Collection
Ford Madox Brown
Explore curated art prints selected for distinctive homes and considered interiors.
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Mary Magdalene at the Door of Simon the Pharisee - Ford Madox Brown
Print · Framed · Canvas
Regular price From $120.00 NZDSale price From $120.00 NZD Regular price -
Found - Ford Madox Brown
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
A Musical Party - Ford Madox Brown
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
The Death of Sir Tristan, from 'The Story of Tristan and Isolde' - Ford Madox Brown
Print
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Jesus Washing Peter's Feet - Ford Madox Brown
Print
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The Last of England - Ford Madox Brown
Print
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Jacob and Joseph's Coat - Ford Madox Brown
Print
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The Finding of Don Juan by Haidée - Ford Madox Brown
Print
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Portrait of William Michael Rossetti (1829-1919) by Lamplight - Ford Madox Brown
Print
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The Irish Girl - Ford Madox Brown
Print
Regular price From $120.00 NZDSale price From $120.00 NZD Regular price
Artist Biography
Ford Madox Brown
Brown spent thirteen years on a single painting. Work (1852 to 1865) attempted to catalogue the entire social structure of Victorian England in one canvas: navvies digging, gentlemen watching, a flower seller, a street preacher, intellectuals (Thomas Carlyle and F.D. Maurice are identifiable), and layers of commentary on who labours and who benefits.
He was born in Calais in 1821, trained across Europe, and settled in London. Though never an official member of the Pre-Raphaelite Brotherhood, he was their most important older ally and the teacher who most shaped their ambitions. His insistence on painting outdoors in natural light, often to the point of physical discomfort, and his dense, moralising compositions made him a bridge between the Nazarenes he had studied with in Rome and the young English radicals who followed.
He also designed stained glass and furniture for Morris and Co. He died in 1893, at seventy-two.
He was born in Calais in 1821, trained across Europe, and settled in London. Though never an official member of the Pre-Raphaelite Brotherhood, he was their most important older ally and the teacher who most shaped their ambitions. His insistence on painting outdoors in natural light, often to the point of physical discomfort, and his dense, moralising compositions made him a bridge between the Nazarenes he had studied with in Rome and the young English radicals who followed.
He also designed stained glass and furniture for Morris and Co. He died in 1893, at seventy-two.
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