Antibes, Thunderstorms - Paul Signac
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Description
A 1919 Neo-Impressionist oil painting by Paul Signac, capturing the coastal town of Antibes through large, mosaic-like brushstrokes and a cool, atmospheric colour palette.
Paul Signac, a central figure in the development of Neo-Impressionism, painted this view of Antibes in 1919. By this stage in his career, Signac had moved away from the strict, tiny dots of his earlier work, favouring larger, rectangular brushstrokes that resemble a mosaic. This technique allows the viewer to perceive the optical mixing of colours as they step back from the canvas.
The composition captures the coastal town under a heavy, atmospheric sky. The mountains in the distance are rendered in cool blues and purples, suggesting the impending weather. Below, the architecture of Antibes is simplified into blocks of light, contrasting with the darker, saturated tones of the foliage. The water in the foreground acts as a mirror, reflecting the sky and the town through a rhythmic arrangement of blue, green, and white strokes.
Signac spent much of his life travelling along the French coast, documenting the changing light and weather conditions of the Mediterranean. His approach to colour theory, influenced by the scientific writings of Michel Eugène Chevreul, remains evident here. He does not blend pigments on the palette, but places them side by side on the canvas. This method creates a sense of luminosity that mimics the intensity of natural light. The work provides a clear example of his later style, where the focus shifts towards a more expressive, structural application of paint while maintaining the core principles of his divisionist training.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
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- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Antibes, Thunderstorms - Paul Signac
Artist Biography
Paul Signac
Signac embraced Pointillism after encountering Seurat's *A Sunday on La Grande Jatte* in 1884. Captivated by the scientific approach to colour and light, he became a devoted follower and, later, a leading advocate of the style. Following Seurat's untimely death in 1891, Signac stepped into the role of the movement's champion, ensuring its continued influence on the avant-garde. His own works, such as *The Red Buoy* and *Antibes, Evening*, showcase his mastery of the technique, using vibrant dots of pure colour to create luminous and harmonious compositions.
Beyond his artistic output, Signac was also a dedicated writer and theorist. His book, *From Eugène Delacroix to Neo-Impressionism*, remains a seminal text on the subject, providing invaluable insights into the principles and philosophy behind Pointillism. Signac's passion for sailing also profoundly influenced his art, with many of his paintings depicting coastal scenes and harbours across France. He died in 1935, leaving behind a legacy as both a talented artist and a key intellectual force within the Neo-Impressionist movement.
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