{"title":"Schelte Adamsz Bolswert","description":null,"products":[{"product_id":"christ-on-the-cross-schelte-adamsz-bolswert","title":"Christ on the Cross - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert, depicting the crucifixion with technical precision and dramatic tonal contrast.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the crucifixion of Christ, a subject frequently explored during the seventeenth century. Bolswert, a skilled engraver, worked closely with Peter Paul Rubens to translate the painter's dramatic compositions into the medium of print. The work demonstrates the technical precision required for copperplate engraving, using varied line weights to create volume and texture within the figure of Christ and the surrounding atmosphere.\u003c\/p\u003e\n\u003cp\u003eThe composition follows the conventions of the period, placing the central figure against a turbulent sky. The anatomy of Christ is rendered with attention to musculature and the physical strain of the event, reflecting the influence of Rubens's own stylistic approach to the human form. The background features a distant, fortified structure and a rugged terrain, which provides a sense of scale and spatial depth. The use of cross-hatching and parallel lines allows for a range of tonal values, from the deep shadows of the clouds to the highlights on the body.\u003c\/p\u003e\n\u003cp\u003eBolswert was instrumental in the dissemination of Flemish Baroque imagery across Europe. His ability to capture the emotional weight of a scene through the disciplined application of the burin made his prints highly sought after by collectors and institutions. This specific work, titled 'Christus Crucifixus' at the base, exemplifies the collaborative nature of the artistic workshops in Antwerp during this era. The print serves as a record of the aesthetic priorities of the time, where the clarity of line and the dramatic use of light were primary concerns for the printmaker. The work remains a technical study in how engraving could replicate the painterly qualities of oil on canvas, maintaining the intensity of the original vision while adapting it to the monochromatic constraints of the printed page.\u003c\/p\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429105504591,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429105570127,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429105668431,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429105701199,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429105766735,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Christ-on-the-Cross_Poster_CompositorV1_1786175648272.jpg?v=1786231824"},{"product_id":"great-lion-hunt-schelte-adamsz-bolswert","title":"Great Lion Hunt - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA dramatic Baroque engraving by Schelte Adamsz. Bolswert, after Peter Paul Rubens, depicting a chaotic and muscular scene of a lion hunt.\u003c\/p\u003e\n\u003cp\u003eThis engraving, executed by the Dutch master Schelte Adamsz. Bolswert, reproduces the dynamic composition of Peter Paul Rubens. Bolswert was a primary collaborator for Rubens, tasked with translating the painterly energy of the Flemish master into the precise, linear language of copperplate engraving. This work depicts a chaotic scene of combat between hunters and lions, a subject that allowed for the display of extreme physical exertion and dramatic tension.\u003c\/p\u003e\n\u003cp\u003eThe composition is organised around a central struggle where a lion brings down a horse, while surrounding figures engage the beasts with spears and swords. Bolswert employs a sophisticated system of hatching and cross-hatching to define the musculature of the animals and the folds of the hunters' garments. The use of varying line weights creates a sense of depth and volume, effectively capturing the turbulent atmosphere of the hunt. The background remains relatively sparse, ensuring the viewer focuses on the violent interaction of the figures.\u003c\/p\u003e\n\u003cp\u003eBolswert's technical proficiency is evident in the way he renders the textures of fur, fabric, and metal. The engraving demonstrates the collaborative nature of seventeenth-century print production, where the printmaker acted as an interpreter of the original painting. By carefully adjusting the tonal values, Bolswert recreates the dramatic chiaroscuro typical of the Baroque period. This print serves as a record of the visual language prevalent in the Antwerp school, where the depiction of the hunt became a vehicle for exploring human and animal anatomy in motion. The inclusion of Latin text at the base provides formal dedication, common in high-status prints of this era, which were often commissioned to circulate the fame of the original painting and its patron.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429137977679,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429138043215,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429138141519,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429138174287,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429138239823,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Great-Lion-Hunt_Poster_CompositorV1_1786175888244.jpg?v=1786232147"},{"product_id":"the-conversion-of-saint-paul-schelte-adamsz-bolswert","title":"The Conversion of Saint Paul - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA dramatic Baroque engraving depicting the conversion of Saint Paul, rendered with the technical precision and dynamic energy characteristic of Schelte Adamsz. Bolswert.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the dramatic moment of Saul of Tarsus falling from his horse on the road to Damascus. Bolswert, a master engraver of the Dutch Golden Age, was frequently employed to translate the compositions of Peter Paul Rubens into print. This work displays the characteristic energy and theatricality associated with the Rubensian style, utilising a complex arrangement of figures and animals to convey the sudden spiritual intervention.\u003c\/p\u003e\n\u003cp\u003eThe composition is organised around the central figure of Saul, who lies prostrate on the ground, his body twisted in reaction to the divine light emanating from above. Surrounding him are soldiers and rearing horses, their forms rendered with muscular tension and dynamic movement. The use of hatching and cross-hatching techniques allows Bolswert to achieve a wide range of tonal values, creating a sense of volume and depth within the monochromatic medium. The billowing drapery and the agitated expressions of the horses contribute to the overall sense of chaos and sudden transformation.\u003c\/p\u003e\n\u003cp\u003eBolswert was highly regarded for his technical precision and his ability to capture the painterly qualities of the original designs he reproduced. His work was instrumental in disseminating the visual language of the Flemish Baroque across Europe. This print serves as an example of the collaborative nature of printmaking during the seventeenth century, where the engraver acted as a vital conduit between the painter and the wider public. The inclusion of Latin text at the base of the print, typical of the period, provides context and dedication, reflecting the scholarly and religious environment in which such works were produced and collected.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429150200143,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429150265679,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429150363983,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429150396751,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429150462287,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Conversion-of-Saint-Paul_Poster_CompositorV1_1786176248811.jpg?v=1786232293"},{"product_id":"christ-on-the-cross-between-the-two-thieves-schelte-adamsz-bolswert","title":"Christ on the Cross between the Two Thieves - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA masterful Baroque engraving by Schelte Adamsz. Bolswert, depicting the crucifixion with dramatic anatomical detail and emotional intensity.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the crucifixion of Christ, flanked by the two thieves. Bolswert, a prominent engraver of the Dutch Golden Age, worked closely with Peter Paul Rubens to translate the painter's dramatic compositions into the medium of print. The work demonstrates the technical mastery of line and cross-hatching required to replicate the muscularity and emotional weight characteristic of the Rubensian style.\u003c\/p\u003e\n\u003cp\u003eIn the centre, the figure of Christ hangs upon the cross, his body rendered with anatomical precision. To his sides, the two thieves are positioned in varied states of physical distress. Below, the Virgin Mary and other figures gather in a scene of mourning. The composition employs a dynamic arrangement of figures, typical of the Baroque period, which directs the viewer's eye through the scene. The engraving captures the interplay of light and shadow, creating a sense of volume and depth across the figures and the rugged terrain of Golgotha.\u003c\/p\u003e\n\u003cp\u003eBolswert was instrumental in the dissemination of Rubens's work across Europe. His ability to convey the texture of skin, fabric, and wood through the controlled application of the burin allowed for a high degree of fidelity to the original paintings. This print serves as an example of the collaborative relationship between painter and engraver during the seventeenth century, where the printmaker functioned as an interpreter of the artist's vision. The Latin inscription at the base provides the scriptural context for the event, grounding the visual narrative in its historical and religious source material. The work remains a study in the application of tonal values within the constraints of black and white printmaking, showing the capacity of the medium to communicate complex theological themes through physical form.