{"title":"Theo Van Rysselberghe","description":null,"products":[{"product_id":"portrait-of-emile-verhaeren-theo-van-rysselberghe","title":"Portrait of Émile Verhaeren - Théo van Rysselberghe","description":"\u003cp\u003eA sensitive portrait of the Belgian poet Émile Verhaeren by his friend and contemporary, Théo van Rysselberghe, rendered in pencil and charcoal.\u003c\/p\u003e\n\u003cp\u003eThis portrait depicts the Belgian poet Émile Verhaeren, a figure central to the literary circles of late nineteenth-century Brussels. Théo van Rysselberghe, a founding member of the group Les Vingt, maintained a close friendship with Verhaeren, which allowed for a study of the subject that feels both intimate and observant. The drawing captures the poet in a moment of quiet reflection, his hands clasped before him on a desk.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe employs a technique that balances precise anatomical rendering with a looser, more expressive application of graphite. The lines around the face and eyes are handled with care, conveying the poet's characteristic intensity and intellectual focus. In contrast, the clothing and the surrounding space are rendered with rapid, rhythmic strokes that suggest the texture of the fabric and the atmosphere of the room without resorting to unnecessary detail. The artist's background in Neo-Impressionism is visible here in the way he manages light and shadow, using the white of the paper to create volume and form.\u003c\/p\u003e\n\u003cp\u003eThis work belongs to a period when Van Rysselberghe was deeply involved in the avant-garde art scene of Belgium. His portraits of contemporaries, including writers and fellow artists, document the intellectual climate of the era. The composition is straightforward, focusing entirely on the subject's posture and expression. By stripping away extraneous elements, the artist directs the viewer's attention to the psychological presence of the poet. The drawing functions as a record of a specific creative partnership, reflecting the shared interests of the two men in the cultural developments of their time. It is a fine example of the artist's ability to translate the personality of his sitter into a graphic medium, using simple materials to achieve a high degree of characterisation.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-with-goats-henri-edmond-cross\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape with Goats - Henri-Edmond Cross — Henri-Edmond Cross\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416714580303,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416714645839,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416714744143,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416714776911,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416714842447,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Portrait-of-mile-Verhaeren_Poster_CompositorV1_1786145894678.jpg?v=1786146119"},{"product_id":"the-quay-at-veere-zeeland-theo-van-rysselberghe","title":"The Quay at Veere, Zeeland - Théo van Rysselberghe","description":"\u003cp\u003eA fine example of Neo-Impressionist technique, this 1894 work by Théo van Rysselberghe depicts the Dutch town of Veere through a precise application of colour.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, captured this view of the Dutch town of Veere in 1894. The work demonstrates his rigorous application of pointillist technique, where small, distinct dots of colour are placed side by side to create a luminous effect when viewed from a distance. By avoiding the physical mixing of pigments on the palette, the artist achieves a heightened sense of light and atmospheric clarity.\u003c\/p\u003e\n\u003cp\u003eThe composition is divided horizontally, balancing the architectural elements of the town against their reflection in the water. The tall, slender spire of the Grote Kerk dominates the skyline, providing a vertical anchor to the horizontal expanse of the quay and the canal. Van Rysselberghe uses a palette of soft blues, warm ochres, and terracotta tones to describe the buildings and the water. The reflections are rendered with broken, rhythmic brushstrokes, suggesting the gentle movement of the canal surface.\u003c\/p\u003e\n\u003cp\u003eDuring this period, Van Rysselberghe travelled extensively through the Netherlands, finding inspiration in the coastal light and the traditional architecture of Zeeland. His approach to this scene is analytical, focusing on the optical interaction of colour rather than purely descriptive representation. The painting reflects the scientific interest in optics that defined the Neo-Impressionist circle, which included artists such as Georges Seurat and Paul Signac. The result is a calm, structured view of a quiet harbour, where the application of paint creates a sense of shimmering light across the entire surface of the canvas.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416744104271,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416744169807,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416744268111,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416744300879,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416744366415,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Quay-at-Veere-Zeeland_Poster_CompositorV1_1786146113861.jpg?v=1786146486"},{"product_id":"female-bathers-under-the-pines-at-cavaliere-theo-van-rysselberghe","title":"Female Bathers Under the Pines at Cavaliere - Théo van Rysselberghe","description":"\u003cp\u003eA luminous Neo-Impressionist scene by Théo van Rysselberghe, capturing bathers beneath pine trees on the Mediterranean coast using precise pointillist technique.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, painted this work in 1905. The scene captures a Mediterranean coastal setting near Cavaliere, where the artist spent time during his travels. The composition employs the technique of pointillism, where small, distinct dots of colour are applied in patterns to form an image. When viewed from a distance, these individual points blend in the eye of the observer to create a luminous effect.\u003c\/p\u003e\n\u003cp\u003eThe painting depicts figures resting and bathing among pine trees that frame the view of the sea. The vertical trunks of the trees create a rhythmic structure, contrasting with the horizontal expanse of the water and the soft, rounded forms of the bathers. Van Rysselberghe uses a palette dominated by cool blues and purples in the shadows, which contrast with the warmer, sun-drenched tones of the ground and the figures. The light filtering through the pine needles creates a dappled effect on the forest floor, demonstrating the artist's focus on the optical properties of light and colour.\u003c\/p\u003e\n\u003cp\u003eUnlike the more rigid, scientific approach of Georges Seurat, Van Rysselberghe often used larger, more fluid brushstrokes, which allowed for a greater sense of movement and atmosphere. This work reflects his interest in the idyllic, classical theme of bathers in a natural setting, a subject he returned to frequently throughout his career. The painting remains a clear example of the transition from the strict divisionism of the late nineteenth century toward a more expressive application of colour, while maintaining the technical rigour associated with the Neo-Impressionist school.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416766320975,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416766386511,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416766484815,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416766517583,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416766583119,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Female-Bathers-Under-the-Pines-at-Cavaliere_Poster_CompositorV1_1786146649590.jpg?v=1786146842"},{"product_id":"barges-on-the-river-scheldt-theo-van-rysselberghe","title":"Barges on the River Scheldt - Théo van Rysselberghe","description":"\u003cp\u003eA serene Neo-Impressionist study of barges on the River Scheldt, rendered in 1892 using precise pointillist techniques to capture light and atmosphere.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist circle, produced this work in 1892. The painting captures the quiet activity on the River Scheldt, a waterway that frequently appeared in his maritime studies. Van Rysselberghe employs the pointillist technique, applying small, distinct dots of colour to the canvas. This method relies on the viewer's eye to blend the pigments optically, creating a luminous quality that defines the water and the atmospheric sky.\u003c\/p\u003e\n\u003cp\u003eThe composition features two primary barges positioned in the foreground, their dark, sail-heavy forms contrasting against the lighter, shimmering surface of the river. The artist uses a palette of purples, blues, and soft ochres to render the light of the late afternoon. The distant shoreline is suggested through a hazy, simplified silhouette, which keeps the focus on the immediate interaction between the vessels and the water. The application of paint is methodical, reflecting the scientific approach to light and colour that characterised the Neo-Impressionist movement during the late nineteenth century.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was a founding member of Les XX, an avant-garde group in Brussels. His work during this period demonstrates a transition from his earlier, more traditional training toward the rigorous application of colour theory. By breaking down the image into individual points, he achieves a sense of stillness and clarity. The painting avoids dramatic narrative, instead presenting a precise observation of light reflecting off the river's surface. The work remains a clear example of how the artist adapted the techniques of Georges Seurat to his own interest in the coastal light of the Low Countries.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416784277839,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416784343375,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416784441679,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416784474447,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416784539983,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Barges-on-the-River-Scheldt_Poster_CompositorV1_1786146848767.jpg?v=1786146928"},{"product_id":"rain-jersey-theo-van-rysselberghe","title":"Rain, Jersey - Théo van Rysselberghe","description":"\u003cp\u003eA moody marine study by Théo van Rysselberghe, capturing the atmospheric rain and turbulent waters of the Jersey coast through expressive, fluid brushwork.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work during his time on the island of Jersey. The painting captures the atmospheric conditions of the English Channel, focusing on the interplay between the grey, overcast sky and the turbulent sea. Van Rysselberghe employs a technique derived from pointillism, though by this stage in his career, his brushwork had become more fluid and expressive than the rigid dots of his earlier period.\u003c\/p\u003e\n\u003cp\u003eThe composition is divided into horizontal bands, drawing the eye across the choppy water toward the distant, hazy cliffs. The palette consists of muted tones: soft purples, ochres, and slate greys. These colours effectively convey the damp, misty quality of a coastal rainstorm. The vertical streaks of paint across the surface suggest the falling rain, blurring the distinction between the sea and the sky. This stylistic choice creates a sense of movement and instability, reflecting the artist's interest in capturing transient weather patterns rather than static forms.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was a founding member of Les XX, a group that promoted avant-garde art in Brussels. His transition from the strict scientific application of colour to a more personal, painterly approach is evident here. The work demonstrates his ability to balance technical precision with emotional resonance. By focusing on the texture of the sea and the pervasive gloom of the weather, he creates a scene that feels immediate and observational. The signature monogram in the lower right corner confirms the artist's hand, placing this piece within his mature body of work produced after he had moved away from the strictures of pure divisionism.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416792240463,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416792305999,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416792404303,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416792437071,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416792502607,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Rain-Jersey_Poster_CompositorV1_1786147039840.jpg?v=1786147135"},{"product_id":"sunset-theo-van-rysselberghe","title":"Sunset - Théo van Rysselberghe","description":"\u003cp\u003eA serene coastal scene by Théo van Rysselberghe, capturing the soft light of a Mediterranean sunset through expressive, rhythmic brushwork.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work in 1915. The painting captures the Mediterranean coast, a subject that occupied the artist frequently during his later years in the south of France. By this period, van Rysselberghe had moved away from the strict, scientific pointillism of his earlier career, adopting a more fluid and expressive brushwork while maintaining his interest in the optical effects of light.