{"title":"Max Bill","description":null,"products":[{"product_id":"konzentration-von-elementarfarben-max-bill","title":"Konzentration von elementarfarben - Max Bill","description":"\u003cp\u003eA precise geometric composition by Max Bill, featuring primary colours arranged in a diamond-shaped format to explore the logic of colour relationships.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a central figure in the development of Concrete Art, created this work as an exploration of mathematical precision and colour theory. The composition is defined by its diamond orientation, which forces the viewer to engage with the canvas as a non-traditional shape. Within this frame, Bill arranges vertical bands of primary colours, specifically blue, yellow, and red, separated by thin white intervals. \n\nThis piece adheres to the principles of Concrete Art, a movement that prioritised the autonomy of the artwork. Bill sought to create objects that were not representations of the external world, but rather physical manifestations of logical thought. The arrangement of the colour fields is calculated to achieve a state of visual equilibrium. By using a limited palette and sharp, geometric divisions, the artist removes any trace of subjective gesture or emotional narrative. \n\nBill was a student at the Bauhaus, and his work reflects the school's focus on the synthesis of art, craft, and technology. His approach to painting is akin to architectural design, where every line and hue serves a specific function within the whole. The interaction between the blue, yellow, and red sections creates a rhythmic tension, while the white bands act as neutral spacers that prevent the colours from merging. This work demonstrates the artist's ability to reduce visual information to its most basic components, resulting in a clear, objective experience for the viewer. The precision of the edges and the flatness of the paint application are characteristic of his mature period, where he refined his interest in the relationship between space and colour.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":57872942924111,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":57872955703631,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":57872955736399,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Konzentration-von-elementarfarben_Poster_CompositorV1_1780882146111.jpg?v=1780892897"},{"product_id":"stabilisierter-kern-max-bill","title":"Stabilisierter Kern - Max Bill","description":"\u003cp\u003eA geometric study by Max Bill, featuring a precise grid of warm and cool colours that explore the principles of Concrete Art.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a central figure in the development of Concrete Art, created this work as an exploration of mathematical precision and colour theory. The composition relies on a grid structure, where the arrangement of squares follows a logical, predetermined system. Bill, who studied at the Bauhaus, applied these principles to his painting, focusing on the objective nature of form and colour rather than subjective expression.\n\nThe piece features a central cluster of four squares, rendered in warm tones of orange and yellow. This core is surrounded by a perimeter of darker, cooler hues, primarily deep purples and blues. The interaction between these two zones creates a visual tension, where the warm centre appears to advance while the surrounding squares recede. This effect is achieved through the careful selection of colour values, demonstrating Bill's interest in the psychological and physical perception of light and space.\n\nBy removing all traces of the artist's hand, such as visible brushwork or gestural marks, Bill achieves a surface that feels entirely flat and precise. The work is an example of his pursuit of 'mathematical beauty', where the logic of the construction dictates the final visual outcome. The title, which translates to 'Stabilised Core', refers to the balance achieved through this systematic distribution of colour. It is a study in equilibrium, where the weight of the warm tones is held in check by the surrounding darker field. This approach aligns with the ethos of the Concrete Art movement, which sought to create objects that exist as autonomous realities, independent of the natural world or emotional narrative. The print captures the exactitude of the original oil painting, maintaining the clarity of the edges and the specific saturation of each colour block.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":57872957768015,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":57872963043663,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":57872963076431,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Stabilisierter-Kern_Poster_CompositorV1_1780882448030.jpg?v=1780893307"},{"product_id":"verdichtung-aus-gelb-max-bill","title":"Verdichtung aus Gelb - Max Bill","description":"\u003cp\u003eA precise study in geometric abstraction by Max Bill, featuring a central teal square framed by radiating yellow bands within a diamond-shaped canvas.\u003c\/p\u003e\n    \u003cp\u003eMax Bill was a central figure in the development of Concrete Art, a movement that prioritised mathematical precision and the autonomy of visual elements over representational imagery. In Verdichtung aus Gelb, Bill explores the relationship between colour, form, and spatial orientation. The composition is structured around a diamond format, which challenges the traditional square or rectangular frame. By rotating the orientation, the artist forces the viewer to engage with the work as an object in space rather than a window into a scene.\n\nThe painting relies on a rigorous arrangement of geometric shapes. A central square of muted teal sits within a series of concentric yellow bands, which expand towards the vertices of the diamond. The title, which translates to 'Condensation from Yellow', suggests a process of visual concentration. The colour choices are deliberate, creating a balance between the cool, stable centre and the warmer, radiating outer layers. Bill avoids expressive brushwork, opting instead for flat, uniform application of paint to ensure that the focus remains entirely on the interaction of the geometric planes.\n\nBill's approach is rooted in his training at the Bauhaus, where he studied under figures such as Wassily Kandinsky and Paul Klee. He applied these principles to painting, sculpture, and architecture throughout his career. This work demonstrates his interest in the logic of visual perception. There is no hidden narrative or symbolic meaning to decipher. Instead, the painting functions as a self-contained system of proportions and hues. The clarity of the lines and the deliberate placement of each colour block reflect Bill's belief that art should be as objective and precise as scientific inquiry. By stripping away external references, he allows the viewer to experience the fundamental properties of colour and geometry in their purest form.