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429206102351,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429206167887,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429206266191,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429206298959,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429206364495,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Christ-on-the-Cross-between-the-Two-Thieves_Poster_CompositorV1_1786176877552.jpg?v=1786232998"},{"product_id":"saint-francis-xavier-schelte-adamsz-bolswert","title":"Saint Francis Xavier - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert depicting Saint Francis Xavier in a moment of spiritual reflection.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts Saint Francis Xavier, the Jesuit missionary, in a moment of spiritual contemplation. Bolswert, a master of the burin, worked closely with Peter Paul Rubens to translate the painterly qualities of the Flemish Baroque into the precise medium of printmaking. The composition follows the conventions of seventeenth-century religious iconography, placing the saint in a three-quarter view with his gaze directed upward toward a divine light source.\u003c\/p\u003e\n\u003cp\u003eBolswert employs a sophisticated range of line weights to define the textures within the scene. The heavy, voluminous folds of the saint's surplice are rendered with sweeping, rhythmic strokes that suggest the weight and sheen of the fabric. In contrast, the table to the left, adorned with a patterned cloth, a crucifix, and a closed book, is executed with finer, more controlled lines to establish a sense of grounded reality. The background remains relatively dark, which allows the radiant halo surrounding the saint's head to emerge with greater clarity. This use of chiaroscuro is characteristic of the period, directing the viewer's attention to the emotional state of the subject.\u003c\/p\u003e\n\u003cp\u003eThe lower portion of the print features a Latin inscription, providing biographical details and identifying the dedicatee. Such prints were often produced to disseminate religious imagery to a wider audience, serving as both devotional objects and examples of technical virtuosity. Bolswert's ability to capture the subtle gradations of light and shadow makes this work a fine example of the reproductive printmaking tradition in the Netherlands. The print reflects the Counter-Reformation emphasis on personal piety and the veneration of saints, presenting Francis Xavier as a figure of quiet authority and religious devotion.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429213901135,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429213966671,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429214064975,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429214097743,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429214163279,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Saint-Francis-Xavier_Poster_CompositorV1_1786177328208.jpg?v=1786233286"},{"product_id":"saint-barbara-virgin-and-martyr-schelte-adamsz-bolswert","title":"Saint Barbara, Virgin and Martyr - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert, depicting Saint Barbara with traditional iconography in a refined Baroque style.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts Saint Barbara, a figure traditionally associated with protection against sudden death. Bolswert, a master of the burin, worked closely with Peter Paul Rubens to translate the painterly qualities of the Flemish Baroque into the medium of print. The composition draws upon the visual language of the Counter-Reformation, presenting the saint with the palm of martyrdom and a halo, while two putti descend from above to offer a wreath.\u003c\/p\u003e\n\u003cp\u003eThe technical execution demonstrates the characteristic control of the Bolswert workshop. The artist employs a variety of hatching and cross-hatching techniques to define the heavy folds of the saint's drapery, creating a sense of volume and weight. The background architecture, featuring a stone wall and a wooden door, provides a grounded setting that contrasts with the ethereal presence of the angels. The sword lying at the base of the composition serves as a direct reference to the saint's hagiography, specifically the manner of her execution.\u003c\/p\u003e\n\u003cp\u003eBolswert was instrumental in the dissemination of Rubens's compositions across Europe. His ability to render light and shadow through line work allowed for the reproduction of complex tonal shifts found in oil paintings. This print is a clear example of the collaborative nature of seventeenth-century printmaking, where the engraver acted as both interpreter and technician. The clarity of the lines and the balanced arrangement of the figures reflect the aesthetic priorities of the period, where religious narratives were communicated through dramatic, yet structured, visual compositions. The work remains a fine example of the high standard of craftsmanship associated with the Bolswert brothers, who were central to the production of high-quality reproductive prints in Antwerp during the seventeenth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429242310991,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429242376527,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429242474831,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429242507599,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429242573135,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Saint-Barbara-Virgin-and-Martyr_Poster_CompositorV1_1786177853253.jpg?v=1786234046"},{"product_id":"saint-agatha-schelte-adamsz-bolswert","title":"Saint Agatha - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving of Saint Agatha by the Dutch master Schelte Adamsz. Bolswert, demonstrating precise line work and classic Baroque composition.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts Saint Agatha, a third-century martyr, holding the attributes of her suffering. Bolswert, a master of the burin, was a central figure in the reproduction of works by Peter Paul Rubens and other Flemish masters. His technical skill is evident here in the precise modulation of line, which creates a sense of volume and texture within the figure's drapery and the soft fall of her hair.\u003c\/p\u003e\n\u003cp\u003eThe composition follows the conventions of seventeenth-century devotional prints. Saint Agatha is presented in a half-length portrait, her gaze directed towards the viewer with a calm, composed expression. A radiant halo emanates from behind her head, providing a stark contrast to the darker, hatched background. The artist employs varied line weights to define the contours of the face and the folds of the fabric, demonstrating the control required for high-quality copperplate engraving.\u003c\/p\u003e\n\u003cp\u003eBolswert's work often functioned as a means of disseminating religious imagery to a wider audience. The inclusion of the Latin inscription at the base, 'S. AGATHA' and the artist's signature, confirms the print's origin as a formal production from his workshop. The clarity of the lines and the balanced distribution of light and shadow reflect the aesthetic priorities of the Dutch Golden Age. This print offers a clear example of the period's focus on anatomical accuracy and the use of light to convey spiritual presence. The work remains a fine specimen of early modern printmaking, showcasing the ability of the engraver to translate complex tonal values into a monochromatic medium.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429255385423,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429255450959,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429255549263,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429255582031,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429255647567,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Saint-Agatha_Poster_CompositorV1_1786178320648.jpg?v=1786234388"},{"product_id":"saint-theresa-interceding-for-the-souls-in-purgatory-schelte-adamsz-bolswert","title":"Saint Theresa Interceding for the Souls in Purgatory - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA masterful seventeenth-century engraving by Schelte Adamsz. Bolswert, depicting Saint Theresa of Avila interceding with Christ for the souls in purgatory.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts a theological scene where Saint Theresa of Avila petitions Christ on behalf of souls suffering in purgatory. Bolswert, a master of the burin, was frequently employed to translate the dynamic compositions of Peter Paul Rubens into print. The work displays the characteristic energy of the Flemish Baroque, utilising dramatic contrasts of light and shadow to guide the viewer through the narrative.\u003c\/p\u003e\n\u003cp\u003eIn the upper register, Christ stands as the central figure, his posture relaxed yet authoritative, while Saint Theresa kneels to the left in a gesture of supplication. Above them, putti emerge from the clouds, adding a sense of celestial movement. The lower portion of the composition is occupied by the figures in purgatory, rendered with expressions of longing and physical distress amidst flames. The artist employs varied line weights and cross-hatching to define the musculature of the figures and the texture of the drapery, creating a sense of volume that is typical of the period's printmaking techniques.\u003c\/p\u003e\n\u003cp\u003eBolswert was instrumental in disseminating the style of the Antwerp school across Europe. His ability to replicate the painterly qualities of Rubens through the rigid medium of copperplate engraving is evident here. The composition balances the ethereal nature of the divine figures with the grounded, emotive reality of the souls below. The Latin inscription at the base provides context, referencing the intercession for the soul of Bernardino de Mendoza. This print serves as a fine example of the technical precision and dramatic storytelling that defined seventeenth-century religious print culture.