\u003c\/p\u003e\n\u003cp\u003eThe composition is anchored by the silhouette of a pine tree, which frames the view across the water towards the distant hills. The colour palette is dominated by soft pinks, mauves, and pale yellows, reflecting the specific atmospheric conditions of a coastal sunset. The water is rendered with short, rhythmic strokes that suggest the gentle movement of the sea, while the rocky foreground is treated with broader, more solid applications of paint. This contrast between the delicate, light-filled sky and the darker, more grounded elements of the shore creates a sense of balance.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was a founding member of Les XX, an influential group of artists in Brussels. His transition from the rigorous application of dots to these looser, more painterly marks demonstrates his ongoing exploration of colour theory and light. The work avoids excessive detail, focusing instead on the overall mood and the interplay of warm and cool tones across the surface of the canvas. It is a clear example of his mature style, where the observation of nature is filtered through a refined understanding of colour harmony and composition. The signature and date, visible in the lower right corner, confirm its place within his later body of work, produced during his residence in the Var region.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416814457167,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416814522703,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416814621007,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416814653775,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416814719311,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Sunset_Poster_CompositorV1_1786147170287.jpg?v=1786147541"},{"product_id":"portrait-of-alice-sethe-theo-van-rysselberghe","title":"Portrait of Alice Sethe - Théo van Rysselberghe","description":"\u003cp\u003eA refined Neo-Impressionist portrait by Théo van Rysselberghe, capturing Alice Sethe in a luminous blue gown using precise pointillist technique.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist circle, completed this portrait of Alice Sethe in 1897. The work demonstrates his mastery of pointillism, a technique involving the application of small, distinct dots of colour that blend in the viewer's eye to create a luminous effect. Alice Sethe, a member of a prominent Brussels family, is depicted standing before a large mirror, which adds a layer of spatial complexity to the composition. Her pale blue gown is rendered with a meticulous arrangement of pigment, capturing the sheen of the fabric through subtle variations in tone and light.\u003c\/p\u003e\n\u003cp\u003eThe background features a gilded mirror frame and a decorative object, providing a contrast to the cool, ethereal tones of the subject's attire. Van Rysselberghe avoids heavy outlines, preferring to define form through the interaction of adjacent colours. This approach creates a sense of atmospheric depth, as the light appears to vibrate across the surface of the canvas. The reflection in the mirror offers a secondary view of the sitter, a device that invites the viewer to consider the subject from multiple angles while maintaining a formal, composed presence.\u003c\/p\u003e\n\u003cp\u003eAs a member of Les XX, an influential group of Belgian artists, Van Rysselberghe was deeply engaged with the scientific theories of colour perception popularised by Georges Seurat. This portrait is a clear example of his application of these principles to portraiture, moving away from the rigid academic styles of the period. The result is a work that balances precise observation with a decorative sensibility, characteristic of the late nineteenth-century European avant-garde. The painting remains a significant example of how pointillist techniques could be adapted to capture the texture of clothing and the nuances of indoor lighting.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-with-goats-henri-edmond-cross\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape with Goats - Henri-Edmond Cross — Henri-Edmond Cross\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416815243599,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416815309135,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416815407439,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416815440207,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416815505743,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Portrait-of-Alice-Sethe_Poster_CompositorV1_1786147463379.jpg?v=1786147544"},{"product_id":"portrait-of-a-woman-theo-van-rysselberghe","title":"Portrait of a Woman - Théo van Rysselberghe","description":"\u003cp\u003eA 1918 portrait by Belgian Neo-Impressionist Théo van Rysselberghe, featuring a woman in a straw hat rendered with expressive, painterly brushwork.\u003c\/p\u003e\n\u003cp\u003eThis portrait, executed in June 1918, captures the characteristic style of Théo van Rysselberghe during his later period. While the artist is widely recognised for his early adoption of pointillism, his later work shifted towards a more fluid, painterly approach. This piece demonstrates his mastery of colour and light, with the subject depicted in a straw hat against a textured, dappled background.\u003c\/p\u003e\n\u003cp\u003eThe composition focuses on the sitter, whose features are rendered with soft, deliberate brushwork. Van Rysselberghe employs a palette that balances warm skin tones with cooler violet and blue shadows, a technique that creates a sense of atmosphere around the figure. The subject wears a white collar and a distinct orange necklace, which provides a sharp contrast to the muted tones of her patterned jacket. The background suggests an outdoor setting, likely a garden, where light filters through foliage to create shifting patterns of colour.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was a central figure in the Belgian avant-garde and a founding member of Les XX. His transition from the strict application of dots to broader, more expressive strokes reflects the broader shift in European painting during the early twentieth century. This work is an example of his ability to capture a likeness while maintaining a focus on the decorative qualities of the paint surface itself. The signature and date in the upper right corner confirm the provenance of the work to the final years of the First World War, a period when the artist resided in the south of France. The print captures the texture of the original canvas, allowing for an appreciation of the artist's application of pigment and his sensitivity to the play of natural light on the human form.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416832119119,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416832184655,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416832282959,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416832315727,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416832381263,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Portrait-of-a-Woman_Poster_CompositorV1_1786147695876.jpg?v=1786147765"},{"product_id":"the-jetty-theo-van-rysselberghe","title":"The Jetty - Théo van Rysselberghe","description":"\u003cp\u003eA serene coastal scene by Belgian Neo-Impressionist Théo van Rysselberghe, featuring the rhythmic structure of a jetty against a shimmering sea.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe was a central figure in the Belgian Neo-Impressionist movement. This work, dated 1906, demonstrates his application of pointillist techniques to capture the atmospheric conditions of the coast. The composition focuses on the wooden structure of a jetty, which acts as a framing device for the expanse of the sea beyond.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe employs a systematic approach to colour, using small, distinct touches of paint that blend optically when viewed from a distance. The palette consists of cool blues and purples for the water, contrasted against the warmer, earthy tones of the wooden posts. A single sailboat appears on the horizon, providing a sense of scale and distance. The sky is rendered in soft, pastel hues, suggesting the light of early morning or late afternoon.\u003c\/p\u003e\n\u003cp\u003eUnlike the rigid, scientific precision found in the works of Georges Seurat, Van Rysselberghe often allowed for a more fluid and painterly application of pigment. This approach retains a sense of spontaneity while adhering to the principles of colour theory that defined the Neo-Impressionist circle. The work is signed with the artist's monogram and includes a dedication, indicating its personal nature. The perspective is direct, drawing the viewer into the scene through the rhythmic repetition of the jetty's vertical supports. The interplay between the structured foreground and the shimmering, fragmented surface of the water creates a balanced visual experience. This piece captures the quietude of a coastal moment, reflecting the artist's interest in the intersection of light, water, and human-made structures.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416842768719,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416842834255,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416842932559,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416842965327,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416843030863,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Jetty_Poster_CompositorV1_1786147867718.jpg?v=1786148046"},{"product_id":"the-scarlet-ribbon-theo-van-rysselberghe","title":"The Scarlet Ribbon - Théo van Rysselberghe","description":"\u003cp\u003eA Neo-Impressionist study of a woman at her mirror, rendered in the characteristic divisionist style of Théo van Rysselberghe.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work in 1906. The painting depicts a woman seated before a mirror, captured in the act of adjusting her hair. The composition relies on the divisionist technique, where small, distinct dots of colour are applied to the canvas to create a luminous effect when viewed from a distance. The artist employs a scientific approach to optics, placing complementary colours side by side to generate a sense of light and movement.\u003c\/p\u003e\n\u003cp\u003eThe subject is viewed from behind, with her reflection visible in the mirror frame. This doubling of the figure adds a layer of psychological depth to the domestic scene. The scarlet ribbon in her hair provides a sharp chromatic contrast against the softer, cooler tones of the skin and the surrounding interior. Van Rysselberghe demonstrates a mastery of light, as the dots of paint suggest the texture of the fabric and the reflective surface of the glass. The background features a patterned textile, which is rendered with the same meticulous attention to colour theory as the figure herself.\u003c\/p\u003e\n\u003cp\u003eThis piece reflects the artist's transition from his earlier, more rigid adherence to Pointillism toward a freer, more expressive application of paint. The brushwork remains systematic, yet it possesses a fluidity that softens the contours of the body. By focusing on a private moment of grooming, the artist invites the viewer to observe a quiet, intimate space. The work remains a clear example of the technical rigour and aesthetic concerns that defined the Neo-Impressionist circle in the early twentieth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416858759503,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416858825039,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416858923343,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416858956111,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416859021647,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Scarlet-Ribbon_Poster_CompositorV1_1786148202261.jpg?v=1786148435"},{"product_id":"portrait-of-octave-maus-theo-van-rysselberghe","title":"Portrait of Octave Maus - Théo van Rysselberghe","description":"\u003cp\u003eA 1885 portrait of Octave Maus by Belgian artist Théo van Rysselberghe, capturing the art critic in a dimly lit, atmospheric interior.\u003c\/p\u003e\n\u003cp\u003eThis portrait depicts Octave Maus, a central figure in the Belgian avant-garde art scene and a co-founder of the exhibition society Les XX. Painted in 1885, the work captures Maus in a domestic interior, standing near a mirror that reflects his silhouette. The composition relies on a subdued, tonal palette, characteristic of Van Rysselberghe's early period before his full adoption of pointillist techniques.\u003c\/p\u003e\n\u003cp\u003eThe artist employs a controlled application of paint, focusing on the interplay of artificial light sources within the room. The warm glow from the lamps contrasts with the dark, formal attire of the subject, creating a sense of quiet intimacy. The mirror reflection adds a layer of depth to the scene, suggesting a psychological dimension to the portrait. Van Rysselberghe avoids excessive detail, preferring to suggest form through light and shadow.\u003c\/p\u003e\n\u003cp\u003eOctave Maus was a lawyer, art critic, and the secretary of Les XX, an organisation that provided a platform for artists such as James Ensor, Fernand Khnopff, and Georges Seurat. This portrait reflects the close professional and personal ties between the artist and his subject. The painting demonstrates Van Rysselberghe's ability to balance the requirements of traditional portraiture with the atmospheric concerns of the late nineteenth century. The setting, with its specific furniture and lighting, provides context to the life of a man who shaped the reception of modern art in Brussels. The work remains a record of the intellectual circles that defined the period, captured with a restrained and observant eye.