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":57913825067343,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":57913831686479,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":57913831719247,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Verdichtung-aus-Gelb_Poster_CompositorV1_1781401209867.jpg?v=1781410255"},{"product_id":"compression-to-purple-max-bill","title":"Compression to Purple - Max Bill","description":"\u003cp\u003eA geometric screenprint by Max Bill, exploring the interaction of colour and form through precise, mathematical composition.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a central figure in the development of Concrete Art, produced this work as part of his rigorous exploration of mathematical order and visual perception. The composition is defined by a diamond orientation, which challenges the traditional rectangular frame of the canvas. Within this geometric boundary, Bill employs a precise arrangement of colour fields that interact through proximity and contrast.\n\nThe work relies on the systematic application of colour theory. By placing specific hues adjacent to one another, Bill creates an optical effect where the boundaries between shapes appear to shift or vibrate. This approach reflects his training at the Bauhaus, where he studied under figures such as Wassily Kandinsky and Paul Klee. His work prioritises the autonomy of the visual elements, rejecting representational imagery in favour of pure form and colour relationships.\n\nIn this specific print, the yellow dominates the field, while the vertical slivers of colour introduce a tension that suggests compression. This title refers to the perceived physical force exerted on the colour planes. The result is a balanced, static image that nonetheless engages the viewer in an active process of observation. Bill believed that art should be a product of the human mind, governed by logic and clarity. This piece demonstrates his ability to translate complex geometric concepts into a clear, visual language that remains accessible without relying on external narratives or emotional cues. The print is a precise example of his mid-career output, where he refined his interest in the mathematical properties of space and the psychological impact of colour sequences.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036092338511,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036093616463,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036093649231,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Compression-to-Purple_Poster_CompositorV1_1782262685855.jpg?v=1782262832"},{"product_id":"four-identical-large-parts-iii-max-bill","title":"Four Identical Large Parts III - Max Bill","description":"\u003cp\u003eA precise example of Concrete Art by Max Bill, this geometric composition uses a diamond format and a cool colour palette to explore spatial division.\u003c\/p\u003e\n    \u003cp\u003eMax Bill was a central figure in the development of Concrete Art, a movement that prioritised mathematical precision and the autonomy of visual elements over representational imagery. In Four Identical Large Parts III, Bill explores the relationship between colour, geometry, and spatial division. The composition is contained within a diamond format, which immediately disrupts the traditional rectangular frame of the canvas. \n\nWithin this shape, the artist employs a rigorous system of division. The work is partitioned into distinct geometric segments, each filled with a specific hue. The palette relies on a cool spectrum, moving through shades of blue, green, and lavender. These colours are applied with a flat, even finish, removing any trace of the artist's hand or gestural brushwork. By eliminating texture, Bill forces the viewer to focus entirely on the interaction of the shapes and the optical weight of the colours.\n\nBill's approach to painting is rooted in his background as an architect and designer. He viewed the canvas as a space for logical construction rather than emotional expression. The title itself, Four Identical Large Parts III, points to the serial nature of his practice, where variations on a theme allow for the systematic investigation of visual possibilities. The work does not attempt to mimic the natural world; instead, it presents a self-contained reality governed by its own internal rules. The sharp edges and clean transitions between the colour fields create a sense of stability and order. This piece is a clear example of the artist's dedication to clarity and the reduction of art to its most basic, objective components.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036093092175,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036093780303,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036093813071,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Four-Identical-Large-Parts-III_Poster_CompositorV1_1782262686852.jpg?v=1782262869"},{"product_id":"vier-gleiche-farbgruppen-im-weissen-feld-max-bill","title":"Vier gleiche Farbgruppen im weissen Feld - Max Bill","description":"\u003cp\u003eA geometric screenprint by Max Bill, featuring four identical groups of coloured stripes arranged around a central white square in a diamond format.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a central figure in the development of Concrete Art, produced this work as an exploration of mathematical precision and colour theory. The composition is structured around a diamond orientation, which disrupts the traditional square frame and forces the viewer to engage with the work as a distinct object rather than a window into a scene. \n\nFour identical groups of coloured stripes are arranged symmetrically around a central white square. Each group consists of a repeating sequence of red, blue, yellow, and turquoise bands. By using these specific hues, Bill creates a rhythmic visual experience where the eye is drawn from the perimeter towards the void at the centre. The white space is not merely a background, but an active component of the geometric arrangement. \n\nBill studied at the Bauhaus in Dessau, where he absorbed the principles of functional design and objective aesthetics. His work often avoids personal expression in favour of universal, logical structures. This print demonstrates his interest in the relationship between colour and form, where the interaction of the stripes creates a sense of balance and order. The clarity of the lines and the deliberate placement of the colours reflect his belief that art should be based on clear, verifiable principles. \n\nThis piece is an example of the artist's later period, where he refined his approach to serial art. The repetition of the colour groups provides a sense of stability, while the diamond shape adds a dynamic quality to the overall presentation. It is a work that rewards careful observation of how colour relationships function within a strictly defined spatial system.