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429257646415,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429257711951,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429257810255,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429257843023,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429257908559,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Saint-Theresa-Interceding-for-the-Souls-in-Purgatory_Poster_CompositorV1_1786178558572.jpg?v=1786234426"},{"product_id":"philemon-and-baucis-schelte-adamsz-bolswert","title":"Philemon and Baucis - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert depicting the classical myth of Philemon and Baucis within a dramatic, storm-swept setting.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the classical myth of Philemon and Baucis, a tale of hospitality and divine intervention. The composition draws from the aesthetic traditions of the Flemish Baroque, reflecting the collaborative relationship between Bolswert and Peter Paul Rubens. The scene captures the moment the gods Jupiter and Mercury, disguised as travellers, reveal their true nature to the elderly couple amidst a dramatic, storm-swept environment.\u003c\/p\u003e\n\u003cp\u003eBolswert demonstrates technical mastery through his use of varied line weights and cross-hatching to define the textures of the rugged terrain, the turbulent water, and the atmospheric effects of the sky. The figures are positioned on the left, their gestures conveying the gravity of the encounter. The surrounding environment is rendered with a sense of movement, from the gnarled roots of the foreground trees to the distant, rain-drenched hills. The engraving employs a complex system of tonal gradations to suggest depth and volume, typical of the high-quality printmaking produced in Antwerp during the seventeenth century.\u003c\/p\u003e\n\u003cp\u003eAs a printmaker, Bolswert was highly regarded for his ability to translate the painterly qualities of Rubens into the medium of engraving. This work functions as a narrative piece, balancing the human element of the myth with a grand, atmospheric setting. The attention to detail in the foliage and the geological features provides a sense of scale, contrasting the humble figures of Philemon and Baucis with the overwhelming power of the natural world. This print is a fine example of the period's interest in classical literature, combined with a sophisticated approach to light and shadow.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429262135631,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429262201167,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429262299471,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429262332239,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429262397775,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Philemon-and-Baucis_Poster_CompositorV1_1786178798592.jpg?v=1786234694"},{"product_id":"raising-of-the-brazen-serpent-schelte-adamsz-bolswert","title":"Raising of the Brazen Serpent - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert depicting the biblical scene of Moses and the Brazen Serpent.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the biblical narrative from the Book of Numbers, where Moses raises a bronze serpent on a pole to heal the Israelites from venomous snake bites. Bolswert, a master engraver of the Dutch Golden Age, worked closely with Peter Paul Rubens to translate the dramatic energy of Flemish Baroque painting into the medium of print. The composition is organised around the figure of Moses, who gestures towards the serpent, while the foreground is occupied by figures suffering from the plague of serpents.\u003c\/p\u003e\n\u003cp\u003eThe technical execution demonstrates the characteristic precision of Bolswert's burin work. He employs varied line weights and cross-hatching to model the musculature of the figures and the turbulent, cloud-filled sky. The dramatic lighting, typical of the period, creates strong contrasts between the illuminated figures and the deep shadows of the rocky terrain. The scene captures a moment of intense emotional and physical distress, with figures writhing in pain or looking towards the symbol of salvation.\u003c\/p\u003e\n\u003cp\u003eBolswert's ability to render the textures of skin, fabric, and the rugged landscape through purely linear means is evident here. The print includes a Latin inscription at the base, which identifies the subject and provides a dedication, a common feature in high-quality reproductive prints of the seventeenth century. This work serves as an example of how printmaking allowed the visual language of the Baroque to reach a wider audience beyond the owners of large-scale oil paintings. The dynamic poses and the sense of movement within the frame reflect the influence of Rubens, whose compositions Bolswert frequently interpreted. This print offers a clear view into the collaborative nature of seventeenth-century print production, where the engraver acted as both a technician and an interpreter of the painter's original vision.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-charles-i-of-england-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Charles I of England - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/pastoral-landscape-with-the-ponte-molle-claude-lorrain\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePastoral Landscape with the Ponte Molle - Claude Lorrain — Claude Lorrain\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429275373903,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429275439439,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429275537743,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429275570511,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429275636047,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Raising-of-the-Brazen-Serpent_Poster_CompositorV1_1786179277155.jpg?v=1786234921"},{"product_id":"saint-anne-teaching-the-virgin-to-read-schelte-adamsz-bolswert","title":"Saint Anne Teaching the Virgin to Read - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert depicting Saint Anne teaching the Virgin Mary to read, accompanied by Saint Joachim and putti.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the traditional subject of Saint Anne instructing the young Virgin Mary. The composition follows the conventions of the Flemish Baroque, likely derived from a painting by Peter Paul Rubens. Saint Anne sits with a book, guiding the young Mary, while Saint Joachim observes from the background. Two putti hover above, holding a floral wreath, which adds a sense of celestial presence to the domestic scene.\u003c\/p\u003e\n\u003cp\u003eBolswert was a master of the burin, and his technical skill is evident in the varied line work used to define the textures of the drapery, the stone balustrade, and the soft features of the figures. The cross-hatching creates a sense of volume and depth, typical of the high-quality reproductive prints produced in Antwerp during the seventeenth century. The inclusion of Latin text at the base provides a devotional context, common for prints of this period intended for both private contemplation and public display.\u003c\/p\u003e\n\u003cp\u003eAs a printmaker, Bolswert worked closely with the leading painters of his day to translate their compositions into the medium of engraving. This work demonstrates his ability to capture the dramatic lighting and emotional weight characteristic of the period. The figures are arranged with a clear sense of hierarchy, yet the interaction between Anne and Mary remains the primary focus. The architectural elements, such as the balustrade and the trellis, frame the figures and provide a sense of place. This print offers a look into the intersection of religious iconography and the sophisticated printmaking techniques that defined the Dutch and Flemish art markets of the seventeenth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429290840399,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429290905935,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429291004239,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429291037007,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429291102543,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Saint-Anne-Teaching-the-Virgin-to-Read_Poster_CompositorV1_1786179848384.jpg?v=1786235530"},{"product_id":"elevation-of-the-cross-schelte-adamsz-bolswert","title":"Elevation of the Cross - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert, capturing the dramatic tension and muscular energy of the Elevation of the Cross.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the Elevation of the Cross, a subject frequently explored during the seventeenth century. Bolswert, a master of the burin, worked closely with Peter Paul Rubens to translate the painterly qualities of the Flemish Baroque into the precise, linear language of printmaking. This work demonstrates the technical skill required to render complex anatomical forms, dramatic lighting, and the physical exertion of the figures involved in the act of raising the cross.\u003c\/p\u003e\n\u003cp\u003eThe composition is dynamic, utilising diagonal lines to guide the eye across the scene. The central figure of Christ is positioned with a sense of tension, while the surrounding executioners are rendered with muscular detail that emphasises the weight and struggle of the moment. Bolswert employs a range of hatching and cross-hatching techniques to create depth and volume, effectively capturing the textures of fabric, armour, and skin. The background features a turbulent sky, which adds to the emotional weight of the narrative.