Bewaker met Arabische gevangenen opgesteld in een rij - Théodore van Lelyveld
Archival giclée
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Made to order
Description
A historical gelatin silver print by Théodore van Lelyveld depicting a uniformed guard with a line of prisoners, mounted on grid-lined archival paper.
This gelatin silver print by Théodore van Lelyveld captures a scene of colonial administration and surveillance. The composition features a uniformed guard standing in the foreground, positioned slightly to the right, while a line of individuals identified as Arab prisoners stands to the left. The photograph is mounted on a page of a grid-lined ledger, which provides a stark, utilitarian backdrop to the image.
Van Lelyveld, a Dutch artist and photographer, often documented his travels and observations during the late nineteenth and early twentieth centuries. His work frequently reflects the colonial perspectives of the era, focusing on the structures of authority and the daily lives of those within the regions he visited. The guard, dressed in a structured uniform, occupies a position of control, his posture rigid and alert. The prisoners are arranged in a linear formation, their presence captured with a sense of detachment typical of the documentary style of the period.
The image offers a glimpse into the power dynamics present in colonial settings. The contrast between the solitary guard and the group of prisoners creates a clear visual hierarchy. The inclusion of the photograph within a ledger suggests that this image may have served as a record or an archival document rather than a purely aesthetic pursuit. The grid lines of the paper frame the photograph, adding a layer of clinical precision to the presentation of the scene. This print provides a historical record of the interactions between colonial authorities and local populations, reflecting the social and political conditions of the time. The clarity of the print allows for an examination of the clothing, the posture of the subjects, and the environment in which they were placed, offering a direct view into a specific historical moment.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Bewaker met Arabische gevangenen opgesteld in een rij - Théodore van Lelyveld
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