study of human emotion that occupied many artists of the era. By isolating the figure, Daiwaille invites the viewer to consider the internal experience of the subject. The work is a fine example of the technical precision and artistic sensitivity that defined his career as both a painter and a lithographer. It remains a quiet, contemplative piece, suitable for those who appreciate the intersection of technical mastery and human narrative in historical printmaking.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscapes-number-3-alexandre-calame\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscapes Number 3 - Alexandre Calame — Alexandre Calame\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/pesmes-richard-parkes-bonington\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePesmes - Richard Parkes Bonington — Richard Parkes Bonington\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464213467471,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464213533007,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464213631311,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464213664079,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464213729615,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Biddende-man-Praying-Man-_Poster_CompositorV1_1786274168932.jpg?v=1786582515"},{"product_id":"zeven-voeten-jean-augustin-daiwaille","title":"Zeven voeten - Jean Augustin Daiwaille","description":"\u003cp\u003eAn anatomical study of human feet by Dutch artist Jean Augustin Daiwaille, rendered in a precise, instructional lithographic style.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille presents a series of anatomical studies focusing on the human foot. As a prominent Dutch artist and lithographer, Daiwaille was known for his technical precision and his contribution to the development of lithography in the Netherlands during the early nineteenth century. This sheet functions as a pedagogical tool, likely intended for students of drawing or fine art academies, providing clear examples of various angles and postures of the foot.\u003c\/p\u003e\n\u003cp\u003eThe composition is sparse, prioritising clarity over decorative elements. Each study is rendered with fine, controlled lines that define the skeletal structure and musculature without unnecessary shading. By isolating the subject matter, the artist allows the viewer to observe the mechanics of the foot, from the arch to the alignment of the toes. The work reflects the academic tradition of the period, where mastery of human anatomy was a requirement for any aspiring artist.\u003c\/p\u003e\n\u003cp\u003eDaiwaille, who also served as the director of the Amsterdam Academy, produced many such instructional prints. His approach is methodical, showing the foot in profile, three-quarter view, and from the front. The lack of background context ensures that the focus remains entirely on the anatomical accuracy of the forms. This print is a representative example of the instructional materials produced during the era, demonstrating the intersection of scientific observation and artistic practice. It offers a glimpse into the rigorous training methods of the nineteenth-century art world, where the study of individual body parts was a necessary step toward achieving proficiency in figure painting and sculpture.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-angel-at-the-tomb-of-christ-benjamin-west\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Angel at the Tomb of Christ - Benjamin West — Benjamin West\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-boy-with-the-dog-pierre-paul-prudhon\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Boy with the Dog - Pierre-Paul Prud'hon — Pierre-Paul Prud'hon\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464298893647,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464298959183,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464299057487,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464299090255,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464299155791,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Zeven-voeten_Poster_CompositorV1_1786276087430.jpg?v=1786584152"},{"product_id":"drie-handen-three-hands-jean-augustin-daiwaille","title":"Drie handen (Three Hands) - Jean Augustin Daiwaille","description":"\u003cp\u003eA precise nineteenth-century lithographic study of three hands by Dutch artist Jean Augustin Daiwaille, demonstrating anatomical accuracy and technical draftsmanship.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille presents a series of anatomical studies focusing on the human hand. As a prominent Dutch artist and lithographer, Daiwaille was known for his technical precision and his contribution to the development of lithography in the Netherlands during the early nineteenth century. This work functions as a pedagogical tool, likely intended for students of drawing or fine art, demonstrating the subtle variations in hand positioning and gesture.\u003c\/p\u003e\n\u003cp\u003eThe composition is sparse, placing three distinct hand studies against a neutral background. The top two hands are shown in relaxed, resting positions, while the bottom hand is depicted in the act of holding a drawing implement. Daiwaille employs delicate shading to define the musculature and bone structure, capturing the soft transition of light across the skin. The lines are fine and controlled, reflecting the technical requirements of the lithographic process, which allowed for a tonal quality similar to that of charcoal or graphite drawings.