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/parahi-te-marae-there-is-the-temple-paul-gauguin\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eParahi te marae (There Is the Temple) - Paul Gauguin — Paul Gauguin\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-old-track-to-auvers-paul-cezanne\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Old Track to Auvers - Paul Cézanne — Paul Cézanne\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416864198991,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416864264527,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416864362831,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416864395599,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416864461135,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Portrait-of-Octave-Maus_Poster_CompositorV1_1786148256915.jpg?v=1786148484"},{"product_id":"portrait-of-irma-sethe-theo-van-rysselberghe","title":"Portrait of Irma Sethe - Théo van Rysselberghe","description":"\u003cp\u003eA refined Neo-Impressionist portrait by Théo van Rysselberghe, capturing the violinist Irma Sethe through precise, luminous dots of colour.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, completed this portrait of the violinist Irma Sethe in 1894. The work demonstrates the artist's mastery of pointillism, a technique involving the application of small, distinct dots of colour that blend in the viewer's eye to create a luminous effect.\u003c\/p\u003e\n\u003cp\u003eIrma Sethe is depicted in profile, captured in the act of playing her violin. She wears a pale, voluminous gown that catches the light, contrasting with the more subdued tones of the interior setting. The composition is structured around the verticality of the figure and the instrument, balanced by the soft, atmospheric rendering of the room behind her. Van Rysselberghe uses a precise, methodical application of pigment to build form and texture, particularly evident in the folds of the fabric and the subtle variations in the skin tones.\u003c\/p\u003e\n\u003cp\u003eUnlike the more rigid, scientific approach often associated with Georges Seurat, Van Rysselberghe’s application of the pointillist method here feels fluid and sensitive. The light appears to shimmer across the surface of the canvas, imbuing the scene with a quiet, contemplative quality. The portrait serves as a record of the artistic and musical circles in Brussels during the late nineteenth century, where Van Rysselberghe was a regular participant. By focusing on the musician at work, the artist captures a moment of concentration, allowing the viewer to observe the intersection of performance and domestic space. The palette is carefully controlled, relying on soft pinks, creams, and muted blues to maintain a sense of harmony throughout the composition.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-with-goats-henri-edmond-cross\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape with Goats - Henri-Edmond Cross — Henri-Edmond Cross\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416870621519,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416870687055,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416870785359,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416870818127,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416870883663,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Portrait-of-Irma-Sethe_Poster_CompositorV1_1786148563347.jpg?v=1786148678"},{"product_id":"portrait-of-elizabeth-van-rysselberghe-theo-van-rysselberghe","title":"Portrait of Elizabeth van Rysselberghe - Théo van Rysselberghe","description":"\u003cp\u003eA tender pastel portrait of the artist's daughter, Elizabeth, rendered with the characteristic light and colour sensitivity of Belgian Neo-Impressionism.\u003c\/p\u003e\n\u003cp\u003eThis portrait captures Elizabeth van Rysselberghe, the daughter of the artist, rendered in the delicate medium of pastel. Théo van Rysselberghe, a central figure in the Belgian Neo-Impressionist circle, demonstrates his command of colour theory and light through the soft, layered application of pigment. The work reflects the artist's transition from the rigid pointillist technique of his earlier career toward a more fluid, expressive approach to portraiture.\u003c\/p\u003e\n\u003cp\u003eThe subject is positioned against a textured, vertical background of olive and ochre tones, which provides a neutral foil for her deep blue dress. The artist employs a rhythmic, linear application of pastel, creating a sense of movement within the static pose. Elizabeth's gaze is directed toward the viewer, her expression captured with a gentle, observational quality that avoids sentimentality. The blue of her garment is built up through varied strokes, suggesting the weight and texture of the fabric while maintaining the luminous quality inherent to the pastel medium.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was closely associated with the group Les XX and later the Libre Esthétique, organisations that promoted modern art in Brussels. His domestic subjects, such as this portrait of his daughter, offer a glimpse into his private life while maintaining the technical rigour of his professional practice. The composition relies on the contrast between the cool, saturated blue of the dress and the warm, earthy tones of the background, a hallmark of his mature style. This print preserves the soft edges and granular texture of the original pastel, allowing for an appreciation of the artist's hand and his sensitive handling of light across the sitter's features.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416884318543,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416884384079,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416884482383,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416884515151,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416884580687,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Portrait-of-Elizabeth-van-Rysselberghe_Poster_CompositorV1_1786148841937.jpg?v=1786148962"},{"product_id":"portrait-of-else-lampe-von-quita-theo-van-rysselberghe","title":"Portrait of Else Lampe Von Quita - Theo van Rysselberghe","description":"\u003cp\u003eA 1911 portrait by Belgian Neo-Impressionist Theo van Rysselberghe, featuring a sitter in profile against a decorative, patterned background.\u003c\/p\u003e\n\u003cp\u003eTheo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, painted this portrait of Else Lampe von Quita in 1911. The work demonstrates his transition from the strict pointillist technique of his earlier years toward a more fluid, expressive application of paint. While he retains the divisionist interest in colour theory, the brushwork here is broader and more gestural than the precise dots of his 1890s output.\u003c\/p\u003e\n\u003cp\u003eThe subject is depicted in profile, a classic compositional choice that emphasises the silhouette of the sitter. She wears a dark, textured garment that contrasts with the decorative, patterned background. This backdrop, filled with repetitive floral motifs, flattens the pictorial space and draws attention to the sitter's features. Van Rysselberghe uses a palette dominated by warm, autumnal tones in the background, which offsets the cooler, darker hues of the subject's clothing. The light catches the fabric and the sitter's skin, creating a sense of volume despite the decorative nature of the surrounding environment.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was a founding member of Les XX, a group that brought together avant-garde artists in Brussels. His work often bridged the gap between the scientific rigour of Seurat and the more decorative tendencies of the Art Nouveau period. This portrait captures that intersection, balancing the objective observation of the sitter with a highly stylised, ornamental treatment of the interior space. The inclusion of the table edge and the sitter's hand resting on her hip provides a sense of physical presence, grounding the figure within the frame. The painting remains a fine example of his mature style, where colour and pattern are integrated to create a cohesive, decorative whole.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Theo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416893985103,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416894050639,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416894148943,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416894181711,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416894247247,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Portrait-of-Else-Lampe-Von-Quita_Poster_CompositorV1_1786149237020.jpg?v=1786149414"},{"product_id":"morning-fog-over-the-port-of-veer-holland-theo-van-rysselberghe","title":"Morning Fog over the Port of Veer, Holland - Théo van Rysselberghe","description":"\u003cp\u003eA 1906 Neo-Impressionist study by Théo van Rysselberghe, capturing the atmospheric morning light over the Dutch port of Veer through rhythmic brushwork.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this study of the Dutch port of Veer in 1906. The work captures the atmospheric conditions of the harbour through a systematic application of colour. By this stage in his career, van Rysselberghe had moved away from the rigid, mathematical pointillism of his earlier years, adopting a more fluid, rhythmic brushwork that allowed for greater spontaneity while maintaining the optical principles of colour division.\u003c\/p\u003e\n\u003cp\u003eThe composition is divided into three distinct horizontal zones: the textured water in the foreground, the silhouetted architecture of the port, and the expansive, hazy sky. The artist employs a palette dominated by muted purples, soft greys, and earthy ochres to convey the damp, diffused light of a morning fog. The buildings of Veer are reduced to simplified forms, their outlines softened by the surrounding mist. This reduction of detail shifts the viewer's attention toward the interplay of light and the tactile quality of the paint surface itself.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe spent significant time travelling through the Netherlands, and his maritime subjects from this period reflect a fascination with the specific quality of northern light. The painting demonstrates his ability to balance objective observation with a subjective interpretation of mood. The small, rhythmic strokes of paint create a sense of vibration across the canvas, particularly in the depiction of the water's surface, where light reflects in broken, fragmented patterns. This work provides a clear example of the artist's mature style, where the rigorous application of colour theory is tempered by a more lyrical approach to the subject matter. It remains a quiet, contemplative study of a specific moment in time, stripped of unnecessary narrative elements to focus purely on the visual experience of the scene.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416898736463,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416898801999,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416898900303,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416898933071,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416898998607,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Morning-Fog-over-the-Port-of-Veer-Holland_Poster_CompositorV1_1786149569747.jpg?v=1786149722"},{"product_id":"near-the-rocks-of-per-kiridec-theo-van-rysselberghe","title":"Near the Rocks of Per Kiridec - Théo van Rysselberghe","description":"\u003cp\u003eA classic Neo-Impressionist study by Théo van Rysselberghe, capturing a coastal scene near Per Kiridec through the precise application of colour dots.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work during a period of intense experimentation with colour theory and optical mixing. The painting depicts a coastal scene near the rocks of Per Kiridec, rendered through the methodical application of small, distinct dots of pigment. This technique, known as pointillism, relies on the viewer's eye to blend the individual marks into a cohesive image at a distance.\u003c\/p\u003e\n\u003cp\u003eThe composition is dominated by the deep, saturated blues of the sea, which contrast with the warm, golden tones of the rocky outcrops and the sail of the boat. Van Rysselberghe employs a rigorous application of colour, using complementary hues to create a sense of luminosity and atmospheric depth. The water is not merely a flat surface, but a textured field of blue, violet, and white dots that suggest the movement of light across the waves. The boat, positioned towards the right, acts as a point of interest, its white sails catching the light and providing a clear vertical element against the horizontal expanse of the horizon.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was deeply influenced by the scientific approach of Georges Seurat and Paul Signac. He adapted their theories to his own sensibilities, often favouring a slightly more fluid application of paint than his French counterparts. This work demonstrates his ability to capture the specific quality of light found on the Brittany coast. The scene is devoid of human figures, focusing instead on the interaction between the natural environment and the transient effects of the sun. The result is a precise, calculated representation of a fleeting moment, preserved through the systematic arrangement of colour.