\u003c\/p\u003e\n\u003cp\u003eBolswert was instrumental in the dissemination of Rubens's compositions across Europe. His ability to interpret the energy of a painting through the medium of engraving allowed for a wider audience to engage with these complex religious scenes. The print includes a Latin inscription at the base, referencing the biblical account of the crucifixion, which was a common practice in period printmaking to provide context for the viewer. The inclusion of a dog in the foreground, a detail often found in works of this period, adds a layer of naturalism to the otherwise highly staged and dramatic event. This print is a representative example of the collaborative relationship between painters and engravers in the Dutch and Flemish traditions, where the printmaker acted as both a technician and an interpreter of the artist's original vision.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429294444879,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429294510415,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429294608719,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429294641487,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429294707023,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Elevation-of-the-Cross_Poster_CompositorV1_1786179997258.jpg?v=1786235622"},{"product_id":"holy-family-with-a-lamb-schelte-adamsz-bolswert","title":"Holy Family with a Lamb - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert, depicting the Holy Family with the young John the Baptist and a lamb.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the Holy Family alongside the young John the Baptist and a lamb, a common motif in seventeenth-century religious art. Bolswert, a master of the burin, worked closely with Peter Paul Rubens to translate the painterly qualities of the Flemish Baroque into the medium of print. His technical skill is evident in the varied line weights used to define the soft texture of the lamb's fleece, the heavy folds of the drapery, and the subtle modelling of the figures.\u003c\/p\u003e\n\u003cp\u003eThe composition is arranged with a focus on the interaction between the children and the animal, which serves as a symbolic reference to the future sacrifice of Christ. The Virgin Mary sits in a protective posture, while Saint Elizabeth watches from behind. The architectural elements in the background provide a sense of depth, grounding the figures in a classical setting. Bolswert employs cross-hatching and fine parallel lines to create a range of tones, from the deep shadows of the stone pillars to the bright highlights on the skin of the infants.\u003c\/p\u003e\n\u003cp\u003eAs a printmaker, Bolswert was instrumental in the dissemination of Rubens's compositions across Europe. This work demonstrates his ability to capture the emotional weight of the scene while maintaining the formal rigour of the Baroque style. The inclusion of Latin inscriptions at the base of the print reflects the scholarly and religious context in which such works were produced and collected. The print remains a fine example of the collaborative relationship between painter and engraver during the Dutch Golden Age, showcasing the precision required to replicate complex compositions on copper plates.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429309288783,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429309354319,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429309452623,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429309485391,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429309550927,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Holy-Family-with-a-Lamb_Poster_CompositorV1_1786180246497.jpg?v=1786236065"},{"product_id":"marriage-of-the-virgin-schelte-adamsz-bolswert","title":"Marriage of the Virgin - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert depicting the biblical Marriage of the Virgin, showcasing masterful line work and Baroque composition.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the biblical scene of the Marriage of the Virgin. Bolswert was a master of the burin, known for his technical ability to translate the painterly qualities of Peter Paul Rubens into the medium of print. The composition follows the established iconographic tradition of the period, showing the high priest officiating the union between Joseph and Mary.\u003c\/p\u003e\n\u003cp\u003eBolswert employs a sophisticated system of hatching and cross-hatching to define form and volume. The drapery of the figures is rendered with particular attention to the play of light and shadow, creating a sense of weight and texture in the fabric. The architectural setting, featuring classical columns and a vaulted archway, provides a sense of depth and scale to the scene. Above the central figures, putti descend, adding a dynamic element to the otherwise solemn ceremony.\u003c\/p\u003e\n\u003cp\u003eAs a printmaker, Bolswert played a role in the dissemination of Flemish Baroque imagery across Europe. His work is characterised by a high degree of precision and a clear understanding of anatomical structure. The inclusion of Latin text at the base of the print, referencing the Gospel of Luke, provides context for the narrative. This piece is a fine example of seventeenth-century reproductive printmaking, where the engraver acted as both a technician and an interpreter of the original composition. The balance between the foreground figures and the architectural background demonstrates the spatial control typical of the era. The print remains a clear record of the collaborative nature of the artistic production in the studio of Rubens, where Bolswert was a primary engraver.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429314269519,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429314335055,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429314433359,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429314466127,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429314531663,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Marriage-of-the-Virgin_Poster_CompositorV1_1786180476638.jpg?v=1786236131"},{"product_id":"maria-mater-dei-regina-coeli-schelte-adamsz-bolswert","title":"Maria, mater Dei, regina coeli - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA fine seventeenth-century engraving by Schelte Adamsz. Bolswert after Peter Paul Rubens, depicting the Virgin Mary as the Queen of Heaven.\u003c\/p\u003e\n\u003cp\u003eThis engraving, titled Maria, mater Dei, regina coeli, is a work by the Dutch printmaker Schelte Adamsz. Bolswert. It is based on a composition by the Flemish painter Peter Paul Rubens, as indicated by the inscription P.P. Rubens pinxit. Bolswert was a master of the burin, and his technical skill allowed him to translate the painterly qualities of Rubens into the precise, linear language of engraving.\u003c\/p\u003e\n\u003cp\u003eThe image depicts the Virgin Mary crowned as the Queen of Heaven, holding the Christ Child. The infant Jesus rests upon her lap, clutching an orb surmounted by a cross, which signifies his role as the saviour of the world. Mary holds a sceptre, reinforcing her royal status. The figures are set against a background of swirling clouds, which suggests a celestial realm.\u003c\/p\u003e\n\u003cp\u003eBolswert employs a variety of hatching and cross-hatching techniques to model the forms and textures of the drapery, skin, and hair. The light appears to emanate from behind the figures, creating a halo effect that draws the eye to the central subjects. The composition is balanced and formal, adhering to the iconographic traditions of the period. The inscription at the base, Maria mater Dei, regina coeli, translates to Mary, Mother of God, Queen of Heaven, which identifies the theological subject matter. This print reflects the collaborative nature of the seventeenth-century art market, where painters often relied on skilled engravers to disseminate their compositions to a wider audience. The work demonstrates the clarity and control characteristic of Bolswert's mature style, capturing the emotional gravity and physical presence of the figures.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429319577935,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429319643471,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429319741775,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429319774543,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429319840079,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Maria-mater-Dei-regina-coeli_Poster_CompositorV1_1786180687714.jpg?v=1786236143"},{"product_id":"moonlight-schelte-adamsz-bolswert","title":"Moonlight - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century etching by Schelte Adamsz. Bolswert, capturing a serene river scene illuminated by moonlight.\u003c\/p\u003e\n\u003cp\u003eThis print, titled Moonlight, is a fine example of the technical mastery achieved by the Dutch engraver Schelte Adamsz. Bolswert. Working during the seventeenth century, Bolswert was known for his ability to translate the tonal qualities of oil paintings into the medium of printmaking. This work demonstrates his skill in using varied line weights and cross-hatching to suggest the specific quality of nocturnal light.\u003c\/p\u003e\n\u003cp\u003eThe composition features a quiet river scene under a night sky. A full moon hangs above the horizon, casting a distinct reflection upon the water. The artist uses dense, rhythmic lines to define the silhouettes of the trees and the texture of the grassy bank where a lone horse grazes. The sky is rendered with delicate strokes to represent the stars and the soft glow surrounding the moon. The contrast between the dark, shadowed foreground and the luminous water creates a sense of depth and atmospheric stillness.\u003c\/p\u003e\n\u003cp\u003eBolswert often collaborated with contemporary painters, and this work reflects the interest in atmospheric effects that occupied many artists of the Dutch Golden Age. The print relies on the interplay of light and shadow, a technique known as chiaroscuro, to guide the viewer's eye across the scene. The precision of the engraving allows for a high degree of detail, from the individual leaves on the trees to the ripples on the river surface. It is a quiet, contemplative image that captures a specific moment of natural observation, typical of the period's focus on the rural environment.