\u003c\/p\u003e\n\u003cp\u003eSuch studies were common in the nineteenth century, as artists sought to master the complexities of human anatomy. By isolating these specific gestures, the artist provides a clear view of how light and shadow interact with the fingers and palm. The inclusion of the label 'No. 3' suggests this print was part of a larger series or instructional portfolio. The work remains a clean, objective example of academic draftsmanship, prioritising clarity and anatomical accuracy over decorative flourish. It offers a glimpse into the rigorous training methods of the period, where the mastery of individual body parts was a prerequisite for larger, more complex compositions. The print is presented on paper that retains the character of its original production, making it a suitable addition for those interested in the history of printmaking or the evolution of artistic education.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/faust-and-wagner-eugene-delacroix\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eFaust and Wagner - Eugène Delacroix — Eugène Delacroix\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/olevano-edward-lear\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eOlevano - Edward Lear — Edward Lear\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464306266447,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464306331983,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464306430287,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464306463055,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464306528591,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Drie-handen-Three-Hands-_Poster_CompositorV1_1786276327487.jpg?v=1786584578"},{"product_id":"tekenvoorbeeld-van-romeinse-wapentrofee-jean-augustin-daiwaille","title":"Tekenvoorbeeld van Romeinse wapentrofee - Jean Augustin Daiwaille","description":"\u003cp\u003eA precise lithographic study of a Roman military trophy, based on the reliefs of Trajan's Column, produced as an instructional drawing example.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille presents a detailed study of a Roman military trophy, derived from the relief carvings on Trajan's Column. The composition is structured as a vertical arrangement of captured armour, including shields, helmets, and standards. The artist employs a precise, clean line to delineate the forms, reflecting the pedagogical purpose of such prints, which were often produced as drawing examples for students of the fine arts.\u003c\/p\u003e\n\u003cp\u003eThe work captures the classical interest in antiquity that permeated European art during the early nineteenth century. By isolating the trophy from its original architectural context, Daiwaille allows the viewer to focus on the decorative motifs and the structural organisation of the Roman military equipment. The shields are adorned with stylised patterns, while the helmets and animal-headed ornaments provide a sense of historical texture. The central vertical axis is maintained by the upright pole supporting the armour, creating a balanced, symmetrical presentation typical of the period's academic approach to historical subjects.\u003c\/p\u003e\n\u003cp\u003eDaiwaille, a Dutch artist known for his technical proficiency in lithography, demonstrates a clear command of the medium. The print avoids unnecessary shading, relying instead on the clarity of the contour to define the objects. This approach ensures that the forms remain legible, serving the needs of an instructional drawing manual. The inclusion of the title 'Trophée tiré de la Colonne trajane' at the base confirms the source material, linking the print directly to the visual culture of the Roman Empire. This piece offers a glimpse into the methods of nineteenth-century art education, where the study of classical motifs was a standard component of an artist's training.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-angel-at-the-tomb-of-christ-benjamin-west\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Angel at the Tomb of Christ - Benjamin West — Benjamin West\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-boy-with-the-dog-pierre-paul-prudhon\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Boy with the Dog - Pierre-Paul Prud'hon — Pierre-Paul Prud'hon\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58527749472591,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58527749538127,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58527749636431,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58527749669199,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58527749734735,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Tekenvoorbeeld-van-Romeinse-wapentrofee_Poster_CompositorV1_1786276570311.jpg?v=1787243840"},{"product_id":"vier-gezichten-van-opzij-jean-augustin-daiwaille","title":"Vier gezichten van opzij - Jean Augustin Daiwaille","description":"\u003cp\u003eA refined lithographic study of four distinct facial profiles, demonstrating the precise draftsmanship and classical influence of Dutch artist Jean Augustin Daiwaille.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille presents four distinct profile studies of human heads. The work reflects the pedagogical approach common in early nineteenth-century art education, where students were encouraged to master the proportions and features of the human face through systematic observation. Each profile is rendered with a focus on clean, continuous lines, avoiding heavy shading to maintain a clear anatomical structure.\u003c\/p\u003e\n\u003cp\u003eThe composition is organised into a grid, a standard format for drawing manuals of the period. The upper left and lower left figures display youthful, classical features, while the upper right figure shows a more delicate, perhaps feminine, profile. The lower right figure introduces a contrast, depicting a bearded man wearing a helmet, which suggests a classical or mythological subject. The lack of background detail keeps the viewer's attention fixed on the variations in facial structure, jawlines, and hair styling.