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416903029071,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416903094607,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416903192911,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416903225679,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416903291215,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Near-the-Rocks-of-Per-Kiridec_Poster_CompositorV1_1786149778535.jpg?v=1786149941"},{"product_id":"renee-druet-with-violin-theo-van-rysselberghe","title":"Renée Druet with Violin - Théo van Rysselberghe","description":"\u003cp\u003eA refined portrait by Belgian artist Théo van Rysselberghe, featuring Renée Druet with her violin, rendered in charcoal and coloured chalk.\u003c\/p\u003e\n\u003cp\u003eThis portrait by Théo van Rysselberghe captures Renée Druet, a frequent subject of the artist, in a moment of quiet focus. Van Rysselberghe, a central figure in the Belgian Neo-Impressionist circle, demonstrates his command of line and tone in this work. While he is often associated with the pointillist technique, his drawings reveal a more fluid, expressive approach to form. The subject is depicted in profile, holding a violin, with her gaze directed toward the viewer.\u003c\/p\u003e\n\u003cp\u003eThe composition relies on the interplay between the dark, hatched background and the lighter, more defined areas of the figure. Van Rysselberghe uses charcoal to build depth, creating a sense of volume in the subject's dress and the contours of her face. The addition of coloured chalk provides subtle warmth, particularly in the rendering of the violin and the soft highlights on the skin. The background is composed of rhythmic, diagonal strokes that suggest a sense of movement, contrasting with the stillness of the sitter.\u003c\/p\u003e\n\u003cp\u003eThis piece reflects the artist's interest in capturing the character of his subjects through a combination of precise observation and gestural mark-making. The lack of excessive detail allows the viewer to focus on the expression of the sitter and the physical presence of the instrument. As a study, it offers insight into the artist's process, showing how he balanced structural integrity with a more spontaneous, atmospheric quality. The work remains a fine example of early twentieth-century portraiture, demonstrating the technical skill that defined Van Rysselberghe's career beyond his better-known oil paintings.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58416904634703,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58416907485519,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58416907518287,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Black frame","offer_id":58416907551055,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Wood frame","offer_id":58416907583823,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Dark wood frame","offer_id":58416907616591,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Black frame","offer_id":58416907649359,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Wood frame","offer_id":58416907682127,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Dark wood frame","offer_id":58416907714895,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Large Square (50x50 cm) \/ Black frame","offer_id":58416907747663,"sku":null,"price":99.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Large Square (50x50 cm) \/ Wood frame","offer_id":58416907780431,"sku":null,"price":99.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Ren-e-Druet-with-Violin_Poster_CompositorV1_1786149940087.jpg?v=1786150131"},{"product_id":"little-denise-theo-van-rysselberghe","title":"Little Denise - Théo van Rysselberghe","description":"\u003cp\u003eA 1894 Neo-Impressionist portrait by Théo van Rysselberghe, depicting his daughter through the precise application of pointillist colour dots.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, painted this portrait of his daughter, Denise, in 1894. The work demonstrates his application of pointillism, a technique involving the placement of small, distinct dots of colour that blend in the eye of the viewer to create a cohesive image. By utilising this method, van Rysselberghe achieves a luminous quality, particularly in the golden tones of the wall behind the subject.\u003c\/p\u003e\n\u003cp\u003eThe composition is straightforward, placing the young girl against a flat, textured background that emphasises the decorative potential of the pointillist technique. Her pale blue dress, accented by a dark sash, provides a cool contrast to the warm, stippled surroundings. The artist captures a quiet, contemplative moment, avoiding the sentimentality often found in Victorian-era portraiture of children. Instead, the focus remains on the optical effects of light and the systematic arrangement of pigment.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was closely associated with the group Les XX, a society of artists in Brussels that promoted avant-garde work. His transition from a more traditional style to the scientific approach of Georges Seurat and Paul Signac is evident here. The painting reflects the artist's interest in the relationship between colour theory and human perception. The surface of the canvas appears almost woven, with the dots creating a tactile quality that draws the viewer closer to examine the individual marks. This portrait remains a clear example of the rigour and technical precision that defined the Neo-Impressionist approach during the late nineteenth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416914956623,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416915022159,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416915120463,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416915153231,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416915218767,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Little-Denise_Poster_CompositorV1_1786150209729.jpg?v=1786150410"},{"product_id":"family-in-the-orchard-theo-van-rysselberghe","title":"Family in the Orchard - Théo van Rysselberghe","description":"\u003cp\u003eA serene Neo-Impressionist scene by Théo van Rysselberghe, capturing a family gathering in an orchard through the precise application of light and colour.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work during a period of experimentation with pointillist techniques. The painting depicts a quiet afternoon in an orchard, where figures are gathered in the shade of fruit trees. The artist employs a systematic application of small, distinct dots of colour, a method derived from the scientific theories of optics and colour perception championed by Georges Seurat.\u003c\/p\u003e\n\u003cp\u003eThe composition is structured around the interplay of light and shadow. Dappled sunlight filters through the canopy, creating a mosaic of yellow and green across the grass. The figures, dressed in period attire, are engaged in domestic activities, their forms rendered with the same pointillist precision as the surrounding environment. This technique allows the colours to blend in the eye of the viewer, producing a luminosity that captures the warmth of a summer day.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was a founding member of Les XX, an influential group of artists in Brussels. His work often reflects a synthesis of rigorous technical discipline and a keen observation of daily life. In this piece, the artist avoids narrative drama, choosing instead to focus on the atmospheric quality of the scene. The deliberate arrangement of the chairs and the figures creates a sense of stillness, inviting the viewer to observe the subtle shifts in tone and hue. The painting remains a clear example of the Neo-Impressionist interest in translating the effects of natural light into a structured, scientific visual language, while maintaining a focus on the leisure activities of the middle class at the end of the nineteenth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416922329423,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416922394959,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416922493263,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416922526031,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416922591567,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Family-in-the-Orchard_Poster_CompositorV1_1786150458894.jpg?v=1786150688"},{"product_id":"port-entrance-at-volendam-theo-van-rysselberghe","title":"Port Entrance at Volendam - Théo van Rysselberghe","description":"\u003cp\u003eA Neo-Impressionist marine scene by Théo van Rysselberghe, featuring the harbour at Volendam rendered through precise, luminous dots of colour.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, captured this scene at Volendam in 1894. The work demonstrates his application of pointillist technique, where small, distinct dots of colour are placed in patterns to form an image. Rather than mixing pigments on the palette, the artist relies on the viewer's eye to optically blend the colours, creating a luminosity that characterises his marine studies of the Dutch coast.\u003c\/p\u003e\n\u003cp\u003eThe composition features a curved harbour path leading the eye toward the water, where a lone sailboat glides across the horizon. The sky is rendered in soft, stippled tones of pink and yellow, suggesting the transition of light during twilight. The foreground path and the wooden benches are constructed from darker, cooler shades of violet and blue, providing a contrast to the lighter, warmer tones of the water and sky. The presence of a solitary figure walking along the path adds a sense of scale and quietude to the scene.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe spent significant time in the Netherlands during the 1890s, drawn to the specific quality of light found in these coastal villages. His approach to this subject avoids excessive detail, focusing instead on the atmospheric effects of the setting sun on the water surface. The rigid structure of the harbour pier and the verticality of the lamp post provide a geometric anchor to the otherwise fluid, dotted application of paint. This print captures the precise colour relationships and the rhythmic texture of the original oil painting, allowing for a close examination of the artist's methodical brushwork and his mastery of light.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416925704527,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416925770063,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416925868367,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416925901135,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416925966671,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Port-Entrance-at-Volendam_Poster_CompositorV1_1786150649612.jpg?v=1786150746"},{"product_id":"dahlias-to-mme-madeleine-e-r-bonnet-theo-van-rysselberghe","title":"Dahlias (to Mme Madeleine E.R Bonnet) - Théo van Rysselberghe","description":"\u003cp\u003eA 1912 still life by Théo van Rysselberghe, featuring a bouquet of dahlias in a glass vase, rendered with the artist's characteristic focus on light and colour.\u003c\/p\u003e\n\u003cp\u003eThis still life by the Belgian artist Théo van Rysselberghe, dated 1912, captures a bouquet of dahlias in a glass vase. The work reflects the artist's transition from the strict pointillist technique of his earlier career toward a more fluid, painterly approach. While he was a founding member of Les XX and a key figure in the development of Neo-Impressionism, this later period shows a greater emphasis on colour harmony and the tactile quality of the paint surface.\u003c\/p\u003e\n\u003cp\u003eThe composition is centred on the floral arrangement, which is set against a background of patterned wallpaper. The artist employs a palette of warm reds and oranges for the flowers, which contrast with the cooler tones of the glass vase and the surrounding interior. The surface of the table reflects the vase, adding a sense of depth to the domestic setting. The brushwork is deliberate and rhythmic, creating a sense of movement within the petals and the surrounding space. The dedication to Mme Madeleine E.R Bonnet, inscribed at the top of the canvas, suggests the personal nature of the work, often typical of the artist's commissions for friends and associates during this period.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe spent much of his later life in the south of France, and this work carries the light and warmth associated with that environment. The focus remains on the interplay of light and colour, a pursuit that occupied the artist throughout his career. By 1912, his style had moved away from the scientific application of dots, favouring instead broader, more expressive strokes that maintain the luminosity of his earlier work. This print captures the texture of the original oil paint, allowing for a close examination of the artist's technique and his approach to domestic subject matter.