Amphitheatrum Castrense - Giovanni Giacomo de' Rossi
Archival giclée
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Description
A detailed seventeenth-century etching of the Amphitheatrum Castrense in Rome, documenting the ancient structure and its integration into the monastic landscape.
This etching depicts the Amphitheatrum Castrense, a Roman amphitheatre located near the Basilica of Santa Croce in Gerusalemme. Published by Giovanni Giacomo de' Rossi, the print captures the structure as it appeared during the seventeenth century, showing the integration of the ancient ruins into the surrounding monastic grounds. The composition employs a high vantage point to survey the elliptical form of the amphitheatre, which is partially obscured by earth and vegetation.
The artist uses precise line work to delineate the brickwork, the Corinthian pilasters, and the arched openings that define the exterior wall. Small figures are positioned in the foreground, providing a sense of scale against the massive, weathered masonry. The background features the rolling hills of the Roman countryside, rendered with delicate hatching to suggest atmospheric depth. The inclusion of the monastery buildings illustrates the historical practice of repurposing ancient Roman sites for ecclesiastical use.
De' Rossi was a prominent publisher in Rome, known for his extensive collection of topographical and architectural prints. This work belongs to a tradition of documenting the physical state of Roman antiquities, often intended for scholars and travellers on the Grand Tour. The print provides a detailed record of the site before later archaeological interventions. The text at the base of the image offers a contemporary description of the structure, noting its construction from terracotta and its proximity to the city walls. The clarity of the etching allows for an examination of the architectural details, including the remnants of the decorative order that once adorned the facade. This piece is a representative example of seventeenth-century printmaking, where technical skill meets an interest in the preservation of classical history.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Amphitheatrum Castrense - Giovanni Giacomo de' Rossi
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