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-charles-i-of-england-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Charles I of England - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/apotheosis-of-hercules-giovanni-domenico-tiepolo\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eApotheosis of Hercules - Giovanni Domenico Tiepolo — Giovanni Domenico Tiepolo\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429335667023,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429335732559,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429335830863,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429335863631,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429335929167,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Moonlight_Poster_CompositorV1_1786181169721.jpg?v=1786236567"},{"product_id":"saint-ignatius-loyola-schelte-adamsz-bolswert","title":"Saint Ignatius Loyola - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed Baroque engraving by Schelte Adamsz. Bolswert depicting Saint Ignatius Loyola in prayer, featuring the Jesuit motto and celestial iconography.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts Saint Ignatius Loyola, the founder of the Society of Jesus. Bolswert, a skilled engraver from the Dutch Republic, worked closely with Peter Paul Rubens to translate the painter's compositions into print. The work displays the technical precision characteristic of Bolswert, who utilised varied line weights to create depth and texture within the saint's vestments and the surrounding atmosphere.\u003c\/p\u003e\n\u003cp\u003eIgnatius is shown in a standing position, his gaze directed upward toward a celestial light containing the IHS monogram. He wears an ornate chasuble decorated with scrolling patterns, which contrasts with the simpler fabric of his alb. His left hand rests upon an open book inscribed with the Jesuit motto, Ad Maiorem Dei Gloriam. The composition is balanced by a stone pedestal on the right and a biretta suspended in the upper left corner. The background features dramatic clouds and a radiant halo, elements that reflect the theatricality of the Baroque period.\u003c\/p\u003e\n\u003cp\u003eBolswert's mastery of the burin allows for a subtle gradation of tone, particularly in the rendering of the saint's face and the luminous quality of the light emanating from above. The print includes a Latin inscription at the base, providing biographical details and a dedication, which was common for devotional prints of the seventeenth century. This piece offers a clear example of the collaborative relationship between Flemish painters and Dutch printmakers during the early modern era, where the dissemination of religious imagery relied upon the high quality of such reproductive engravings.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429330227535,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429330293071,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429330391375,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429330424143,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429330489679,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Saint-Ignatius-Loyola_Poster_CompositorV1_1786180928055.jpg?v=1786236601"},{"product_id":"the-rainbow-schelte-adamsz-bolswert","title":"The Rainbow - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA masterful seventeenth-century engraving by Schelte Adamsz. Bolswert after Peter Paul Rubens, depicting a rural scene beneath a dramatic rainbow.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert reproduces a composition by Peter Paul Rubens. Bolswert was a master of the burin, known for his ability to translate the painterly qualities of Rubens into the precise, linear language of printmaking. The work depicts a rural expanse under a dramatic, stormy sky, dominated by the arc of a rainbow that stretches across the upper register.\u003c\/p\u003e\n\u003cp\u003eThe foreground features two figures walking along a path, carrying tools and baskets, which provides a sense of scale to the vast fields beyond. To the right, haystacks and a horse-drawn cart suggest the rhythms of agricultural life. The middle ground contains a small cluster of buildings, rendered with fine hatching that creates a sense of distance and atmosphere. Bolswert employs varied line weights to distinguish between the textures of the foliage, the soft clouds, and the solid forms of the architecture.\u003c\/p\u003e\n\u003cp\u003eTechnically, the print demonstrates the sophisticated use of cross-hatching to build depth and shadow. The light source appears to break through the clouds, illuminating the fields in a way that mimics the effects of natural light after a storm. This print is a fine example of the collaborative nature of seventeenth-century print production, where the engraver acted as an interpreter of the painter's vision. The composition balances the expansive sky with the grounded, everyday activities of the rural inhabitants, creating a harmonious view of the Flemish countryside. The work remains a clear demonstration of the technical mastery required to capture meteorological phenomena and complex light conditions through the medium of black and white engraving.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429369352527,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429369418063,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429369516367,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429369549135,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429369614671,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Rainbow_Poster_CompositorV1_1786181767910.jpg?v=1786237196"},{"product_id":"abraham-offering-up-isaac-schelte-adamsz-bolswert","title":"Abraham Offering up Isaac - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert depicting the biblical narrative of Abraham and Isaac.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the biblical narrative of the Binding of Isaac. Bolswert, a master of the burin, was closely associated with the workshop of Peter Paul Rubens, and his technical precision is evident in the handling of light and texture within this composition. The scene captures the moment of divine intervention, where an angel descends from the clouds to stay the hand of Abraham.\u003c\/p\u003e\n\u003cp\u003eAbraham is shown as an elderly, bearded figure, his expression a mixture of resolve and sudden relief. Isaac, depicted as a youth, sits bound upon the altar, his posture suggesting resignation. To the left, the ram caught in the thicket serves as the substitute sacrifice, a detail rendered with careful attention to the surrounding foliage. The background features a distant, rolling terrain, providing a sense of scale to the immediate drama.\u003c\/p\u003e\n\u003cp\u003eBolswert employs a sophisticated system of cross-hatching and varied line weights to create volume and atmospheric depth. The drapery of Abraham's robes is particularly noteworthy, with deep shadows and crisp highlights that define the form against the lighter sky. The inclusion of Latin text at the base of the print follows the tradition of moralising or descriptive captions common in seventeenth-century Dutch and Flemish printmaking. This work demonstrates the technical rigour of the period, where the engraver sought to translate the painterly qualities of Baroque art into the monochrome medium of copperplate printing. The composition balances the verticality of the angel and the tree with the horizontal orientation of the altar, creating a stable yet dynamic arrangement that draws the eye across the narrative elements.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429384884559,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429384950095,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429385048399,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429385081167,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429385146703,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Abraham-Offering-up-Isaac_Poster_CompositorV1_1786182128109.jpg?v=1786237491"},{"product_id":"adoration-of-the-kings-schelte-adamsz-bolswert","title":"Adoration of the Kings - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed Baroque engraving by Schelte Adamsz. Bolswert, depicting the Adoration of the Kings with dramatic light and shadow.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the biblical scene of the Adoration of the Kings. Bolswert was a master of the burin, known for his ability to translate the painterly qualities of Peter Paul Rubens into the medium of print. The composition follows the dramatic conventions of the Baroque period, utilising strong contrasts between light and shadow to direct the viewer's attention toward the central figures of the Virgin Mary and the Christ Child.\u003c\/p\u003e\n\u003cp\u003eThe scene is crowded with figures, including the three Magi who offer gifts to the infant. One king kneels in the foreground, his posture conveying humility and reverence. Behind him, other figures observe the event, their faces rendered with precise detail. The architectural setting, suggested by the dark, vaulted space, provides a sense of enclosure that focuses the narrative on the interaction between the holy family and their visitors. Bolswert employs a variety of line weights and cross-hatching techniques to create the illusion of texture, from the soft folds of drapery to the metallic sheen of the gifts and the rougher surfaces of the stable environment.\u003c\/p\u003e\n\u003cp\u003eBolswert worked closely with Rubens, often reproducing the artist's large-scale paintings as prints. This collaboration allowed the visual language of the Flemish Baroque to reach a wider audience across Europe. The engraving captures the energy and emotional weight typical of the period, demonstrating the technical skill required to replicate complex compositions on a copper plate. The Latin inscription at the base, 'ET PROCIDENTES ADORAVERUNT EUM', references the Gospel of Matthew, grounding the visual narrative in its scriptural source. This print is a fine example of seventeenth-century reproductive engraving, where the engraver functioned as both a technician and an interpreter of the original painter's vision.