Angel with the ladder, the hammers, nails and gallipot - Aegidius Sadeler II
Archival giclée
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Description
A detailed seventeenth-century engraving by Aegidius Sadeler II featuring an angel with the instruments of the Passion.
This engraving by Aegidius Sadeler II depicts an angel positioned behind a ladder, accompanied by instruments of the Passion: hammers, nails, and a gallipot. The composition is characteristic of Northern Mannerism, a period defined by its technical precision and complex allegorical themes. Sadeler, a member of a prominent family of engravers, demonstrates his mastery of the burin through the varied line weights used to define the angel's drapery and the metallic texture of the tools.
The angel gazes directly at the viewer, creating a sense of immediate engagement. The ladder, a symbol of the ascent to heaven, cuts diagonally across the frame, providing a structural anchor for the figure. Below, the tools of the Passion are arranged with deliberate clarity. The inclusion of the gallipot, often associated with the anointing of the body, adds a layer of liturgical symbolism to the scene. The background is rendered with dense, cross-hatched lines, which push the figure forward and create a sense of atmospheric depth despite the relatively shallow pictorial space.
Sadeler spent much of his career in Prague at the court of Emperor Rudolf II, where he produced works that combined technical rigour with intellectual complexity. This print reflects the period's interest in combining devotional imagery with classical engraving techniques. The Latin inscription at the base provides a moralising context, linking the physical objects to the spiritual act of suffering and ascension. The work is a fine example of the high level of craftsmanship achieved by printmakers in the early seventeenth century, where the clarity of the line serves both descriptive and symbolic purposes. The balance between the soft features of the angel and the hard, cold surfaces of the iron tools creates a visual tension that is typical of the artist's output during his time in the imperial service.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Angel with the ladder, the hammers, nails and gallipot - Aegidius Sadeler II
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