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036093944143,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036094370127,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036094402895,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Vier-gleiche-Farbgruppen-im-weissen-Feld_Poster_CompositorV1_1782262807704.jpg?v=1782262947"},{"product_id":"vier-weisse-felder-max-bill","title":"Vier weisse felder - Max Bill","description":"\u003cp\u003eA classic example of Concrete Art, this geometric composition by Max Bill uses precise colour sequences and a balanced cross-axis to explore spatial order.\u003c\/p\u003e\n    \u003cp\u003eMax Bill was a central figure in the development of Concrete Art, a movement that prioritised mathematical precision and the autonomy of visual elements over representational imagery. In 'Vier weisse felder' (Four White Fields), Bill explores the relationship between spatial division and chromatic order. The composition is defined by a strict cross-axis that bisects the square canvas, creating four distinct quadrants of white space. \n\nThis work demonstrates Bill's interest in the logic of colour sequences. The lines intersecting at the centre are not uniform in hue; instead, they are composed of segmented colour bars that follow a systematic progression. By applying a rigorous, almost scientific approach to the placement of these colours, Bill removes the subjective gesture of the artist, allowing the geometric structure to dictate the viewer's experience. The white fields serve as a neutral ground, which allows the thin, coloured lines to gain visual weight and rhythm. \n\nBill, who studied at the Bauhaus in Dessau, maintained a lifelong dedication to the idea that art should be as objective as mathematics. His work avoids emotional narrative, focusing instead on the clarity of form and the interaction of light and colour. This piece is a clear example of his mature style, where the economy of means is used to achieve a balanced, harmonious result. The precision of the lines and the deliberate choice of the colour palette reflect his training in architecture and industrial design, where every element serves a specific function within the whole. Through this work, Bill invites the observer to engage with the fundamental properties of the canvas, such as symmetry, proportion, and the optical effect of colour against a stark background.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036094140751,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036094468431,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036094501199,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Vier-weisse-felder_Poster_CompositorV1_1782262808239.jpg?v=1782262976"},{"product_id":"radiazoneduplicate-max-bill","title":"Radiazoneduplicate - Max Bill","description":"\u003cp\u003eA geometric abstraction by Swiss artist Max Bill, featuring a precise arrangement of nested quadrilaterals in a diamond-oriented composition.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a central figure in the development of Concrete Art, produced Radiazoneduplicate in 1970. This work embodies his rigorous approach to visual order, where mathematical precision dictates the arrangement of form and colour. The composition relies on the diamond orientation of the canvas, a format Bill frequently employed to disrupt traditional rectangular viewing habits. Within this frame, a series of nested quadrilaterals creates a sense of expansion and contraction.\n\nThe colour palette is deliberate, utilising primary and secondary hues to define the structural boundaries of the work. By placing a soft pink square at the centre, surrounded by bands of red, blue, and yellow, Bill explores the optical relationships between adjacent colours. The absence of representational imagery allows the viewer to focus entirely on the interaction of these geometric elements. The edges are sharp, and the application of paint is uniform, reflecting the artist's belief that art should be an object of logic rather than an expression of subjective emotion.\n\nBill studied at the Bauhaus in Dessau, where he absorbed the principles of functionalism and geometric clarity. These influences remained consistent throughout his career. In this piece, the symmetry is absolute, yet the diagonal placement of the canvas introduces a dynamic tension. The work functions as a study in spatial perception, inviting the observer to analyse how colour planes advance or recede based on their placement. It is a clear example of the artist's pursuit of universal visual language, stripped of narrative or symbolic baggage. The work remains a precise exercise in the balance of proportion, demonstrating how simple geometric shapes can generate a complex visual experience through careful calculation and chromatic arrangement.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036095418703,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036096434511,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036096467279,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Radiazoneduplicate_Poster_CompositorV1_1782263045003.jpg?v=1782263189"},{"product_id":"radiation-of-pink-max-bill","title":"Radiation of Pink - Max Bill","description":"\u003cp\u003eA precise geometric composition by Max Bill, featuring a central pink square surrounded by balanced bands of red, blue, yellow, and green.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a polymath of the twentieth century, was a central figure in the development of Concrete Art. His work is defined by a rigorous application of mathematical principles to visual form. Radiation of Pink, produced in 1973, demonstrates his interest in the relationship between colour, proportion, and spatial arrangement. The composition is presented on a diamond-oriented canvas, which shifts the viewer's perception of the internal geometric structure.\n\nAt the centre of the work sits a large pink square, which acts as the primary anchor for the surrounding bands of colour. Bill employs a systematic approach to the distribution of these hues, using red, blue, and yellow to create a balanced, symmetrical arrangement. The edges of the canvas are defined by triangular sections of yellow and green, which frame the internal square and rectangular forms. There is no attempt to represent external reality; instead, the work focuses on the physical properties of the paint and the geometric logic of the layout.\n\nBill was a student at the Bauhaus in Dessau, and this training is evident in his disciplined approach to composition. He believed that art should be an objective, universal language, free from the subjective emotionalism of expressionism. By using flat planes of colour and precise lines, he creates a sense of order and clarity. The interaction between the colours is calculated to produce a specific visual rhythm, where each hue occupies a defined space within the overall structure. This piece is a clear example of his methodology, where the artist functions as a designer of visual systems. The work invites the viewer to observe the interplay of shapes and the way in which colour boundaries define the space of the canvas, resulting in a clean, intellectual aesthetic that remains consistent with the principles of the Concrete Art movement.