\u003c\/p\u003e\n\u003cp\u003eDaiwaille, a Dutch artist known for his portraiture and lithographic work, demonstrates a high level of technical control in this print. The lines are precise and economical, characteristic of the lithographic process when used for instructional materials. By isolating these profiles, the artist provides a clear reference for the study of human physiognomy. The work is marked 'N°7' in the upper right corner, indicating it was part of a larger series or portfolio intended for artistic training. This print offers a glimpse into the methods used by artists to refine their draftsmanship during the Neoclassical era, where clarity and adherence to classical ideals were paramount. The minimalist aesthetic makes this piece suitable for a contemporary interior, providing a subtle, academic touch to a study or library space.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-angel-at-the-tomb-of-christ-benjamin-west\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Angel at the Tomb of Christ - Benjamin West — Benjamin West\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-boy-with-the-dog-pierre-paul-prudhon\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Boy with the Dog - Pierre-Paul Prud'hon — Pierre-Paul Prud'hon\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464393396559,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464393462095,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464393560399,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464393593167,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464393658703,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Vier-gezichten-van-opzij_Poster_CompositorV1_1786277073734.jpg?v=1786585073"},{"product_id":"slag-bij-waterloo-jean-augustin-daiwaille","title":"Slag bij Waterloo - Jean Augustin Daiwaille","description":"\u003cp\u003eA detailed etching by Jean Augustin Daiwaille depicting the Battle of Waterloo, capturing the movement and scale of the historic conflict through fine, precise lines.\u003c\/p\u003e\n\u003cp\u003eThis etching by Jean Augustin Daiwaille depicts the aftermath and activity surrounding the Battle of Waterloo. As a Dutch artist known for his portraiture and lithographic work, Daiwaille here employs a delicate, linear style to capture the chaotic scene of the battlefield. The composition is crowded with figures, including mounted officers, infantry, and fallen soldiers, reflecting the scale of the conflict that concluded the Napoleonic Wars.\u003c\/p\u003e\n\u003cp\u003eThe artist uses fine, precise lines to define the uniforms and the anatomy of the horses, typical of the etching techniques favoured in the early nineteenth century. The scene is not a singular heroic portrait but a collective representation of the military engagement. The figures are arranged across the foreground and middle ground, with the horizon kept relatively clear to focus attention on the immediate human cost and the movement of the troops.\u003c\/p\u003e\n\u003cp\u003eDaiwaille, who was active in Amsterdam and later Brussels, often engaged with the historical subjects that occupied the European imagination during this period. This print provides a clear view of the military attire and equipment of the era, serving as a document of the period's aesthetic and historical interests. The work is characterised by its restraint, avoiding the dramatic chiaroscuro often found in later oil paintings of the same subject, and instead relying on the clarity of the etched line to communicate the complexity of the battlefield. The paper shows signs of age, which adds to the historical character of the print, making it a suitable piece for those interested in military history or the technical development of nineteenth-century printmaking.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/verhaal-van-de-jongen-jantje-nr-5-pieter-van-loon\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eVerhaal van de jongen Jantje, nr. 5 - Pieter van Loon — Pieter van Loon\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/white-marble-tomb-at-suittitor-skiri-edwin-lord-weeks-1\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eWhite Marble Tomb at Suittitor, Skiri - Edwin Lord Weeks — Edwin Lord Weeks\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464377373007,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464377438543,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464377536847,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464377569615,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464377635151,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Slag-bij-Waterloo_Poster_CompositorV1_1786276688119.jpg?v=1786585169"},{"product_id":"menselijk-skelet-op-de-rug-gezien-jean-augustin-daiwaille","title":"Menselijk skelet op de rug gezien - Jean Augustin Daiwaille","description":"\u003cp\u003eA precise, nineteenth-century lithographic study of a human skeleton viewed from the back, demonstrating the technical clarity of anatomical illustration.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille provides a precise, clinical view of the human skeletal structure. Captured from a posterior perspective, the work demonstrates the technical rigour expected of early nineteenth-century anatomical studies. Daiwaille, a Dutch artist known for his portraiture and lithographic skill, employs a clean, objective line to map the vertebral column, the scapulae, and the pelvic girdle. The composition is stark, set against a plain background to ensure the viewer focuses entirely on the structural arrangement of the bones.