Allegory of the Virtues - Correggio
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A masterful High Renaissance allegory by Correggio, depicting the personification of virtues through graceful figures and soft, atmospheric lighting.
Painted around 1531, this work by Antonio da Correggio forms part of a pair of allegorical canvases commissioned for Isabella d'Este, the Marchesa of Mantua. The composition presents a complex iconographic programme, focusing on the representation of moral qualities through human figures. At the centre, a seated woman, often identified as Virtue, is surrounded by various attributes and attendants. She holds a globe and a helmet, symbols of worldly governance and protection, while a winged figure above crowns her with a laurel wreath. To her left, a figure rests beside a lion, representing Fortitude, while other figures engage with instruments of measurement and celestial observation.
Correggio employs a soft, sfumato-influenced technique, characteristic of his mature style. The figures possess a fluid, graceful quality, with limbs arranged in gentle curves that guide the viewer across the canvas. The lighting is warm and golden, creating a sense of atmospheric unity that binds the foreground figures to the distant, hazy horizon. The drapery is rendered with fluid brushwork, showing a mastery of volume and texture that defines the High Renaissance approach to the human form. Unlike the more rigid compositions of his contemporaries, Correggio favours a sense of movement and soft transition, allowing the figures to interact with a naturalistic ease.
This painting demonstrates the artist's ability to balance complex symbolic narratives with a harmonious visual arrangement. The inclusion of putti in the upper register adds a sense of lightness, contrasting with the grounded, serious nature of the seated virtues below. The work remains a primary example of the sophisticated courtly art produced in Northern Italy during the early sixteenth century, reflecting the intellectual interests of its patron and the technical innovations of the period.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Allegory of the Virtues - Correggio
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

