{"product_id":"first-a-pool-of-water-then-a-prostitute-the-corner-of-a-temple-a-soldiers-face-a-chariot-with-two-white-rearing-horses-odilon-redon","title":"First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White, Rearing Horses - Odilon Redon","description":"\u003cp\u003eA haunting lithograph from Odilon Redon's 1896 series, 'The Temptation of Saint Anthony', featuring ethereal figures emerging from deep, velvety shadows.\u003c\/p\u003e\n\u003cp\u003eThis lithograph is the first plate from the series 'La Tentation de Saint Antoine' (The Temptation of Saint Anthony), published in 1896. Odilon Redon, a French artist associated with the Symbolist movement, produced several series based on the writings of Gustave Flaubert. This specific work demonstrates his mastery of lithographic technique, where he manipulates light and shadow to create an atmosphere of dreamlike ambiguity.\u003c\/p\u003e\n\u003cp\u003eThe composition is dominated by deep, velvety blacks, a hallmark of Redon's 'noirs' period. Within this darkness, spectral forms emerge. The title itself acts as a narrative guide, listing disparate elements that appear to float within a void. A figure, often interpreted as the prostitute, gazes downward, while the rearing horses and the architectural fragment of the temple appear as phantasmagorical apparitions. Redon avoids clear spatial logic, preferring to evoke a psychological state rather than a physical reality.\u003c\/p\u003e\n\u003cp\u003eHis use of lithography allows for a range of textures, from the dense, opaque blacks of the background to the delicate, scratchy lines that define the figures. The light appears to emanate from within the image, casting an ethereal glow on the subjects. This print reflects the artist's interest in the subconscious and the irrational, themes that occupied much of his career. By stripping away the context of the physical world, Redon forces the viewer to engage with the image as a series of visual metaphors. The work is a fine example of how printmaking can be used to explore the boundaries between the seen and the imagined, providing a glimpse into the internal world of the artist.\u003c\/p\u003e\n\u003cdiv style=\"margin-top:2rem;padding-top:1.5rem;border-top:1px solid #e5e5e5;\"\u003e\n\u003cp style=\"font-size:0.85rem;color:#888;font-weight:600;margin:0 0 0.75rem;text-transform:uppercase;letter-spacing:0.05em;\"\u003eYou might also like\u003c\/p\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:0.5rem;\"\u003e\n\u003ca href=\"\/en-nz\/products\/the-spirits-of-dead-cities-felix-hilaire-buhot\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eThe Spirits of Dead Cities by Félix Hilaire Buhot\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/products\/witchcraft-henri-fantin-latour\" style=\"display:inline-block;background:#f8f9fa;border:1px solid #e5e5e5;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#2a555a;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eWitchcraft by Henri Fantin-Latour\u003c\/a\u003e\n\u003ca href=\"\/en-nz\/collections\/odilon-redon\" style=\"display:inline-block;background:#2a555a;border:1px solid #2a555a;border-radius:20px;padding:0.35rem 0.85rem;font-size:0.8rem;color:#ffffff;font-weight:500;text-decoration:none !important;background-image:none !important;\"\u003eMore by Odilon Redon →\u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Odilon Redon","offers":[{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Black frame","offer_id":59474861982031,"sku":null,"price":220.0,"currency_code":"NZD","in_stock":false},{"title":"Fine Art Framed \/ A4 (21x29.7 cm) \/ Dark wood frame","offer_id":59474862047567,"sku":null,"price":220.0,"currency_code":"NZD","in_stock":false},{"title":"Fine Art Framed \/ A3 (29.7 x 42  cm) \/ Dark wood frame","offer_id":59474862145871,"sku":null,"price":290.0,"currency_code":"NZD","in_stock":false},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Black frame","offer_id":59474862178639,"sku":null,"price":450.0,"currency_code":"NZD","in_stock":false},{"title":"Fine Art Framed \/ A2 (42 x 59.4  cm) \/ Dark wood frame","offer_id":59474862244175,"sku":null,"price":450.0,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0833\/9292\/1935\/files\/First-a-Pool-of-Water-Then-a-Prostitute-the-Corner-of-a-Temple-a-Soldier-s-Face-a-Chariot-with-Two-White-Rearing-Horses_Poster_CompositorV1_1794403011644.jpg?v=1794443791","url":"https:\/\/www.solisprints.com\/en-nz\/products\/first-a-pool-of-water-then-a-prostitute-the-corner-of-a-temple-a-soldiers-face-a-chariot-with-two-white-rearing-horses-odilon-redon","provider":"Solis Prints","version":"1.0","type":"link"}