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416932684111,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416932749647,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416932847951,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416932880719,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416932946255,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Dahlias-to-Mme-Madeleine-E_Poster_CompositorV1_1786150805595.jpg?v=1786151027"},{"product_id":"emile-verhaeren-writing-theo-van-rysselberghe","title":"Emile Verhaeren Writing - Théo van Rysselberghe","description":"\u003cp\u003eA contemplative portrait of the poet Emile Verhaeren at his desk, painted by his friend Théo van Rysselberghe in 1915.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian avant-garde, produced this intimate portrait of his close friend, the poet Emile Verhaeren, in 1915. The work captures the writer in a moment of quiet concentration, hunched over his desk with a pen in hand. The background is filled with a dense arrangement of books, suggesting a life dedicated to intellectual pursuit. Van Rysselberghe, who initially gained recognition for his mastery of pointillism, moved toward a more fluid, painterly approach in his later years. This transition is evident in the brushwork here, which remains controlled yet expressive.\u003c\/p\u003e\n\u003cp\u003eThe composition is anchored by the figure of Verhaeren, whose posture creates a sense of focused energy. The palette consists of muted earth tones, soft greys, and warm browns, which contribute to the contemplative atmosphere of the scene. The inkwell and scattered papers on the desk provide a sense of immediacy, as if the viewer has interrupted the poet mid-thought. Van Rysselberghe often depicted his circle of literary and artistic acquaintances, and this portrait reflects the deep personal connection between the two men. The artist manages to convey the weight of the poet's work through the careful rendering of his furrowed brow and the deliberate grip on his writing instrument.\u003c\/p\u003e\n\u003cp\u003eThis piece offers a glimpse into the private world of a significant literary figure of the early twentieth century. The attention to detail, from the spines of the books to the texture of the poet's clothing, demonstrates the artist's technical precision. It is a study of domestic solitude and the rigour of creative labour, presented without unnecessary ornamentation. The work remains a fine example of the artist's ability to balance psychological depth with observational accuracy, capturing a fleeting moment of intellectual engagement.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-with-goats-henri-edmond-cross\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape with Goats - Henri-Edmond Cross — Henri-Edmond Cross\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416936386895,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416936452431,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416936550735,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416936583503,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416936649039,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Emile-Verhaeren-Writing_Poster_CompositorV1_1786151024007.jpg?v=1786151264"},{"product_id":"the-point-of-rossignol-theo-van-rysselberghe","title":"The Point of Rossignol - Théo van Rysselberghe","description":"\u003cp\u003eA 1904 Neo-Impressionist coastal scene by Théo van Rysselberghe, capturing the shimmering light of the Mediterranean through precise, rhythmic brushwork.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, painted this coastal view in 1904. The work captures the Mediterranean shoreline with the methodical application of colour characteristic of the pointillist technique. By placing small, distinct dots of pigment side by side, the artist achieves an optical mixture that suggests the shimmering quality of light on water and the rugged texture of the rocky outcrops.\u003c\/p\u003e\n\u003cp\u003eThe composition is anchored by the dark, foliage-covered cliffs on the right, which frame the expanse of the sea. The horizon line is kept low, allowing the viewer to focus on the rhythmic patterns of the waves. Van Rysselberghe uses a palette dominated by blues, purples, and touches of yellow to represent the sun-drenched atmosphere of the French coast. The rocks in the foreground and the distant headland are rendered with a similar attention to light, creating a sense of unity across the entire surface of the canvas.\u003c\/p\u003e\n\u003cp\u003eThis piece reflects the artist's move away from the rigid scientific application of colour seen in earlier Neo-Impressionist works. Instead, he adopts a more fluid approach, using larger, more expressive brushstrokes that retain the energy of the scene. The result is a depiction of the coast that feels both structured and immediate. The work demonstrates his ability to translate the transient effects of the sun and sea into a permanent, balanced image. It remains a clear example of his mature style, where the focus shifts toward capturing the sensory experience of a specific location through a refined, deliberate technique.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-with-goats-henri-edmond-cross\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape with Goats - Henri-Edmond Cross — Henri-Edmond Cross\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416961421647,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416961487183,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416961585487,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416961618255,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416961683791,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Point-of-Rossignol_Poster_CompositorV1_1786151634369.jpg?v=1786152046"},{"product_id":"margery-theo-van-rysselberghe","title":"Margery - Théo van Rysselberghe","description":"\u003cp\u003eA 1899 Neo-Impressionist portrait by Théo van Rysselberghe, featuring a young girl rendered through the precise, luminous technique of pointillism.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, completed this portrait of Margery in 1899. The work demonstrates his mastery of pointillism, a technique involving the application of small, distinct dots of colour to form a cohesive image. By placing contrasting hues side by side, the artist achieves a luminous quality that defines the subject's features and the surrounding space.\u003c\/p\u003e\n\u003cp\u003eThe portrait captures the young girl in a seated position, her hands resting gently in her lap. She wears a white blouse with a ruffled collar beneath a green pinafore. Van Rysselberghe uses a meticulous application of pigment to render the soft texture of her hair and the subtle contours of her face. The background consists of a dense field of stippled colour, which creates a sense of atmospheric depth without relying on traditional linear perspective. This approach allows the figure to emerge from the canvas with a quiet, steady presence.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was a founding member of Les XX, an influential group of artists in Brussels that promoted avant-garde developments in European art. His work often bridged the gap between the scientific rigour of Georges Seurat and a more lyrical, decorative sensibility. In this portrait, the precision of the dot technique does not obscure the individual character of the sitter. Instead, the method provides a structured framework for the play of light across the fabric and skin tones. The composition remains balanced, focusing the viewer's attention on the direct gaze of the child. This piece remains a clear example of the artist's technical discipline and his ability to adapt the divisionist method to portraiture, maintaining a sense of intimacy while adhering to the principles of optical mixing.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416971186511,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416971252047,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416971350351,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416971383119,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416971448655,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Margery_Poster_CompositorV1_1786152219953.jpg?v=1786152321"},{"product_id":"seated-nude-theo-van-rysselberghe","title":"Seated Nude - Théo van Rysselberghe","description":"\u003cp\u003eA 1905 Neo-Impressionist study by Théo van Rysselberghe, featuring a seated figure rendered through rhythmic, pointillist brushwork and a soft, luminous palette.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work in 1905. The painting demonstrates his mastery of pointillist technique, where small, distinct touches of colour are applied in patterns to form an image. By placing contrasting hues side by side, the artist achieves a luminous effect that relies on the viewer's eye to blend the colours optically.\u003c\/p\u003e\n\u003cp\u003eThe composition depicts a female figure in a seated, kneeling posture, her arms raised to adjust her hair. This pose allows the artist to explore the play of light across the contours of the body. The background and the figure are treated with a similar divisionist approach, creating a unified surface where the subject and her environment are integrated through a mosaic of short, rhythmic brushstrokes. The palette consists of soft pinks, mauves, and blues, punctuated by touches of yellow and green, which suggest a sun-drenched atmosphere.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was closely associated with the French Neo-Impressionists, particularly Georges Seurat and Paul Signac. His work often reflects the scientific rigour of the movement, yet he maintained a personal sensitivity to form and light. This particular piece shows his transition towards a slightly freer application of paint, moving away from the rigid dots of his earlier career towards broader, more expressive strokes. The dedication in the upper right corner, addressed to his friend and fellow artist Henri-Edmond Cross, indicates the close-knit community of painters who shared these aesthetic concerns during the early twentieth century. The work remains a clear example of the technical precision and atmospheric focus that defined the Neo-Impressionist approach to the human figure.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-with-goats-henri-edmond-cross\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape with Goats - Henri-Edmond Cross — Henri-Edmond Cross\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58416970760527,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58416970826063,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58416970924367,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58416970957135,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58416971022671,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Seated-Nude_Poster_CompositorV1_1786152040903.jpg?v=1786152415"},{"product_id":"the-children-of-francois-van-rysselberghe-theo-van-rysselberghe","title":"The Children of François van Rysselberghe - Théo van Rysselberghe","description":"\u003cp\u003eA domestic interior scene by Théo van Rysselberghe, capturing a quiet moment among his brother's children with a focus on light and shadow.\u003c\/p\u003e\n\u003cp\u003eThis domestic scene by Théo van Rysselberghe captures a quiet moment within the family circle of his brother, François. The composition is structured around a central table, where the children are engaged in their activities. The artist employs a restrained palette, focusing on the interplay of light entering from the doorway and the shadows cast within the room. The figures are rendered with a deliberate attention to their individual postures and expressions, suggesting a sense of intimacy and observation.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe, a central figure in the Belgian avant-garde, was closely associated with the group Les XX. While he is often recognised for his later adoption of pointillist techniques, this work reflects his earlier, more traditional approach to portraiture and genre painting. The brushwork is controlled, building form through subtle tonal shifts rather than the fragmented colour application that would define his later career. The interior setting, with its muted tones and domestic clutter, provides a grounded context for the sitters. The light source from the background creates a soft silhouette effect, drawing the eye towards the figures while maintaining a sense of depth in the room. This painting offers a glimpse into the private life of the artist's family, demonstrating his ability to balance formal composition with a naturalistic depiction of everyday life. The focus remains on the quiet interactions between the children and the adult figure holding the infant, creating a narrative of familial connection.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/parahi-te-marae-there-is-the-temple-paul-gauguin\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eParahi te marae (There Is the Temple) - Paul Gauguin — Paul Gauguin\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-old-track-to-auvers-paul-cezanne\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Old Track to Auvers - Paul Cézanne — Paul Cézanne\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Poster \/ Small Square (30x30 cm) \/ -","offer_id":58417001365839,"sku":null,"price":37.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Medium Square (40x40 cm) \/ -","offer_id":58417037312335,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Poster \/ Large Square (50x50 cm) \/ -","offer_id":58417037345103,"sku":null,"price":55.