Akaki Shows the Tailor the Areas to Be Repaired - Walter Gramatté
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A stark, expressive lithograph by Walter Gramatté depicting a scene from Nikolai Gogol's The Overcoat, capturing the vulnerability of the protagonist.
This lithograph by Walter Gramatté depicts a scene from Nikolai Gogol's short story, The Overcoat. The work captures the protagonist, Akaki Akakievich, in a moment of quiet desperation as he presents his worn garment to the tailor. Gramatté employs the stark contrast of black ink against the paper to create a sense of psychological weight. The lighting is directional, casting deep shadows that obscure parts of the figures and the room, which serves to focus the viewer on the interaction between the two men.
Gramatté was a significant figure within the German Expressionist movement. His work often explored themes of human suffering, isolation, and the existential struggles of the individual. In this print, the heavy, gestural marks and the distortion of form are characteristic of his approach to printmaking. He avoids smooth transitions, opting instead for a rough, textured application of ink that conveys the grit of the narrative. The composition is tight, trapping the figures within a dark, claustrophobic space that mirrors the social conditions described in Gogol's text.
The print demonstrates the artist's ability to translate literary themes into visual form without relying on literal representation. By focusing on the physical act of showing the damaged coat, Gramatté communicates the vulnerability of the character. The lack of detail in the background forces the viewer to engage with the emotional state of the subjects. This piece is a clear example of the Expressionist interest in the subjective experience of reality, where the artist uses form and shadow to externalise internal states of mind. It remains a compelling study of character and narrative tension, rendered through the medium of lithography.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Akaki Shows the Tailor the Areas to Be Repaired - Walter Gramatté
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

