Collection
Pierre Auguste Renoir
Explore curated art prints selected for distinctive homes and considered interiors.
Suggested filters
-
Richard Wagner - Pierre-Auguste Renoir
Framed
Regular price From $220.00 NZDSale price From $220.00 NZD Regular price -
The Luncheon of the Boating Party - Pierre-Auguste Renoir
Framed
Regular price From $220.00 NZDSale price From $220.00 NZD Regular price -
Laundress and Her Child (Aline and Pierre) - Pierre-Auguste Renoir
Framed
Regular price From $220.00 NZDSale price From $220.00 NZD Regular price -
Young Girl Bathing - Pierre-Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Bal du moulin de la Galette - Pierre-Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Seated Bather - Pierre-Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Landscape near Menton - Pierre-Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Still Life with Roses - Pierre-Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
At the Milliner's - Pierre-Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Madame Georges Charpentier and Her Children - Pierre-Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Hills around the Bay of Moulin Huet, Guernsey - Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
A Road in Louveciennes - Pierre-Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Madame Édouard Bernier - Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
The Farm at Les Collettes, Cagnes - Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Reclining Nude - Pierre-Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
In the Meadow - Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
By the Seashore - Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Still Life with Flowers and Prickly Pears - Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
A Young Girl with Daisies - Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
The Bay of Naples - Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Portrait of Pierre Henri Renoir - Pierre-Auguste Renoir
Framed · Canvas
Regular price From $130.00 NZDSale price From $130.00 NZD Regular price -
Camille Monet and Her Son Jean in the Garden at Argenteuil - Pierre-Auguste Renoir
Framed
Regular price From $220.00 NZDSale price From $220.00 NZD Regular price -
Dahlias - Pierre-Auguste Renoir
Print · Framed
Regular price From $120.00 NZDSale price From $120.00 NZD Regular price -
Scamandre River - Pierre-Auguste Renoir
Framed
Regular price From $220.00 NZDSale price From $220.00 NZD Regular price
Artist Biography
Pierre Auguste Renoir
Renoir painted porcelain before he painted canvases. He was born in 1841 in Limoges, the porcelain capital of France, and his family moved to Paris when he was three. At thirteen, financial difficulties ended his schooling, and he was apprenticed to a porcelain factory. His drawing ability got him chosen to paint designs on fine china. The training in decorative colour and surface stayed with him for life.
He met Monet, Sisley, and Bazille at Charles Gleyre's studio in the early 1860s. In 1869, he and Monet painted side by side at La Grenouillere, a bathing spot on the Seine, producing some of the earliest distinctly Impressionist work. They co-founded the first Impressionist exhibition in April 1874 with Pissarro and others. Of the group, Renoir was the one most drawn to people. His subjects are eating, dancing, talking, sitting in the sun, doing very little. The paint itself seems warm.
Luncheon of the Boating Party, painted in 1881, includes his future wife Aline Charigot as the woman on the left playing with a small dog. She was a dressmaker, twenty years his junior. They married in 1890. The model Suzanne Valadon, later a significant painter in her own right, posed for several of his works during this period.
Rheumatoid arthritis set in around 1892 and progressively crippled his hands. In 1907 he moved south to Cagnes-sur-Mer, near the Mediterranean, seeking warmer air. The commonly repeated story is that brushes were strapped to his paralysed fingers. The reality is more precise: he could still grip a brush, but an assistant had to place it in his permanently clenched hand. Bandages visible in late photographs prevented skin irritation rather than holding brushes in place. Film footage from 1915 shows the seventy-four-year-old painting at his easel while his fourteen-year-old son Claude arranged the palette and placed brushes in his hand.
He kept painting until the day he died, in December 1919, at seventy-eight.
He met Monet, Sisley, and Bazille at Charles Gleyre's studio in the early 1860s. In 1869, he and Monet painted side by side at La Grenouillere, a bathing spot on the Seine, producing some of the earliest distinctly Impressionist work. They co-founded the first Impressionist exhibition in April 1874 with Pissarro and others. Of the group, Renoir was the one most drawn to people. His subjects are eating, dancing, talking, sitting in the sun, doing very little. The paint itself seems warm.
Luncheon of the Boating Party, painted in 1881, includes his future wife Aline Charigot as the woman on the left playing with a small dog. She was a dressmaker, twenty years his junior. They married in 1890. The model Suzanne Valadon, later a significant painter in her own right, posed for several of his works during this period.
Rheumatoid arthritis set in around 1892 and progressively crippled his hands. In 1907 he moved south to Cagnes-sur-Mer, near the Mediterranean, seeking warmer air. The commonly repeated story is that brushes were strapped to his paralysed fingers. The reality is more precise: he could still grip a brush, but an assistant had to place it in his permanently clenched hand. Bandages visible in late photographs prevented skin irritation rather than holding brushes in place. Film footage from 1915 shows the seventy-four-year-old painting at his easel while his fourteen-year-old son Claude arranged the palette and placed brushes in his hand.
He kept painting until the day he died, in December 1919, at seventy-eight.
Why Choose Us ?