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Black frame","offer_id":58417037377871,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Wood frame","offer_id":58417037410639,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Small Square (30x30 cm) \/ Dark wood frame","offer_id":58417037443407,"sku":null,"price":59.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Black frame","offer_id":58417037476175,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Wood frame","offer_id":58417037508943,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Medium Square (40x40 cm) \/ Dark wood frame","offer_id":58417037541711,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Large Square (50x50 cm) \/ Black frame","offer_id":58417037574479,"sku":null,"price":99.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ Large Square (50x50 cm) \/ Wood frame","offer_id":58417037607247,"sku":null,"price":99.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Children-of-Fran-ois-van-Rysselberghe_Poster_CompositorV1_1786152637352.jpg?v=1786153178"},{"product_id":"portrait-of-madame-monnon-theo-van-rysselberghe","title":"Portrait of Madame Monnon - Théo van Rysselberghe","description":"\u003cp\u003eA 1908 portrait by Belgian Neo-Impressionist Théo van Rysselberghe, featuring a sitter in a dark hat and ruffled collar, rendered with expressive, rhythmic brushwork.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, painted this portrait of Madame Monnon in 1908. By this stage in his career, the artist had moved away from the strict, scientific pointillism of his earlier years, adopting a freer, more fluid application of paint. This work demonstrates his mature style, where short, rhythmic brushstrokes construct form and light without the rigid adherence to colour theory that defined his earlier output.\u003c\/p\u003e\n\u003cp\u003eThe subject is depicted with a direct, unvarnished gaze. She wears a dark, textured garment with a prominent white ruffled collar, which provides a stark contrast to the deep purples and blues of her attire. Her head is covered by a dark hat, framing a face rendered with sensitivity and attention to the effects of age. The background is composed of loose, suggestive marks that imply an interior setting, perhaps a domestic space, with hints of patterned upholstery or wall coverings. The palette is balanced, relying on the interplay between cool shadows and warmer skin tones.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was a founding member of Les XX, a group that brought together avant-garde artists in Brussels. His work often bridged the gap between the structured approach of Georges Seurat and the more expressive, painterly traditions of the late nineteenth century. In this portrait, the artist captures the character of the sitter through a combination of precise observation and a confident, gestural technique. The surface of the canvas retains a sense of immediacy, as the individual strokes remain visible to the viewer. This piece offers a clear example of the artist's ability to balance formal portraiture with the experimental spirit of his time.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-with-goats-henri-edmond-cross\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape with Goats - Henri-Edmond Cross — Henri-Edmond Cross\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417038754127,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417038819663,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417038917967,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417038950735,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417039016271,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Portrait-of-Madame-Monnon_Poster_CompositorV1_1786152822898.jpg?v=1786153158"},{"product_id":"rocks-at-antheor-theo-van-rysselberghe","title":"Rocks at Anthéor - Théo van Rysselberghe","description":"\u003cp\u003eA striking Neo-Impressionist coastal scene by Théo van Rysselberghe, capturing the red rocks of Anthéor through rhythmic, divisionist brushwork.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this study of the Mediterranean coastline during his time in the south of France. The work captures the rugged terrain of Anthéor, where the distinctive red porphyry rocks meet the sea. Van Rysselberghe employs a systematic application of colour, utilising the divisionist technique to separate hues into individual strokes. This method allows the viewer's eye to blend the colours optically, creating a sense of luminosity that reflects the intense light of the region.\u003c\/p\u003e\n\u003cp\u003eThe composition is structured around the contrast between the warm, saturated oranges and purples of the rock formations and the cool, rhythmic blues of the water. The artist avoids blending pigments on the palette, preferring to place distinct marks of paint side by side. This approach creates a surface texture that feels both structured and energetic. The foreground is dominated by the craggy mass of the cliff, which frames the view and draws the eye towards the distant, hazy hills across the bay.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was deeply influenced by the scientific theories of colour perception developed by Georges Seurat and Paul Signac. However, his later works, such as this piece, show a move towards a freer, more expressive application of paint. The brushwork is broader and more confident than his earlier, more rigid pointillist experiments. By focusing on the interplay of light and shadow across the jagged surfaces, the artist conveys the physical presence of the landscape without relying on traditional modelling. The result is a study of colour relationships that captures the specific atmosphere of the French Riviera at the turn of the twentieth century.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417070539087,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417070604623,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417070702927,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417070735695,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417070801231,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Rocks-at-Anth-or_Poster_CompositorV1_1786153396034.jpg?v=1786153568"},{"product_id":"the-regatta-theo-van-rysselberghe","title":"The Regatta - Théo van Rysselberghe","description":"\u003cp\u003eA classic Neo-Impressionist marine scene by Théo van Rysselberghe, featuring sailboats on a shimmering sea rendered through precise pointillist technique.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work in 1892. The painting demonstrates the artist's application of pointillism, a technique involving the placement of small, distinct dots of colour that blend in the viewer's eye to form a cohesive image. By using this method, van Rysselberghe captures the shimmering quality of light reflecting off the Mediterranean surface.\u003c\/p\u003e\n\u003cp\u003eThe composition features a rocky coastline in the foreground, rendered in warm yellows and oranges, which contrasts with the expansive blue sea. Numerous small sailboats with triangular sails populate the horizon, creating a sense of rhythmic movement across the water. The artist employs a scientific approach to colour theory, juxtaposing complementary hues to generate optical luminosity. The sky is treated with the same stippled precision, resulting in a unified atmosphere that envelops the entire scene.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was closely associated with the group Les XX in Brussels, which provided a platform for avant-garde artists to exhibit their work. His travels to the south of France significantly influenced his palette, leading him to adopt the brighter, more saturated tones seen here. This piece reflects his technical rigour and his interest in the effects of natural light on coastal environments. The systematic application of paint creates a textured surface that draws the viewer into the scene, offering a precise observation of a maritime event. The work remains a clear example of the transition from traditional impressionist techniques to the more structured, analytical approach favoured by the followers of Georges Seurat.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417098293583,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417098359119,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417098457423,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417098490191,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417098555727,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Regatta_Poster_CompositorV1_1786153498992.jpg?v=1786153683"},{"product_id":"view-of-the-river-scheldt-theo-van-rysselberghe","title":"View of the River Scheldt - Théo van Rysselberghe","description":"\u003cp\u003eA classic example of Neo-Impressionism, this 1893 work by Théo van Rysselberghe captures the light and atmosphere of the River Scheldt through precise pointillist technique.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work in 1893. The painting captures the expansive, tidal waters of the River Scheldt, a subject that frequently occupied the artist during his time in the Low Countries. Van Rysselberghe employs the technique of pointillism, applying small, distinct dots of colour to the canvas to construct the image. This method relies on the viewer's eye to blend the individual pigments optically, creating a luminosity that traditional brushwork often fails to achieve.\u003c\/p\u003e\n\u003cp\u003eThe composition is divided into three horizontal bands: the sandy, sun-drenched foreground, the vast expanse of the river, and the atmospheric sky filled with soft, drifting clouds. The artist uses a palette of golden yellows and ochres for the riverbank, which contrasts with the deep blues and purples of the water. These shadows, cast across the surface of the river, suggest the movement of light and the shifting nature of the tide. The sky is rendered in lighter tones of blue and white, providing a sense of openness and scale.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was deeply influenced by Georges Seurat and Paul Signac, yet he maintained a distinct approach to the divisionist method. His application of paint is often more fluid and less rigid than that of his French contemporaries. This work demonstrates his ability to translate the specific light conditions of the Belgian coast into a structured, scientific application of colour. The inclusion of a small vessel on the horizon provides a sense of scale, grounding the vastness of the scene in human activity. This print captures the precise colour relationships and the textured surface of the original oil painting, offering a clear view into the artist's methodical approach to light and atmosphere.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417138532687,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417138598223,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417138696527,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417138729295,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417138794831,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/View-of-the-River-Scheldt_Poster_CompositorV1_1786154027044.jpg?v=1786154419"},{"product_id":"channel-coast-theo-van-rysselberghe","title":"Channel Coast - Théo van Rysselberghe","description":"\u003cp\u003eA serene coastal scene rendered in the precise, dot-based technique of Neo-Impressionism by Belgian artist Théo van Rysselberghe.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe was a central figure in the Belgian Neo-Impressionist movement. This work demonstrates his mastery of the divisionist technique, where small, distinct dots of colour are applied to the canvas to form a cohesive image. By placing complementary colours side by side, the artist achieves an optical mixture that creates a sense of luminosity and atmospheric depth.\u003c\/p\u003e\n\u003cp\u003eThe composition captures a quiet moment along the coastline. The water occupies the majority of the frame, its surface rendered through a dense application of blue, grey, and cream pigments. These dots suggest the gentle movement of light across the sea, while the distant headlands are defined by darker, cooler tones that recede into the horizon. The sky, filled with clouds, mirrors the sea in its texture and palette, creating a unified environment.\u003c\/p\u003e\n\u003cp\u003eIn the foreground, a series of vertical wooden posts break the horizontal expanse of the water. These elements provide a sense of scale and perspective, drawing the viewer into the scene. Van Rysselberghe avoids heavy outlines, preferring to build form through the interaction of colour and light. This approach reflects the scientific interest in optics that defined the work of his contemporaries, such as Georges Seurat and Paul Signac.\u003c\/p\u003e\n\u003cp\u003eThis print captures the precise application of paint characteristic of the artist during his most experimental period. The subtle shifts in tone across the water surface demonstrate his ability to translate natural phenomena into a structured, systematic visual language. The work remains a study of light and atmosphere, presented with the technical rigour that defined the Neo-Impressionist approach to painting.