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036095549775,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036096500047,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036096532815,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Radiation-of-Pink_Poster_CompositorV1_1782263045763.jpg?v=1782263216"},{"product_id":"rotation-um-lila-max-bill","title":"Rotation um Lila - Max Bill","description":"\u003cp\u003eA geometric abstraction by Max Bill, featuring precise colour planes and a diamond-shaped composition.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a polymath of the twentieth century, was a central figure in the development of Concrete Art. His work is defined by a rigorous adherence to mathematical principles and the belief that art should be constructed from its own inherent elements, such as colour and form, rather than through the imitation of nature. Rotation um Lila is a clear expression of this philosophy. The composition is presented within a diamond format, which immediately disrupts the traditional rectangular frame of the canvas. This orientation forces the viewer to engage with the work as a dynamic object rather than a static window.\n\nThe painting is composed of precisely calculated geometric planes. A large, dominant area of soft lilac occupies the upper portion, while a pale green triangle anchors the lower section. A smaller, sharp yellow form provides a contrast on the right, and a sliver of blue is visible at the left edge. These colours are applied in flat, uniform fields, eliminating any trace of the artist's brushwork or subjective gesture. By removing these personal markers, Bill allows the mathematical relationships between the shapes to dictate the visual experience.\n\nBill was a student at the Bauhaus in Dessau, where he studied under figures such as Wassily Kandinsky and Paul Klee. This training instilled in him a discipline that remained consistent throughout his career. His work avoids narrative or emotional content, focusing instead on the clarity of spatial organisation. The interaction of the colours here is not intended to evoke a specific mood, but to demonstrate the logic of the composition. The result is a work that functions as a self-contained system, where every angle and hue is the result of a deliberate, rational decision. This print captures the precise colour relationships and the clean, hard-edged boundaries that define Bill's contribution to modern geometric art.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036096172367,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036096598351,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036096631119,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Rotation-um-Lila_Poster_CompositorV1_1782263044176.jpg?v=1782263243"},{"product_id":"pythagoraisches-dreieck-im-quadrat-ii-max-bill","title":"Pythagoräisches dreieck im quadrat II - Max Bill","description":"\u003cp\u003eA geometric abstraction by Max Bill, exploring the relationship between mathematical form and colour through a precise arrangement of triangles within a square.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a central figure in the development of Concrete Art, produced this work as part of his ongoing investigation into the relationship between mathematical precision and visual form. The title, translating to 'Pythagorean triangle in a square II', indicates the artist's reliance on geometric logic to dictate the composition. Rather than representing external reality, the work focuses on the internal logic of the plane, using the square as a container for triangular divisions.\n\nThe composition is defined by a large, stark white triangle that dominates the centre of the frame. This central void acts as a negative space, forcing the viewer to engage with the surrounding coloured segments. Bill employs a specific palette of blue, green, red, and ochre, which are arranged to create a sense of balance and rhythmic progression. The edges of the shapes meet with absolute clarity, a hallmark of Bill's approach to painting, where the hand of the artist is suppressed in favour of objective, calculated execution.\n\nBill was a student at the Bauhaus, and his work reflects the school's emphasis on the union of art and rational design. He rejected the notion that art should express personal emotion, preferring instead to create objects that possess their own reality. In this piece, the interaction between the white triangle and the surrounding coloured polygons creates a tension that is entirely self-contained. The work does not rely on perspective or depth, but rather on the flat, two-dimensional arrangement of colour and form. By applying mathematical principles to the canvas, Bill invites the viewer to appreciate the inherent order and harmony found within geometric structures. This print captures the exactitude of the original, maintaining the flat application of colour and the sharp boundaries that define Bill's contribution to twentieth-century abstraction.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036096565583,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036097483087,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036097515855,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Pythagor-isches-dreieck-im-quadrat-II_Poster_CompositorV1_1782263165939.jpg?v=1782263304"},{"product_id":"komposition-max-bill","title":"Komposition - Max Bill","description":"\u003cp\u003eA precise geometric composition by Swiss artist Max Bill, featuring a balanced arrangement of nested colour fields.\u003c\/p\u003e\n    \u003cp\u003eMax Bill was a central figure in the development of Concrete Art, a movement that prioritised mathematical precision and the autonomy of visual elements over representational imagery. This work demonstrates his rigorous approach to composition, where colour and form exist as independent entities rather than symbols of the external world. The image is constructed through a series of nested geometric shapes, creating a sense of balance and order that is characteristic of his practice.\n\nThe central dark blue diamond acts as the anchor for the composition, surrounded by bands of lilac, green, and yellow. Bill utilised these distinct colour fields to explore spatial relationships on a two-dimensional plane. By arranging these shapes in a symmetrical, diamond-oriented format, he invites the viewer to observe the interaction between the hues and the edges of the canvas. There is no attempt to mimic nature or convey emotion through painterly gesture. Instead, the work relies on the clarity of its construction and the deliberate choice of its palette.