\u003c\/p\u003e\n\u003cp\u003eDuring this period, the production of anatomical plates was essential for medical education and the training of artists. Lithography allowed for the mass reproduction of such detailed drawings, making scientific knowledge more accessible. The artist avoids unnecessary shading or dramatic lighting, opting instead for a clear, linear approach that prioritises accuracy over artistic flair. The slight variation in line weight helps to define the curvature of the spine and the depth of the rib cage, providing a sense of three-dimensional form without relying on heavy tonal modelling.\u003c\/p\u003e\n\u003cp\u003eThis print reflects the broader interest in scientific observation that characterised the era. It is a functional document, stripped of decorative elements, intended to serve as a reference for students of anatomy or fine art. The paper shows subtle signs of age, which adds a sense of history to this instructional piece. As a specimen of early lithographic printing, it displays the crispness and control that Daiwaille brought to his work, maintaining a balance between scientific utility and graphic clarity. The piece remains a clear example of the intersection between medical science and the visual arts in the early nineteenth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-boy-with-the-dog-pierre-paul-prudhon\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Boy with the Dog - Pierre-Paul Prud'hon — Pierre-Paul Prud'hon\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/gezicht-op-het-oude-rome-de-tempel-van-jupiter-optimus-maximus-en-het-theater-van-marcellus-franz-hanfstaengl\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGezicht op het oude Rome: de Tempel van Jupiter Optimus Maximus en het Theater van Marcellus - Franz Hanfstaengl — Franz Hanfstaengl\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464441696591,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464441762127,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464441860431,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464441893199,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464441958735,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Menselijk-skelet-op-de-rug-gezien_Poster_CompositorV1_1786277288644.jpg?v=1786586076"},{"product_id":"torso-van-de-laocoon-jean-augustin-daiwaille","title":"Torso van de Laocoön - Jean Augustin Daiwaille","description":"\u003cp\u003eA precise lithographic study of the Laocoön torso, capturing the anatomical tension and classical form through refined shading and line work.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille presents a detailed study of the Laocoön torso, a subject derived from the famous Hellenistic sculpture group. Daiwaille, a Dutch artist known for his technical precision in portraiture and reproductive printmaking, captures the muscular tension and dramatic torsion characteristic of the original marble. The work functions as an academic exercise, common in the nineteenth century, where artists honed their skills by replicating classical statuary to master human anatomy and the play of light across form.\u003c\/p\u003e\n\u003cp\u003eThe composition focuses entirely on the torso and head of the figure, stripping away the surrounding narrative elements of the serpents to isolate the physical struggle. Daiwaille employs fine hatching and stippling techniques to render the musculature, creating a sense of volume that mimics the three-dimensional quality of stone. The shading is controlled, allowing the viewer to observe the anatomical accuracy of the abdominal muscles and the strained neck, which conveys the agony of the subject. The artist maintains a clean, neutral background, ensuring that the viewer's attention remains fixed on the anatomical structure.\u003c\/p\u003e\n\u003cp\u003eAs a lithograph, this piece demonstrates the capabilities of the medium in the early nineteenth century to reproduce the subtle tonal gradations of a drawing. The print reflects the period's fascination with classical antiquity and the systematic approach to artistic training. By focusing on a fragment, Daiwaille invites a closer examination of the physical form, detached from the broader mythological context. This print is a clear example of the rigorous discipline required of artists during this era, where the study of classical models provided the foundation for all subsequent artistic practice. The clarity of the lines and the balanced distribution of shadow demonstrate the high level of craftsmanship associated with Daiwaille's output.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/odalisque-jean-auguste-dominique-ingres\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eOdalisque - Jean-Auguste-Dominique Ingres — Jean-Auguste-Dominique Ingres\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/le-midi-pierre-paul-prudhon\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLe Midi - Pierre-Paul Prud'hon — Pierre-Paul Prud'hon\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464540492111,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464540557647,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464540655951,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464540688719,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464540754255,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Torso-van-de-Laoco-n_Poster_CompositorV1_1786278128150.jpg?v=1786587055"},{"product_id":"een-herderin-bekend-als-de-schone-herderin-jean-augustin-daiwaille","title":"Een herderin, bekend als 'De schone herderin' - Jean Augustin Daiwaille","description":"\u003cp\u003eA refined nineteenth-century lithograph by Jean Augustin Daiwaille, depicting a young woman in pastoral attire with a shepherd's crook.