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58429388947791,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58429389013327,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58429389111631,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58429389144399,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58429389209935,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Adoration-of-the-Kings_Poster_CompositorV1_1786182372935.jpg?v=1786237969"},{"product_id":"resurrection-schelte-adamsz-bolswert","title":"Resurrection - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA masterful Baroque engraving by Schelte Adamsz. Bolswert, after Peter Paul Rubens, depicting the dramatic moment of the Resurrection.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the Resurrection of Christ, based on a composition by Peter Paul Rubens. Bolswert was a master of the burin, known for his ability to translate the painterly qualities of Rubens into the precise, linear language of printmaking. The work captures the dramatic tension characteristic of the Baroque period, with strong contrasts between light and shadow defining the muscular forms of the figures.\u003c\/p\u003e\n\u003cp\u003eIn the centre, Christ stands triumphant, holding a banner and radiating light. His posture is dynamic, suggesting movement as he emerges from the tomb. Below him, the guards are shown in various states of shock and confusion, their bodies twisted in reaction to the miraculous event. The composition is dense, with the figures arranged to guide the eye through the narrative. A small dog is visible in the lower left corner, a detail that adds a sense of grounded reality to the supernatural scene. The background includes clouds and hints of a natural setting, though the focus remains firmly on the human figures.\u003c\/p\u003e\n\u003cp\u003eBolswert’s technique involves a sophisticated use of hatching and cross-hatching to create volume and texture. The musculature of the figures is rendered with anatomical precision, reflecting the influence of Rubens’s own interest in the human form. The inscription at the bottom identifies the source of the design as a painting by Rubens, specifically the epitaph for Jan Moretus and Martina Plantin in Antwerp Cathedral. This print serves as a fine example of the collaborative relationship between painters and engravers in the seventeenth century, where the printmaker acted as an interpreter, bringing the grand scale of oil paintings to a wider audience through the medium of paper.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58433928790351,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58433928855887,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58433928954191,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58433928986959,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58433929052495,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Resurrection_Poster_CompositorV1_1786182612794.jpg?v=1786238213"},{"product_id":"madonna-and-child-appearing-to-saint-francis-xavier-schelte-adamsz-bolswert","title":"Madonna and Child Appearing to Saint Francis Xavier - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed Baroque engraving by Schelte Adamsz. Bolswert, depicting a vision of the Madonna and Child appearing to Saint Francis Xavier.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts a vision of the Madonna and Child appearing to Saint Francis Xavier. The composition is based on a painting by Gerard Seghers, a contemporary of Bolswert. The scene captures the moment of divine intervention, with the saint kneeling in prayer while an angel gestures towards the celestial figures above. The use of chiaroscuro is characteristic of the period, creating a dramatic contrast between the illuminated figures and the surrounding darkness.\u003c\/p\u003e\n\u003cp\u003eBolswert was a master of the burin, known for his ability to translate the painterly qualities of Flemish Baroque art into the medium of engraving. His technique involves a precise arrangement of lines to suggest texture, volume, and the ethereal quality of light. The inclusion of cherubs and a subtle demonic figure in the upper right corner adds a layer of narrative complexity, referencing the spiritual struggles often associated with the life of Saint Francis Xavier. The Latin inscription at the base provides a formal dedication, typical of prints produced for ecclesiastical or aristocratic patrons during the seventeenth century.\u003c\/p\u003e\n\u003cp\u003eThe print demonstrates the technical rigour of the period, where the engraver worked in close collaboration with painters to disseminate religious imagery across Europe. The balance between the earthly presence of the saint and the heavenly apparition is maintained through careful spatial arrangement and the modulation of tone. This work remains a fine example of the collaborative nature of printmaking in the Low Countries, where the skills of the painter and the engraver combined to produce works of high technical quality.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58433933771087,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58433933836623,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58433933934927,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58433933967695,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58433934033231,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Madonna-and-Child-Appearing-to-Saint-Francis-Xavier_Poster_CompositorV1_1786182848085.jpg?v=1786238222"},{"product_id":"mercury-and-argus-schelte-adamsz-bolswert","title":"Mercury and Argus - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert depicting the classical myth of Mercury and Argus, rendered with technical precision.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the classical myth of Mercury and Argus, a narrative drawn from Ovid's Metamorphoses. The scene captures the moment Mercury, disguised as a shepherd, lulls the hundred-eyed giant Argus to sleep with his music. Once Argus is incapacitated, Mercury prepares to slay him to rescue the heifer Io, who stands nearby. Bolswert, a master of the burin, translates the painterly qualities of Peter Paul Rubens into the precise language of printmaking. The composition relies on the interplay of light and shadow to define the muscular forms of the figures and the textures of the surrounding foliage.\u003c\/p\u003e\n\u003cp\u003eBolswert employs a variety of hatching techniques to create depth and volume. The cross-hatching on the figures provides a sense of weight, while the lighter, directional lines in the sky and water suggest atmospheric conditions. The inclusion of the cattle and the dog adds a pastoral element to the mythological subject, grounding the scene in a recognisable, if idealised, natural setting. The Latin inscription at the base provides context for the narrative, a common feature in seventeenth-century print culture that invited the viewer to engage with the literary source material.\u003c\/p\u003e\n\u003cp\u003eAs a printmaker, Bolswert was instrumental in disseminating the visual language of the Flemish Baroque across Europe. His ability to render complex textures, from the rough bark of the tree to the soft drapery of the figures, demonstrates his technical control. This print offers a clear view into the artistic priorities of the period, where the synthesis of classical learning and technical virtuosity remained the primary goal. The work is a fine example of the collaborative nature of print production in the seventeenth century, where the engraver acted as both interpreter and creator, ensuring the survival of complex compositions for a wider audience.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58434053112143,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58434053177679,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58434053275983,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58434053308751,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58434053374287,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Mercury-and-Argus_Poster_CompositorV1_1786183001366.jpg?v=1786304926"},{"product_id":"hunting-scene-in-a-forest-schelte-adamsz-bolswert","title":"Hunting Scene in a Forest - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed Baroque engraving by Schelte Adamsz. Bolswert, depicting a dynamic hunting scene within a dense, atmospheric forest.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert captures a dramatic woodland pursuit, based on a composition by Peter Paul Rubens. Bolswert was a master of the burin, known for his ability to translate the painterly qualities of Rubens into the precise, linear language of printmaking. The work demonstrates the technical skill required to render the textures of gnarled bark, dense foliage, and the play of light filtering through a thick canopy.\u003c\/p\u003e\n\u003cp\u003eThe scene depicts a hunt in progress, with hounds and figures moving through a shadowed forest. The composition relies on the contrast between the dark, heavy trees and the small, illuminated patches of the forest floor. Bolswert employs varied hatching techniques to create depth and volume, allowing the viewer to perceive the recession of the trees into the distance. The inclusion of birds in the upper left corner adds a sense of movement to the otherwise static, dense environment.