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417139777871,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417139843407,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417139941711,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417139974479,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417140040015,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Channel-Coast_Poster_CompositorV1_1786154165811.jpg?v=1786154810"},{"product_id":"pines-of-rayol-theo-van-rysselberghe","title":"Pines of Rayol - Théo van Rysselberghe","description":"\u003cp\u003eA Mediterranean coastal scene by Théo van Rysselberghe, capturing the interplay of light and shadow through the pine trees of Le Rayol.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, painted Pines of Rayol in 1912. The work captures the Mediterranean coastline near Le Rayol, a location that drew many artists seeking the specific light and atmosphere of the French Riviera. Van Rysselberghe moved away from the strict pointillist technique of his earlier years, adopting a more fluid, rhythmic application of paint that allowed for greater expressive freedom while maintaining the optical principles of colour division.\u003c\/p\u003e\n\u003cp\u003eThe composition is dominated by the gnarled, dark trunks of pine trees that frame the view of the sea. These trees act as a screen, directing the viewer's gaze toward the shimmering water beyond. The artist uses a palette of cool blues and purples for the shadows of the bark, contrasting with the warm, golden light reflecting off the surface of the Mediterranean. The foliage is rendered with short, distinct brushstrokes, creating a sense of movement and texture that mimics the rustling of needles in the coastal breeze.\u003c\/p\u003e\n\u003cp\u003eThis painting reflects the artist's fascination with the interplay between natural forms and light. By placing the viewer on a path overlooking the water, van Rysselberghe creates a sense of proximity to the scene. The structure of the trees provides a vertical counterpoint to the horizontal expanse of the sea, balancing the composition. The work is characteristic of his later period, where the rigour of scientific colour theory gives way to a more personal, atmospheric interpretation of the southern French coast. The focus remains on the sensory experience of the location, prioritising the quality of light and the specific character of the maritime environment.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-with-goats-henri-edmond-cross\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape with Goats - Henri-Edmond Cross — Henri-Edmond Cross\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417157439823,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417157505359,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417157603663,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417157636431,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417157701967,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Pines-of-Rayol_Poster_CompositorV1_1786154633175.jpg?v=1786155233"},{"product_id":"madame-von-bodenhausen-with-her-daughter-luli-theo-van-rysselberghe","title":"Madame Von Bodenhausen with her daughter Luli - Théo van Rysselberghe","description":"\u003cp\u003eA Neo-Impressionist portrait by Théo van Rysselberghe, featuring Madame Von Bodenhausen and her daughter in a luminous, divisionist style.\u003c\/p\u003e\n\u003cp\u003eThis portrait by Théo van Rysselberghe captures Madame Von Bodenhausen alongside her daughter, Luli, in a domestic setting. The composition utilises the divisionist technique, a hallmark of the artist's later period, where small, distinct dots of colour are applied to the canvas to create a luminous effect when viewed from a distance. The artist, a central figure in the Belgian Neo-Impressionist movement, moved away from the rigid scientific application of colour seen in his earlier works, opting for a more fluid and painterly approach that allowed for greater expression in his portraiture.\u003c\/p\u003e\n\u003cp\u003eThe figures are positioned before a mirror, which adds a layer of depth to the composition and allows for a subtle reflection of the subjects. The mother wears a flowing blue gown, while the young girl is dressed in lighter, neutral tones. A vase of roses sits on the table, providing a soft contrast to the structured lines of the interior. Van Rysselberghe manages to balance the decorative quality of the background with the psychological presence of the sitters. The light appears to shimmer across the surface of the canvas, a direct result of the artist's careful selection of complementary hues. This work demonstrates his ability to integrate the rigour of pointillism with the requirements of formal portraiture, resulting in a scene that feels both composed and immediate. The attention to the texture of the fabric and the soft features of the faces shows his technical proficiency during this period of his career.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417159635279,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417159700815,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417159799119,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417159831887,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417159897423,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Madame-Von-Bodenhausen-with-her-daughter-Luli_Poster_CompositorV1_1786155047816.jpg?v=1786155272"},{"product_id":"the-cap-gris-nez-theo-van-rysselberghe","title":"The Cap Gris Nez - Théo van Rysselberghe","description":"\u003cp\u003eA masterful Neo-Impressionist coastal view by Théo van Rysselberghe, capturing the rugged cliffs and atmospheric light of the French shoreline through precise pointillist technique.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this view of the French coastline in 1900. The work demonstrates his mastery of pointillism, a technique involving the application of small, distinct dots of colour that blend in the viewer's eye to create a luminous effect. By placing complementary hues side by side, van Rysselberghe achieves a sense of atmospheric light that defines the coastal environment.\u003c\/p\u003e\n\u003cp\u003eThe composition focuses on the dramatic incline of the cliffside at Cap Gris Nez, which occupies the left foreground. The artist employs a palette of ochre, orange, and green to render the rugged terrain, contrasting these warm tones with the cool blues and purples of the English Channel. The sea itself is treated as a rhythmic surface, with short, horizontal brushstrokes suggesting the gentle movement of water. A single, small white sail appears in the distance, providing a sense of scale against the vast expanse of the horizon.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was closely associated with Georges Seurat and Paul Signac, adopting their scientific approach to colour theory while maintaining a personal sensitivity to the specific light of the North Sea. Unlike the more rigid, geometric compositions of some of his contemporaries, this work retains a fluid, painterly quality. The sky is rendered in soft, hazy tones of lavender and grey, suggesting a calm, overcast day. This piece captures the quiet observation of nature that defined the artist's later period, moving away from the strictures of early pointillism toward a more expressive application of colour. The result is a balanced study of light and form, reflecting the artist's deep familiarity with the coastal geography of the Pas-de-Calais region.\u003c\/p\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417163075919,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417163141455,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417163239759,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417163272527,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417163338063,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Cap-Gris-Nez_Poster_CompositorV1_1786155188284.jpg?v=1786155458"},{"product_id":"the-race-track-at-boulogne-sur-mer-theo-van-rysselberghe","title":"The Race Track at Boulogne-sur-Mer - Théo van Rysselberghe","description":"\u003cp\u003eA classic Neo-Impressionist work by Théo van Rysselberghe, capturing a horse race at Boulogne-sur-Mer through precise, luminous dots of colour.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work in 1900. The painting depicts a horse race at Boulogne-sur-Mer, capturing the atmosphere of a public sporting event through the rigorous application of pointillist technique. Van Rysselberghe employs small, distinct dots of colour that coalesce in the viewer's eye to form the scene, a method he adopted after his association with Georges Seurat and Paul Signac.\u003c\/p\u003e\n\u003cp\u003eThe composition is divided into two distinct zones. In the foreground, the horses and jockeys are rendered with a sense of motion, their forms emerging from the textured, multi-coloured ground. The middle ground features a dense crowd of spectators, their presence suggested by a rhythmic arrangement of small marks. The background is dominated by a vast, expansive sky filled with voluminous clouds, which occupy a significant portion of the canvas. The artist uses a palette of blues, purples, and earthy tones to construct the light and shadow across the track, creating a sense of atmospheric depth.\u003c\/p\u003e\n\u003cp\u003eThis work demonstrates the artist's technical precision and his interest in the scientific application of colour theory. By breaking down the image into individual points of pigment, Van Rysselberghe achieves a luminosity that reflects the natural light of the coastal setting. The painting provides a clear example of how the Neo-Impressionist approach could be applied to dynamic, contemporary subjects, moving beyond the static nature of earlier landscape studies. The work remains a representative example of the artist's mature style, where the discipline of the dot is balanced with a keen observation of movement and light.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-at-saint-ouen-georges-seurat-1\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape at Saint-Ouen - Georges Seurat — Georges Seurat\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417167335759,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417167401295,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417167499599,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417167532367,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417167597903,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Race-Track-at-Boulogne-sur-Mer_Poster_CompositorV1_1786155516561.jpg?v=1786155697"},{"product_id":"the-burning-time-theo-van-rysselberghe","title":"The Burning Time - Théo van Rysselberghe","description":"\u003cp\u003eA masterful Neo-Impressionist scene by Théo van Rysselberghe, capturing bathers on a Mediterranean shore bathed in the golden light of late afternoon.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work during a period of intense experimentation with pointillist technique. The painting depicts a group of female bathers along a Mediterranean shore, a subject that allowed the artist to explore the interaction between human form and the atmospheric conditions of the coast. The title, often translated as The Burning Time or The Glowing Hour, refers to the intense, golden light of the late afternoon sun as it strikes the water and the figures.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe applies paint in small, distinct dots of colour, a method derived from the scientific theories of Georges Seurat. By placing complementary colours side by side, the artist achieves a luminosity that mimics the effect of direct sunlight. The composition is structured to balance the static, seated figures in the foreground with the more active, wading figures in the shallow water. The palette is dominated by warm yellows, oranges, and pinks, contrasted against the cool blues and purples of the sea and shadows. This careful arrangement of colour creates a sense of harmony and stillness, characteristic of the artist's mature style.\u003c\/p\u003e\n\u003cp\u003eUnlike the more rigid, mathematical approach of some of his contemporaries, Van Rysselberghe maintained a degree of fluidity in his brushwork. The figures retain a classical grace, echoing the tradition of the bathers in art history while being firmly situated in the modern aesthetic of the late nineteenth century. The work captures a specific moment of transition, where the heat of the day begins to wane, casting a golden glow over the entire scene. This piece remains a primary example of how the Neo-Impressionist technique could be adapted to convey both the physical presence of the body and the ephemeral quality of light.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417180967247,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417181032783,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417181131087,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417181163855,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417181229391,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/The-Burning-Time_Poster_CompositorV1_1786155689565.jpg?v=1786155855"},{"product_id":"sailboats-on-the-river-scheldt-theo-van-rysselberghe","title":"Sailboats on the River Scheldt - Théo van Rysselberghe","description":"\u003cp\u003eA serene Neo-Impressionist study of the River Scheldt at sunset, rendered in the characteristic pointillist style of Théo van Rysselberghe.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work during a period of intense experimentation with colour theory and optical mixing. The composition captures the River Scheldt at a moment of transition, where the golden light of sunset meets the cooling shadows of the evening.