Attacking the Grizzly Bear - George Catlin
Archival giclée
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Description
A dramatic wildlife scene by George Catlin depicting a grizzly bear attacking a bison in a ravine, rendered in oil on cardboard.
George Catlin, an American painter known for his extensive travels through the American West, produced this work as part of his effort to document the natural history and indigenous cultures of the region. The scene depicts a dramatic encounter between a grizzly bear and a bison within a ravine. The composition focuses on the struggle, with the bear mounted upon the back of the bison, while other members of the herd remain in the background, grazing or observing the conflict from the grassy banks above.
Catlin utilised a muted palette of earth tones, reflecting the natural environment of the Great Plains. The brushwork is precise, capturing the texture of the animals' fur and the rugged topography of the ravine. The sky, rendered in soft blues and greys, provides a sense of open space that contrasts with the intense action occurring in the lower centre of the frame. This work belongs to a series of paintings created by Catlin during his later career, often based on his earlier field sketches and observations made during his extensive travels in the 1830s.
Unlike his portraits of indigenous leaders, which often sought to preserve a record of individuals, this piece focuses on the raw dynamics of the North American wilderness. The perspective is slightly elevated, allowing the viewer to observe the interaction between the predator and prey while maintaining a clear view of the surrounding terrain. The work remains a primary example of nineteenth-century American wildlife documentation, capturing a moment of natural conflict with a direct, observational approach. The inclusion of the number 388 at the top of the mount indicates its place within the artist's own numbering system for his collection, which he toured extensively throughout the United States and Europe during his lifetime.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Attacking the Grizzly Bear - George Catlin
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