Arc de Triomphe du Carrousel and the Cour Napoléon from the Tuileries - Édouard Denis Baldus
Archival giclée
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Description
A detailed 1855 architectural photograph by Édouard Denis Baldus, capturing the Arc de Triomphe du Carrousel and the Louvre in Paris.
This albumen silver print by Édouard Denis Baldus captures the architectural grandeur of mid-nineteenth-century Paris. The composition focuses on the Arc de Triomphe du Carrousel, positioned in the foreground, with the expansive Cour Napoléon and the wings of the Louvre extending into the background. Baldus, a German-born photographer who became a naturalised Frenchman, was commissioned by the French government to document the construction and renovation projects of the Second Empire under Napoleon III.
Technically, the image demonstrates the precision required for large-format architectural documentation during this period. The use of the wet collodion process allowed for the capture of fine detail across the stone facades and the sculptural elements of the triumphal arch. The perspective is carefully controlled, providing a clear view of the urban planning efforts that sought to modernise the city centre. The absence of human figures in the courtyard emphasises the scale of the architecture and the stillness of the scene, a common aesthetic choice in early architectural photography to ensure clarity and focus on the built environment.
Baldus was known for his ability to manage complex lighting conditions, balancing the bright stone surfaces with the shadows cast by the arch and the surrounding buildings. This print offers a view of a Paris that has since undergone significant changes, particularly with the loss of the Tuileries Palace, which was destroyed by fire in 1871. As a historical record, it provides a view of the site before the final completion of the Louvre-Tuileries complex. The print is mounted on card, typical of the presentation style for photographic albums produced during the 1850s, reflecting the era's interest in systematic documentation of national heritage and urban development.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Arc de Triomphe du Carrousel and the Cour Napoléon from the Tuileries - Édouard Denis Baldus
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