\u003c\/p\u003e\n\u003cp\u003eThis lithograph by Jean Augustin Daiwaille depicts a young woman in the guise of a shepherdess, a popular subject in early nineteenth-century European art. The work, titled 'Een herderin, bekend als De schone herderin', captures the sitter in a half-length pose, holding a shepherd's crook. Her attire includes a delicate veil adorned with floral elements, which frames her face and directs the viewer's attention to her direct gaze. The artist employs a soft, tonal approach characteristic of lithographic techniques from this period, allowing for subtle gradations of light and shadow across the skin and fabric.\u003c\/p\u003e\n\u003cp\u003eDaiwaille was a skilled practitioner of the lithographic medium, which was gaining popularity in the Netherlands during his career. His ability to translate the textures of lace, hair, and skin into monochrome print is evident here. The composition relies on a dark, neutral background that pushes the figure forward, creating a sense of presence. The shepherdess motif, while rooted in classical pastoral traditions, is treated here with a focus on individual portraiture rather than narrative action. The inclusion of the crook serves as a traditional attribute, identifying the figure within the pastoral genre while maintaining a focus on the sitter's features.\u003c\/p\u003e\n\u003cp\u003eThis print reflects the technical precision Daiwaille brought to his work, often collaborating with other artists or producing independent studies of figures. The soft focus and gentle modelling of the face demonstrate the capabilities of stone lithography to achieve painterly effects. As a piece of historical printmaking, it offers insight into the aesthetic preferences of the era, where idealised figures were frequently rendered with a balance of technical rigour and romantic sentiment. The work remains a fine example of Dutch lithography from the first half of the nineteenth century, preserved for its clarity and the quality of its execution.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/architectural-remains-and-fragments-rouen-fontaine-de-la-crosse-richard-parkes-bonington\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eArchitectural Remains and Fragments: Rouen - Fontaine de la Crosse - Richard Parkes Bonington — Richard Parkes Bonington\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/weislingen-captured-by-the-men-of-gotz-eugene-delacroix\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eWeislingen Captured by the Men of Götz - Eugène Delacroix — Eugène Delacroix\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464583156047,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464583221583,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464583319887,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464583352655,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464583418191,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Een-herderin-bekend-als-De-schone-herderin-_Poster_CompositorV1_1786279328466.jpg?v=1786588232"},{"product_id":"portrait-of-prince-diponegoro-jean-augustin-daiwaille","title":"Portrait of Prince Diponegoro - Jean Augustin Daiwaille","description":"\u003cp\u003eA nineteenth-century lithograph portrait of the Javanese leader Prince Diponegoro, executed by the Dutch artist Jean Augustin Daiwaille.\u003c\/p\u003e\n\u003cp\u003eThis lithograph depicts Prince Diponegoro, a Javanese nobleman who led a significant resistance against Dutch colonial rule in the early nineteenth century. Jean Augustin Daiwaille, a Dutch portrait painter and lithographer, produced this work around 1830, shortly after the conclusion of the Java War. The print captures the subject in a formal, dignified manner, wearing traditional Javanese attire including a turban and a keris tucked into his sash.\u003c\/p\u003e\n\u003cp\u003eThe technical execution reflects the precision of early nineteenth-century lithography. Daiwaille employs subtle tonal gradations to model the features of the face and the folds of the fabric, creating a sense of volume against the stark, unadorned background. The composition is centred, focusing the viewer entirely on the individual. Below the portrait, the text identifies the subject as 'Diepo Negoro', describing him as the 'Hoofd der Muiterlingen op Java' (Leader of the rebels on Java) in both Dutch and French.\u003c\/p\u003e\n\u003cp\u003eThis work belongs to a period when European interest in the cultures and political figures of the East Indies was growing. As a portrait, it offers a historical record of a figure who occupied a complex position in colonial history. The print is part of the collection held by the Rijksmuseum, reflecting the documentation of colonial-era figures through the medium of printmaking. The restrained palette and clear line work are characteristic of the period's portraiture, which sought to balance descriptive accuracy with a formal presentation of the sitter.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/edinburgh-from-st-anthony-chapel-richard-parkes-bonington\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eEdinburgh from St. Anthony Chapel - Richard Parkes Bonington — Richard Parkes Bonington\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/lion-of-the-atlas-eugene-delacroix\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLion of the Atlas - Eugène Delacroix — Eugène Delacroix\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jean Augustin Daiwaille","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58464587809103,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58464587874639,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58464587972943,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58464588005711,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58464588071247,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Portrait-of-Prince-Diponegoro_Poster_CompositorV1_1786279568969.jpg?v=1786588498"}],"url":"https:\/\/www.solisprints.com\/en-nz\/collections\/jean-augustin-daiwaille.oembed","provider":"Solis Prints","version":"1.0","type":"link"}