\n\nBill studied at the Bauhaus in Dessau, an experience that shaped his belief in the unity of art, design, and architecture. His work often reflects this background, favouring clean lines and logical structures. This piece is an example of his later explorations into the possibilities of geometric systems. It avoids unnecessary ornamentation, focusing entirely on the relationship between the geometric segments and the viewer's perception of space. The result is a disciplined arrangement that maintains a sense of equilibrium, reflecting his lifelong pursuit of objective beauty through mathematical principles.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036097220943,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036097843535,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036097876303,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Komposition_Poster_CompositorV1_1782263165973.jpg?v=1782263331"},{"product_id":"vier-uberlagerte-zonen-max-bill","title":"Vier überlagerte Zonen - Max Bill","description":"\u003cp\u003eA classic example of Concrete Art by Swiss master Max Bill, featuring a precise geometric arrangement of overlapping blue and violet zones.\u003c\/p\u003e\n    \u003cp\u003eMax Bill was a central figure in the development of Concrete Art, a movement that prioritised mathematical precision and the autonomy of visual elements over representational imagery. In 'Vier überlagerte Zonen' (Four Overlapping Zones), Bill explores the interaction of colour and geometry within a diamond-shaped canvas. The composition relies on the systematic arrangement of squares and triangles, creating a sense of order that is entirely self-contained.\n\nThe work demonstrates Bill's interest in the relationship between colour theory and spatial perception. By layering distinct hues of blue and violet, the artist creates an illusion of depth and transparency without resorting to traditional perspective. The central square acts as the anchor for the surrounding geometric forms, which appear to shift and rotate in relation to the frame. This approach reflects Bill's background in architecture and industrial design, where clarity of form and logical structure are paramount.\n\nBill studied at the Bauhaus in Dessau, where he was influenced by the teachings of Wassily Kandinsky, Paul Klee, and Walter Gropius. He later became a founding member of the Ulm School of Design, where he continued to advocate for a rational approach to artistic production. His work avoids emotional expression in favour of objective, measurable relationships between shapes. The palette is restricted to cool tones, which further emphasises the analytical nature of the piece. The viewer is invited to observe the precise boundaries where colours meet and overlap, revealing the underlying mathematical logic that governs the entire composition. This print captures the clean lines and flat colour fields of the original oil painting, maintaining the integrity of Bill's vision for a modern, structured aesthetic.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036097909071,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036098236751,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036098269519,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Vier-berlagerte-Zonen_Poster_CompositorV1_1782263285841.jpg?v=1782263433"},{"product_id":"eight-colour-groups-max-bill","title":"Eight Colour Groups - Max Bill","description":"\u003cp\u003eA precise geometric composition by Max Bill, exploring the relationship between colour, proportion, and grid-based structure within the Concrete Art movement.\u003c\/p\u003e\n    \u003cp\u003eMax Bill was a central figure in the development of Concrete Art, a movement that prioritised mathematical precision and the autonomy of visual elements. In Eight Colour Groups, Bill explores the relationship between colour, proportion, and grid-based structure. The composition is organised into a systematic arrangement of squares, where the interaction of hue and tone creates a sense of rhythmic movement across the surface.\n\nBill, who studied at the Bauhaus in Dessau, applied his training in architecture and design to his painting practice. He viewed the canvas as a space for objective investigation rather than subjective expression. By limiting his palette to specific colour groups, he forces the viewer to observe how individual squares relate to their neighbours. The inclusion of white squares acts as a neutral separator, allowing the deeper tones of blue, green, and purple to maintain their distinct visual weight. The occasional introduction of orange provides a calculated contrast, disrupting the cooler tones and adding a specific tension to the overall balance.\n\nThis work reflects the artist's interest in the logic of visual perception. There is no attempt to represent the physical world. Instead, the painting exists as a self-contained system of relationships. The grid structure is rigid, yet the distribution of colour creates an optical effect that shifts depending on the viewer's focus. Bill's approach to painting is methodical, reflecting his belief that art should be as clear and structured as the mathematical principles that govern the natural world. This print captures the precise application of paint and the deliberate colour choices that define his mature style. It is an example of how minimal means can produce a complex visual experience through the careful application of geometry and colour theory.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036098072911,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036098302287,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036098335055,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Eight-Colour-Groups_Poster_CompositorV1_1782263286292.jpg?v=1782263457"},{"product_id":"konstruktion-um-das-thema-3-4-5-max-bill","title":"Konstruktion um das thema 3-4-5 - Max Bill","description":"\u003cp\u003eA geometric composition by Max Bill, exploring mathematical ratios through a precise arrangement of coloured squares and voids.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a central figure in the development of Concrete Art, created this work as an exploration of mathematical relationships translated into visual form. The title refers to the 3-4-5 triangle, a fundamental geometric principle that Bill uses to dictate the arrangement of squares and colours within the composition. By applying these numerical ratios, he removes subjective expression, allowing the logic of the system to determine the final appearance of the piece.\n\nThe composition is built upon a grid, where smaller squares of varying colours form borders around larger white voids. A central diamond shape, tilted at an angle, provides a dynamic contrast to the horizontal and vertical orientation of the surrounding elements. The palette consists of primary and secondary colours, which are distributed according to the underlying mathematical structure. This approach reflects Bill's belief that art should be an object of intellectual clarity, free from symbolic meaning or emotional narrative.