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe employs the pointillist technique, applying small, distinct dots of pigment to the canvas. This method relies on the viewer's eye to blend the colours from a distance, creating a luminosity that traditional brushwork often fails to achieve. The sky transitions from a warm, radiant yellow to a soft orange, while the water reflects these hues, broken only by the dark, vertical silhouettes of mooring posts. These posts provide a rhythmic structure to the foreground, drawing the eye across the calm surface toward the solitary sailboat and the distant shoreline.\u003c\/p\u003e\n\u003cp\u003eUnlike the more rigid, scientific application of dots seen in the works of Georges Seurat, Van Rysselberghe often allowed his technique to remain more fluid and expressive. The result is a serene, atmospheric depiction of the Belgian waterway. The contrast between the deep blue of the shadows and the warm, golden glow of the horizon creates a sense of stillness. This piece reflects the artist's interest in capturing the ephemeral qualities of light and the quietude of the natural world. By focusing on the interplay of complementary colours, Van Rysselberghe achieves a balance that feels both calculated and spontaneous. The work remains a fine example of how the Neo-Impressionist approach could be adapted to convey mood and environmental conditions with precision.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-at-saint-ouen-georges-seurat-1\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape at Saint-Ouen - Georges Seurat — Georges Seurat\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417183686991,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417183752527,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417183850831,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417183883599,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417183949135,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Sailboats-on-the-River-Scheldt_Poster_CompositorV1_1786155780521.jpg?v=1786155964"},{"product_id":"dario-de-regoyos-playing-the-guitar-theo-van-rysselberghe","title":"Dario de Regoyos Playing the Guitar - Théo van Rysselberghe","description":"\u003cp\u003eA moody, expressive portrait of the painter Dario de Regoyos, captured by his friend Théo van Rysselberghe in 1885.\u003c\/p\u003e\n\u003cp\u003eThis portrait depicts the Spanish painter Dario de Regoyos in a moment of musical absorption. Painted in 1885, the work captures the subject seated in a chair, his head tilted back with eyes closed as he plays the guitar. The composition relies on a dark, moody palette, with deep browns and blacks dominating the background and the subject's attire. This choice of tone creates a sense of intimacy, drawing the viewer into the private atmosphere of the scene.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe employs a loose, expressive brushwork that contrasts with the later pointillist techniques for which he became known. The paint application is thick and tactile, particularly in the rendering of the hands and the guitar. The background features faint, inscribed text, which adds a layer of narrative complexity to the piece. This inclusion of script suggests a personal connection between the artist and the sitter, hinting at the shared intellectual and artistic circles they inhabited during their time in Brussels.\u003c\/p\u003e\n\u003cp\u003eRegoyos, a close friend of the artist, is portrayed not merely as a subject, but as a participant in a creative act. The lighting is focused, illuminating the face and the instrument while allowing the rest of the figure to recede into the shadows. This treatment of light and shadow provides a sense of volume and presence. The work reflects the influence of Spanish masters like Velázquez and Goya, whose dark, dramatic styles were studied by many artists of the period. By capturing this fleeting expression of concentration, Van Rysselberghe provides a glimpse into the bohemian life of the late nineteenth-century European art scene.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-communicants-jules-breton\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Communicants - Jules Breton — Jules Breton\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/christ-and-his-disciples-honore-daumier\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eChrist and His Disciples - Honoré Daumier — Honoré Daumier\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417186505039,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417186570575,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417186668879,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417186701647,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417186767183,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Dario-de-Regoyos-Playing-the-Guitar_Poster_CompositorV1_1786156002265.jpg?v=1786156189"},{"product_id":"cows-in-a-landscape-theo-van-rysselberghe","title":"Cows in a Landscape - Théo van Rysselberghe","description":"\u003cp\u003eA serene Neo-Impressionist study of cattle grazing in a rolling field, rendered through the precise, luminous application of pointillist colour.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work in 1899. The painting demonstrates his mastery of the pointillist technique, where small, distinct dots of colour are applied in patterns to form an image. By placing contrasting hues side by side, the artist allows the viewer's eye to blend the colours optically, creating a luminosity that traditional brushwork often fails to achieve.\u003c\/p\u003e\n\u003cp\u003eThe composition is divided into two distinct zones. The foreground features a rolling pasture where cattle graze, rendered in warm, earthy tones of deep red, brown, and violet. These colours suggest the low light of either dawn or dusk, casting a quiet atmosphere over the scene. The artist uses a dense application of pigment here, giving the ground a textured, tactile quality.\u003c\/p\u003e\n\u003cp\u003eIn contrast, the upper portion of the canvas depicts a hazy, atmospheric sky. The dots here are lighter, composed of soft yellows, pinks, and pale blues. This transition from the solid, grounded earth to the ethereal, light-filled sky creates a sense of depth and vastness. The small, dark silhouettes of the cows provide a sense of scale, anchoring the viewer within the quiet, rural setting. Van Rysselberghe was a founding member of Les XX, a group that brought international avant-garde art to Brussels. His work reflects the scientific approach to colour theory that defined the Neo-Impressionist period, moving away from the spontaneous brushwork of earlier Impressionists toward a more calculated, systematic method of application. This print captures the delicate balance of light and colour that defines his late nineteenth-century output.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-at-saint-ouen-georges-seurat-1\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape at Saint-Ouen - Georges Seurat — Georges Seurat\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417187684687,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417187750223,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417187848527,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417187881295,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417187946831,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Cows-in-a-Landscape_Poster_CompositorV1_1786156030355.jpg?v=1786156300"},{"product_id":"denise-marechal-theo-van-rysselberghe","title":"Denise Maréchal - Théo van Rysselberghe","description":"\u003cp\u003eA delicate portrait of Denise Maréchal by Belgian Neo-Impressionist Théo van Rysselberghe, executed in 1889 using the pointillist technique.\u003c\/p\u003e\n\u003cp\u003eThis portrait of Denise Maréchal, painted in 1889, demonstrates the application of Neo-Impressionist techniques by the Belgian artist Théo van Rysselberghe. The work utilises the method of pointillism, where small, distinct dots of colour are applied in patterns to form an image. By placing these pigments side by side, the artist relies on the viewer's eye to blend the colours optically, creating a luminosity that differs from traditional brushwork.\u003c\/p\u003e\n\u003cp\u003eThe composition features the young girl standing against a wall, her figure rendered with a soft, diffused quality characteristic of the divisionist style. The palette is dominated by warm, golden ochres and earthy tones, which contrast with the cool white of her dress and the dark accents of her sash and stockings. The background is simplified, allowing the focus to remain on the subject's quiet presence. A framed picture hangs on the wall behind her, providing a sense of domestic space while maintaining the flat, decorative surface quality favoured by the Neo-Impressionists.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was a founding member of Les XX, a group of artists in Brussels who promoted avant-garde art. His adoption of the pointillist method followed his encounter with the work of Georges Seurat. This portrait reflects his interest in the scientific approach to colour theory, where the objective is to achieve maximum chromatic intensity through the juxtaposition of complementary colours. The result is a calm, measured depiction that captures the stillness of the subject through a rigorous, systematic application of paint.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-milliner-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Milliner - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/landscape-at-saint-ouen-georges-seurat-1\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLandscape at Saint-Ouen - Georges Seurat — Georges Seurat\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417188897103,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417188962639,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417189060943,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417189093711,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417189159247,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Denise-Mar-chal_Poster_CompositorV1_1786156107985.jpg?v=1786156310"},{"product_id":"sunset-at-ambleteuse-theo-van-rysselberghe","title":"Sunset at Ambleteuse - Théo van Rysselberghe","description":"\u003cp\u003eA luminous Neo-Impressionist study of a coastal sunset, utilising the divisionist technique to capture the interplay of light and colour.\u003c\/p\u003e\n\u003cp\u003eThéo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this work during a period when he was deeply engaged with the scientific application of colour theory. The painting demonstrates the divisionist technique, where small, distinct dots of pigment are applied to the canvas to create a luminous effect when viewed from a distance. By placing complementary colours side by side, the artist achieves a heightened sense of light and atmospheric clarity.\u003c\/p\u003e\n\u003cp\u003eThe composition depicts the coastal terrain near Ambleteuse, a commune in northern France. The foreground features a sloping hillside rendered in cool blues and greens, punctuated by the rhythmic placement of vertical fence posts. This cool-toned mass contrasts with the sky, which is dominated by a brilliant, high-chroma yellow. The light reflects across the water, creating a path of illumination that draws the eye toward the horizon. The artist avoids blending colours on the palette, preferring to let the viewer's eye perform the optical mixing. This method results in a surface that appears to shimmer, capturing the fleeting quality of a coastal sunset.\u003c\/p\u003e\n\u003cp\u003eVan Rysselberghe was a founding member of Les XX, a group that brought together avant-garde artists in Brussels. His work reflects the influence of Georges Seurat and Paul Signac, yet he maintained a distinct approach to the application of paint. The brushwork here is slightly more fluid than the rigid dots found in earlier pointillist works, allowing for a sense of movement within the static scene. The painting serves as an example of the artist's ability to translate the natural world into a structured, analytical arrangement of light and colour, moving away from the spontaneous brushwork of traditional Impressionism toward a more calculated, systematic representation of the visual experience.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/little-pierre-georges-lemmen\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eLittle Pierre - Georges Lemmen — Georges Lemmen\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/geneva-1919-paul-signac\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eGeneva, 1919 - Paul Signac — Paul Signac\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Théo van Rysselberghe","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":58417189781839,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":58417189847375,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":58417189945679,"sku":null,"price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":58417189978447,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":58417190043983,"sku":null,"price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/Sunset-at-Ambleteuse_Poster_CompositorV1_1786156105602.jpg?v=1786156374"}],"url":"https:\/\/www.solisprints.com\/en-nz\/collections\/theo-van-rysselberghe.oembed","provider":"Solis Prints","version":"1.0","type":"link"}