\u003c\/p\u003e\n\u003cp\u003eAs a printmaker, Bolswert worked closely with Rubens to reproduce his works for a wider audience. This collaboration was common in the seventeenth century, as it allowed the dissemination of artistic ideas across Europe. The print reflects the Baroque interest in drama and natural observation, focusing on the atmospheric conditions of the forest rather than a clear, singular narrative. The attention to detail in the vegetation and the dynamic posture of the animals are characteristic of the period's approach to nature. This piece offers a glimpse into the collaborative nature of print production in the Dutch and Flemish traditions, where the engraver acted as both a technician and an interpreter of the painter's vision.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58434073493839,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58434073559375,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58434073657679,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58434073690447,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58434073755983,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Hunting-Scene-in-a-Forest_Poster_CompositorV1_1786183748209.jpg?v=1786305986"},{"product_id":"madonna-and-child-by-the-fountain-schelte-adamsz-bolswert","title":"Madonna and Child by the Fountain - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed 17th-century engraving by Schelte Adamsz. Bolswert after Peter Paul Rubens, depicting the Madonna and Child beside a symbolic fountain.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert reproduces a composition by Peter Paul Rubens. It depicts the Virgin Mary seated beside a stone fountain, holding the Christ Child. The work is a fine example of the collaborative relationship between Rubens and his printmakers, who translated his painterly style into the precise medium of copperplate engraving. Bolswert employs a sophisticated system of hatching and cross-hatching to render the textures of the fabric, the stone architecture, and the play of light across the figures.\u003c\/p\u003e\n\u003cp\u003eThe scene is titled 'Puteus Aquarum Viventium' (Well of Living Waters), a reference to the Song of Solomon. The fountain serves as a symbolic element, representing the purity and grace associated with the Virgin. The Christ Child reaches towards the water, creating a dynamic interaction between the two figures. Bolswert manages to capture the sense of volume and movement characteristic of Rubens, despite the limitations of the monochrome medium. The use of light, particularly the halos surrounding the heads of the figures, draws the eye to the centre of the composition.\u003c\/p\u003e\n\u003cp\u003eBolswert was a master of his craft, known for his ability to interpret the works of major painters with technical accuracy. This print demonstrates his skill in creating depth and atmosphere through line work alone. The architectural details, such as the carved stone support for the Virgin, add a sense of weight and stability to the scene. This print is a representative example of seventeenth-century reproductive engraving, where the goal was to disseminate the compositions of major artists to a wider audience. It remains a clear record of the artistic dialogue between the painter and the engraver during the Dutch Golden Age.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58434068283727,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58434068349263,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58434068447567,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58434068480335,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58434068545871,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Madonna-and-Child-by-the-Fountain_Poster_CompositorV1_1786183448640.jpg?v=1786306051"},{"product_id":"christ-on-the-cross-schelte-adamsz-bolswert-1","title":"Christ on the Cross - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert, depicting the crucifixion with technical precision and dramatic Baroque lighting.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the crucifixion of Christ, a subject frequently explored during the seventeenth century. Bolswert, a skilled engraver from the Netherlands, worked closely with Peter Paul Rubens to translate the dramatic intensity of Flemish Baroque painting into the medium of print. The composition focuses on the central figure of Christ, whose body is rendered with anatomical precision and a sense of physical strain. The musculature is defined through a series of fine, parallel lines and cross-hatching, which create a sense of volume and weight.\u003c\/p\u003e\n\u003cp\u003eThe background features a turbulent sky filled with heavy, rolling clouds, which adds to the sombre atmosphere of the scene. Below, a rocky landscape with a distant fortification provides a sense of place, grounding the spiritual event in a tangible world. The artist uses varying line weights to distinguish between the textures of the wooden cross, the fabric of the loincloth, and the soft, weathered skin of the figure. The inscription at the top of the cross, the titulus, is clearly legible, maintaining the iconographic requirements of the narrative.\u003c\/p\u003e\n\u003cp\u003eBolswert was known for his ability to capture the tonal range of oil paintings using only black ink on paper. His technique relies on the density of lines to suggest shadow and light, creating a high-contrast image that draws the eye to the central figure. This print reflects the technical mastery of the period, where engravers acted as interpreters of the great masters, ensuring that complex compositions could be disseminated to a wider audience. The work remains a clear example of the collaborative nature of seventeenth-century printmaking, where the engraver's hand was as essential as the painter's original conception.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58434095481167,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58434095546703,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58434095645007,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58434095677775,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58434095743311,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Christ-on-the-Cross_Poster_CompositorV1_1786184174571.jpg?v=1786306988"},{"product_id":"the-visitation-schelte-adamsz-bolswert","title":"The Visitation - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed 17th-century engraving by Schelte Adamsz. Bolswert depicting the biblical meeting between the Virgin Mary and Saint Elizabeth.\u003c\/p\u003e\n\u003cp\u003eThis engraving depicts the Visitation, a biblical encounter between the Virgin Mary and Saint Elizabeth. Schelte Adamsz. Bolswert, a skilled Dutch engraver, employs precise line work to define the figures and their interaction. The composition focuses on the physical connection between the two women, as they grasp hands in a gesture of mutual recognition and support. Mary is shown on the left, her expression serene, while Elizabeth appears on the right, her face marked by age and wisdom. A subtle halo surrounds Elizabeth, and a radiant light source emanates from the upper left, casting soft shadows across the scene.\u003c\/p\u003e\n\u003cp\u003eBolswert demonstrates technical mastery through his use of cross-hatching and varied line weights to create volume in the drapery and texture in the skin. The background features simple architectural elements, which provide a sense of place without distracting from the primary subjects. The inclusion of text at the bottom, quoting the Gospel of Luke, integrates the narrative directly into the visual field. This work reflects the conventions of 17th-century printmaking, where religious subjects were frequently reproduced for devotional use or as part of larger series. The clarity of the lines and the balanced arrangement of the figures demonstrate the artist's ability to convey emotional weight through a monochrome medium. As a printmaker, Bolswert was known for his collaborations with contemporary painters, and this piece exhibits the disciplined approach characteristic of his independent output. The print captures a quiet, human moment within a larger theological framework, rendered with the technical rigour typical of the Dutch Golden Age.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58434152268111,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58434152333647,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58434152431951,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58434152464719,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58434152530255,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Visitation_Poster_CompositorV1_1786184651585.jpg?v=1786307600"},{"product_id":"portrait-of-schelte-adamsz-bolswert-schelte-adamsz-bolswert","title":"Portrait of Schelte Adamsz. Bolswert - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA nineteenth-century heliotype reproduction of a portrait depicting the Dutch master engraver Schelte Adamsz. Bolswert in traditional seventeenth-century attire.\u003c\/p\u003e\n\u003cp\u003eThis heliotype print reproduces a portrait of the Dutch engraver Schelte Adamsz. Bolswert. Bolswert was a significant figure in the seventeenth-century printmaking scene, known for his technical skill in translating the painterly qualities of works by Peter Paul Rubens into black and white engravings. The original portrait captures the artist in the attire typical of the Dutch Golden Age, featuring a stiff ruff collar and a dark, heavy cloak. His expression is composed, reflecting the professional dignity expected of a master craftsman of his era.\u003c\/p\u003e\n\u003cp\u003eThe heliotype process, a photomechanical printing method popular in the late nineteenth century, allows for a faithful reproduction of the tonal gradations found in the original engraved or painted source. The print displays the characteristic fine lines and cross-hatching techniques that define the engraver's art. The subject is presented in a three-quarter view, with his hand resting naturally, a common pose in portraiture of the period to suggest both ease and authority. The monochromatic palette emphasises the textures of the fabric and the subtle modelling of the face.