\n\nBill was a student at the Bauhaus in Dessau, and his work maintains the school's focus on the synthesis of art, technology, and rational design. He viewed the artist as a constructor, someone who organises space and colour according to objective laws. This print captures the precision of his original oil painting, maintaining the sharp edges and flat colour fields that define his practice. The work functions as a visual demonstration of order, where the viewer is invited to observe the relationships between the parts rather than search for hidden metaphors. It is a clear example of the mid-twentieth-century movement towards non-representational art that prioritises structure and the physical properties of the medium over traditional depiction.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036098138447,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036098433359,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036098466127,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Konstruktion-um-das-thema-3-4-5_Poster_CompositorV1_1782263286370.jpg?v=1782263484"},{"product_id":"auflosung-von-lila-max-bill","title":"Auflösung von lila - Max Bill","description":"\u003cp\u003eA precise example of Concrete Art, this geometric composition by Max Bill explores the interaction of colour and form through a series of nested planes.\u003c\/p\u003e\n    \u003cp\u003eMax Bill was a central figure in the development of Concrete Art, a movement that prioritised mathematical precision and the autonomy of visual elements over representational subject matter. In 'Auflösung von lila' (Dissolution of Lilac), Bill employs a diamond-oriented canvas to house a series of nested geometric forms. The composition relies on the systematic arrangement of colour planes, where varying shades of violet and blue interact to create a sense of internal rhythm and spatial tension.\n\nBill, who studied at the Bauhaus in Dessau, maintained a rigorous approach to his practice. He viewed art as a product of logical construction rather than emotional expression. The work is devoid of external references, focusing instead on the physical properties of the medium and the optical effects produced by the juxtaposition of hues. By rotating the square canvas into a diamond format, Bill forces the viewer to engage with the work as an object in space, rather than a window into a depicted scene. The transition between the lighter, cooler tones at the periphery and the deeper, more saturated centre creates a subtle vibration, demonstrating the artist's mastery of colour theory and structural balance.\n\nThis piece reflects the mid-century European interest in rationalism and the reduction of art to its fundamental components. The clean edges and flat application of paint are characteristic of Bill's commitment to clarity and order. By stripping away narrative elements, the work invites a direct, unmediated experience of form and colour. It is a precise exploration of how geometric shapes can define space and influence perception, remaining a clear example of the Concrete Art philosophy that dominated much of Bill's career.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036099023183,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036100268367,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036100301135,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Aufl-sung-von-lila_Poster_CompositorV1_1782263409920.jpg?v=1782263566"},{"product_id":"acht-farben-im-horizontal-diagonal-quadrat-max-bill","title":"Acht farben im horizontal-diagonal-quadrat - Max Bill","description":"\u003cp\u003eA precise geometric composition by Max Bill, exploring the relationship between colour and space through a systematic arrangement of triangles.\u003c\/p\u003e\n    \u003cp\u003eMax Bill was a central figure in the development of Concrete Art, a movement that prioritised mathematical precision and the autonomy of visual elements over representational imagery. This work, titled Acht farben im horizontal-diagonal-quadrat, demonstrates his rigorous approach to the division of space and the systematic application of colour. By orienting the square format on its corner, Bill creates a diamond shape that challenges traditional notions of pictorial balance.\n\nThe composition is divided into a series of triangles, each filled with a distinct hue. These colours interact according to a logical structure, where the relationships between the segments are determined by the geometry of the frame. Bill avoids expressive brushwork or subjective gesture, opting instead for flat, uniform fields of colour that allow the viewer to focus on the interaction of the shapes themselves. The work functions as an investigation into how colour and form can exist as independent entities, free from the constraints of depicting the external world.\n\nThroughout his career, Bill maintained a strict adherence to the principles of the Bauhaus, where he studied under figures such as Wassily Kandinsky and Paul Klee. His work often reflects a synthesis of art, architecture, and industrial design. In this specific piece, the clarity of the lines and the deliberate placement of each colour segment reveal his interest in the mathematical foundations of visual perception. The result is a balanced, orderly arrangement that invites the viewer to analyse the spatial relationships within the frame. This print captures the precision of the original oil painting, maintaining the integrity of the colour transitions and the sharp edges of the geometric forms. It is a clear example of the artist's dedication to creating art that is objective, rational, and accessible through its inherent logic.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036099842383,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036100366671,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036100399439,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58316280955215,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ White frame","offer_id":58316280987983,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58316281053519,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58316281119055,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ White frame","offer_id":58316281151823,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Acht-farben-im-horizontal-diagonal-quadrat_Poster_CompositorV1_1782263410244.jpg?v=1782263592"},{"product_id":"strahlung-zu-gelb-max-bill","title":"Strahlung zu gelb - Max Bill","description":"\u003cp\u003eA geometric composition by Max Bill, featuring nested squares in a diamond orientation that explore the relationship between colour and spatial order.\u003c\/p\u003e\n    \u003cp\u003eMax Bill was a central figure in the development of Concrete Art, a movement that prioritised the mathematical and logical construction of the image over subjective expression. In 'Strahlung zu gelb' (Radiation towards yellow), Bill employs a diamond-shaped canvas, or lozenge, to challenge traditional rectangular framing. The composition consists of nested geometric forms, where a central blue square is surrounded by concentric bands of green and yellow. \n\nBill’s approach to colour is systematic. He treats the canvas as a field for exploring the relationships between hue, proportion, and spatial perception. By using a diamond orientation, the artist forces the viewer to engage with the work as an object in space rather than a window into a scene. The colours do not represent external objects; they exist as autonomous elements within a rigid, calculated structure. This work reflects the artist's background in architecture and industrial design, where precision and clarity are paramount. \n\nThroughout his career, Bill maintained that art should be based on universal principles. He avoided the emotional turbulence often associated with abstract expressionism, preferring instead to create works that function like visual equations. The balance between the cool blue centre and the warmer, radiating yellow edges creates a sense of equilibrium. This print captures the clean lines and flat colour application that defined his mature style. It is a study in how simple geometric shapes, when arranged with mathematical rigour, can produce a sense of order and visual harmony. The work remains a clear example of the mid-twentieth-century shift toward objective, non-representational art, where the physical properties of the medium and the geometry of the composition dictate the final result.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036100333903,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036102431055,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036102463823,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Strahlung-zu-gelb_Poster_CompositorV1_1782263410459.jpg?v=1782263661"},{"product_id":"helles-zentrum-max-bill","title":"Helles Zentrum - Max Bill","description":"\u003cp\u003eA precise geometric composition by Max Bill, featuring a central lime green square framed by varying shades of blue.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a central figure in the development of Concrete Art, produced Helles Zentrum in 1970. This work demonstrates his rigorous approach to geometric composition and colour theory. The painting is structured around a central square, which provides the title's reference to a light centre. Surrounding this core are various trapezoidal and triangular planes of blue, which create a subtle sense of spatial depth through the variation in tone and angle.\n\nBill was a student at the Bauhaus in Dessau, and his work reflects the school's emphasis on mathematical precision and the objective nature of form. He rejected the idea of art as an expression of personal emotion, preferring instead to create objects that exist as autonomous entities. In this piece, the interaction between the lime green square and the surrounding blue fields is calculated to produce a specific optical effect. The edges are sharp, and the application of paint is uniform, removing any trace of the artist's hand. This focus on clarity and structure is typical of his output during the mid-twentieth century.\n\nBy using a limited palette, Bill forces the viewer to engage with the relationships between shapes and the way colour influences our perception of space. The composition is balanced, yet it possesses a dynamic quality due to the diagonal lines that frame the central square. It is a study in the economy of means, where every element is placed with exactitude to achieve a harmonious result. This print captures the flat, matte finish of the original oil painting, ensuring that the geometric integrity of the design remains intact. It is an example of the artist's lifelong pursuit of a universal visual language, free from representational content, which remains a defining characteristic of his contribution to modern art.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036100563279,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036102529359,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036102562127,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Helles-Zentrum_Poster_CompositorV1_1782263524555.jpg?v=1782263684"},{"product_id":"gruner-kern-max-bill","title":"Grüner Kern - Max Bill","description":"\u003cp\u003eA precise geometric composition by Swiss artist Max Bill, exploring the relationship between form, colour, and mathematical order.\u003c\/p\u003e\n    \u003cp\u003eMax Bill, a central figure in the development of Concrete Art, approached painting as a mathematical and logical exercise. In this work, the composition relies on the precise geometry of the square and the diamond. The central black diamond is framed by triangular segments of colour, creating a rigorous balance between the forms. Bill rejected the idea of art as a medium for emotional expression, preferring instead to explore the objective properties of shape and colour. \n\nHis training at the Bauhaus in Dessau provided the foundation for this systematic approach. He sought to create visual objects that existed independently of nature, relying on the inherent relationships between geometric elements. The application of paint is uniform, removing the trace of the artist's hand to ensure the focus remains on the structural integrity of the piece. The interaction between the dark central core and the surrounding hues demonstrates his interest in how colour perception shifts based on proximity and contrast. \n\nThis piece exemplifies the principles of the Zurich school of Concrete Art, where the artist functions as a designer of visual systems. By stripping away representational elements, Bill invites the viewer to engage with the work as a self-contained reality. The clarity of the lines and the deliberate placement of the geometric planes create a sense of order that is characteristic of his mid-career output. It is a study in spatial division, where the canvas is treated as a field for logical arrangement rather than a window into a scene. The work remains a clear example of his lifelong pursuit of a universal visual language based on mathematical precision.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58036101120335,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58036103250255,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58036103283023,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Gr-ner-Kern_Poster_CompositorV1_1782263524817.jpg?v=1782263707"},{"product_id":"red-nuclear-max-bill","title":"Red Nuclear - Max Bill","description":"\u003cp\u003eA geometric abstraction by Max Bill, featuring a central red square within nested bands of ochre and grey on a diamond-shaped canvas.