\u003c\/p\u003e\n\u003cp\u003eAs a historical document, this print serves as a record of the appearance of a man who contributed to the dissemination of European art through his reproductive engravings. The inclusion of his name and dates at the base of the print aligns with the conventions of nineteenth-century archival documentation. This piece is suitable for those interested in the history of printmaking, the Dutch Golden Age, or the evolution of portraiture. It offers a clear, academic view of a figure whose work helped shape the visual culture of the seventeenth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-charles-i-of-england-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Charles I of England - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/pastoral-landscape-with-the-ponte-molle-claude-lorrain\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePastoral Landscape with the Ponte Molle - Claude Lorrain — Claude Lorrain\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58434171306319,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58434171371855,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58434171470159,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58434171502927,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58434171568463,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Portrait-of-Schelte-Adamsz.-Bolswert_Poster_CompositorV1_1786185118010.jpg?v=1786307671"},{"product_id":"soul-in-purgatory-praying-for-mercy-schelte-adamsz-bolswert","title":"Soul in Purgatory Praying for Mercy - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed seventeenth-century engraving by Schelte Adamsz. Bolswert depicting a soul in purgatory, accompanied by a biblical inscription from the Book of Job.\u003c\/p\u003e\n\u003cp\u003eThis engraving, attributed to the Dutch printmaker Schelte Adamsz. Bolswert, depicts a soul suffering within the flames of purgatory. The figure is shown from the waist up, with hands clasped in prayer and eyes directed upwards in a plea for divine intervention. A small angel or spirit appears in the upper left, gesturing towards the suffering figure. The surrounding flames are rendered with rhythmic, flowing lines that create a sense of movement and heat, contrasting with the more static, emotive posture of the central figure.\u003c\/p\u003e\n\u003cp\u003eBelow the image, the text provides a Latin inscription from the Book of Job, chapter 19, verse 21: 'Miseremini mei, miseremini mei saltem vos amici mei; quia manus Domini tetigit me.' This translates to 'Have pity on me, have pity on me, at least you my friends; for the hand of God has touched me.' The inclusion of Dutch and French translations beneath the Latin text indicates the print was intended for a broad European audience, common for devotional works of the seventeenth century. The engraving style is characteristic of the period, utilising cross-hatching and varied line weights to model the musculature of the figure and the intensity of the fire.\u003c\/p\u003e\n\u003cp\u003eBolswert was a prolific engraver, known for his technical skill in reproducing the works of painters such as Peter Paul Rubens. This piece demonstrates his ability to convey complex theological concepts through the medium of print. The composition focuses on the emotional state of the subject, using the stark contrast between the figure and the flames to draw the viewer into the narrative of repentance and hope. Such prints were often collected for private devotion or as part of larger religious series, reflecting the visual culture of the Counter-Reformation era.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58434218656079,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58434218721615,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58434218819919,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58434218852687,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58434218918223,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Soul-in-Purgatory-Praying-for-Mercy_Poster_CompositorV1_1786185558971.jpg?v=1786308371"},{"product_id":"maria-als-koningin-van-de-hemel-met-het-christuskind-als-salvator-mundi-schelte-adamsz-bolswert","title":"Maria als Koningin van de Hemel met het Christuskind als Salvator Mundi - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA detailed Baroque engraving by Schelte Adamsz. Bolswert depicting the Virgin Mary and the Christ Child as the Salvator Mundi.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts the Virgin Mary as the Queen of Heaven, cradling the Christ Child who holds the orb of the world as the Salvator Mundi. Bolswert was a master of the burin, known for his ability to translate the painterly qualities of Flemish Baroque masters into the medium of print. His work often involved the reproduction of compositions by Peter Paul Rubens and Erasmus Quellinus, the latter of whom is credited as the painter of the original composition here.\u003c\/p\u003e\n\u003cp\u003eThe composition follows traditional iconographic conventions of the period. Mary is seated in a dignified posture, her gaze directed towards the viewer, while the Christ Child sits upon her lap. He holds the globus cruciger, a symbol of his dominion over the world. The background features classical architectural elements, including a column and a draped curtain, which provide a sense of spatial depth and formal gravity. A bird, likely a goldfinch, rests on a stone ledge to the right, a common motif in religious art representing the Passion of Christ.\u003c\/p\u003e\n\u003cp\u003eBolswert employs a sophisticated system of cross-hatching and varied line weights to render the textures of the drapery, the softness of the figures, and the reflective surface of the orb. The play of light across the figures creates a sense of volume and presence, characteristic of the Baroque interest in dramatic realism. The Latin inscription at the base provides context regarding the dedication and the theological nature of the scene. This print demonstrates the technical precision required to convey complex tonal ranges using only black ink on paper, a hallmark of the seventeenth-century Dutch and Flemish printmaking tradition.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58434235236687,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58434235302223,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58434235400527,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58434235433295,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58434235498831,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Maria-als-Koningin-van-de-Hemel-met-het-Christuskind-als-Salvator-Mundi_Poster_CompositorV1_1786185853299.jpg?v=1786308602"},{"product_id":"gekroonde-maria-en-christus-schelte-adamsz-bolswert","title":"Gekroonde Maria en Christus - Schelte Adamsz. Bolswert","description":"\u003cp\u003eA seventeenth-century engraving by Schelte Adamsz. Bolswert depicting a devotional scene between Christ and the Virgin Mary, featuring Latin, Dutch, and French inscriptions.\u003c\/p\u003e\n\u003cp\u003eThis engraving by Schelte Adamsz. Bolswert depicts a devotional encounter between Christ and the Virgin Mary. Bolswert, a skilled printmaker from the Dutch Republic, was known for his technical precision in translating the painterly qualities of his contemporaries into the medium of copperplate engraving. The composition focuses on the exchange between the two figures, with Christ gesturing toward the crowned Virgin. The use of hatching and cross-hatching creates a sense of volume in the drapery and depth in the facial features, while the radiating lines behind the Virgin suggest a divine light.\u003c\/p\u003e\n\u003cp\u003eThe print includes a Latin inscription from the First Epistle of John, accompanied by translations in Dutch and French. This inclusion of text indicates the work was intended for meditative or instructional use, common in the seventeenth century. The figures are rendered with a focus on emotional expression, typical of the period's religious art. Bolswert employs a controlled line quality to define the contours of the figures, ensuring the focus remains on the interaction rather than decorative elements. The background is kept minimal, allowing the viewer to concentrate on the theological subject matter.\u003c\/p\u003e\n\u003cp\u003eAs a printmaker, Bolswert worked closely with many prominent painters of his time, including Peter Paul Rubens. His ability to capture texture and light through the limited palette of black and white ink is evident here. The print serves as a clear example of the technical standards of Dutch engraving during the seventeenth century, where clarity of line and narrative were prioritised. This museum-grade reproduction captures the fine details of the original plate, preserving the tonal variations and the crispness of the engraved lines.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/portrait-of-martin-ryckaert-anthony-van-dyck\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003ePortrait of Martin Ryckaert - Anthony van Dyck — Anthony van Dyck\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/self-portrait-as-the-allegory-of-painting-artemisia-gentileschi\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eSelf-Portrait as the Allegory of Painting - Artemisia Gentileschi — Artemisia Gentileschi\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Schelte Adamsz. Bolswert","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58434238382415,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58434238447951,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58434238546255,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58434238579023,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58434238644559,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Gekroonde-Maria-en-Christus_Poster_CompositorV1_1786186034402.jpg?v=1786308897"}],"url":"https:\/\/www.solisprints.com\/en-nz\/collections\/schelte-adamsz-bolswert.oembed","provider":"Solis Prints","version":"1.0","type":"link"}