\u003c\/p\u003e\n    \u003cp\u003eRed Nuclear is a work by the Swiss architect, designer, and artist Max Bill. Created in 1969, this piece demonstrates his adherence to the principles of Concrete Art. Bill was a student at the Bauhaus in Dessau, where he absorbed the school's focus on mathematical precision and the reduction of form to its essential components. In this composition, the artist employs a diamond orientation, which forces the viewer to engage with the canvas as a non-traditional shape. \n\nThe work is constructed through a series of nested geometric forms. A central red square acts as the primary visual anchor, surrounded by concentric bands of ochre and grey. These shapes are arranged with exactitude, reflecting Bill's belief that art should be based on objective, logical structures rather than subjective expression. The absence of brushwork or gestural marks ensures that the focus remains entirely on the relationship between colour, proportion, and the physical boundaries of the canvas. \n\nBill's approach to colour is deliberate. The contrast between the warm, saturated red and the cooler, muted tones of the surrounding bands creates a sense of equilibrium. By stripping away representational elements, the artist invites an analysis of pure spatial organisation. The work functions as a study in balance, where every element is calculated to occupy its specific position within the frame. This piece is representative of the mid-century European movement that sought to create a universal visual language through geometry. It remains a clear example of the artist's lifelong pursuit of clarity and order in visual communication.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58060763889999,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58060772049231,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58060772081999,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Black frame","offer_id":58238073733455,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Wood frame","offer_id":58238073766223,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Dark wood frame","offer_id":58238073798991,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ White frame","offer_id":58238073831759,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Black frame","offer_id":58238073864527,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Wood frame","offer_id":58238073897295,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Dark wood frame","offer_id":58238073930063,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ White frame","offer_id":58238073962831,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Large Square (50x50 cm) \/ Black frame","offer_id":58238073995599,"sku":null,"price":99.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Large Square (50x50 cm) \/ Wood frame","offer_id":58238074028367,"sku":null,"price":99.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Large Square (50x50 cm) \/ White frame","offer_id":58238074093903,"sku":null,"price":99.0,"currency_code":"GBP","in_stock":true},{"title":"Canvas \/ XS Canvas (20x30cm) \/ -","offer_id":58238074421583,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true},{"title":"Canvas \/ Small Canvas (30x40cm) \/ -","offer_id":58238074454351,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Canvas \/ B2 (50x70 cm) \/ -","offer_id":58238074519887,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Red-Nuclear_Poster_CompositorV1_1782519963121.jpg?v=1782520101"},{"product_id":"doppelfarben-in-the-cross-1-2-3-4-max-bill","title":"Doppelfarben (in the cross 1-2-3-4) - Max Bill","description":"\u003cp\u003eA precise study in geometric abstraction by Swiss artist Max Bill, focusing on the interaction of colour and line within a structured grid.\u003c\/p\u003e\n\u003cp\u003eMax Bill was a central figure in the development of Concrete Art, a movement that prioritised mathematical precision and the autonomy of visual elements over representational content. In this work, Bill explores the relationship between colour, line, and spatial division. The composition is structured by a grid, yet the lines themselves function as carriers of colour. By placing thin, distinct bands of pigment adjacent to one another, Bill creates an optical effect where the boundaries between the white planes appear to vibrate or shift depending on the viewer's distance.\u003c\/p\u003e\n\u003cp\u003eThe title, Doppelfarben (Double Colours), refers to the specific application of colour pairs along the intersecting lines. Rather than using lines as mere borders, Bill treats them as independent chromatic entities. This approach reflects his training at the Bauhaus, where he studied under figures such as Wassily Kandinsky and Paul Klee. Bill maintained a rigorous adherence to the idea that art should be constructed according to objective, logical principles, free from the subjective emotionalism of earlier expressionist movements.\u003c\/p\u003e\n\u003cp\u003eThe visual experience of this print relies on the tension between the large, neutral white areas and the precise, coloured intersections. The work does not attempt to depict the physical world, but instead invites an analysis of pure form and the mechanics of human perception. The limited palette and the strict geometric layout demonstrate Bill's belief that art could achieve a universal language through mathematical order. By stripping away narrative elements, the artist directs attention to the fundamental properties of the medium. This piece is a clear example of his later career, where he refined his interest in the interaction of colour fields and linear structures, resulting in a balanced, intellectualised aesthetic that remains relevant to contemporary discussions on minimalism and geometric abstraction.\u003c\/p\u003e","brand":"Max Bill","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58345240101199,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58345241149775,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58345241182543,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Black frame","offer_id":58345241215311,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Wood frame","offer_id":58345241248079,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Dark wood frame","offer_id":58345241280847,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Black frame","offer_id":58345241313615,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Wood frame","offer_id":58345241346383,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Dark wood frame","offer_id":58345241379151,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Large Square (50x50 cm) \/ Black frame","offer_id":58345241411919,"sku":null,"price":99.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Large Square (50x50 cm) \/ Wood frame","offer_id":58345241444687,"sku":null,"price":99.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Doppelfarben-in-the-cross-1-2-3-4-_Poster_CompositorV1_1785390641632.jpg?v=1785393958"}],"url":"https:\/\/www.solisprints.com\/en-nz\/collections\/max-bill.oembed","provider":"Solis Prints","version":"1.0","type":"link"}