Boating on Edo Bay - Suzuki Harunobu
Archival giclée
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Description
A classic woodblock print by Suzuki Harunobu, depicting three figures in a boat on Edo Bay with delicate lines and a soft, harmonious colour palette.
Suzuki Harunobu is credited with the development of nishiki-e, or brocade prints, which allowed for the use of multiple colours in a single woodblock composition. This work depicts a scene on the waters of Edo Bay, featuring three figures in a small boat. The composition is characteristic of Harunobu's style, which often focuses on slender, graceful figures and a sense of quiet, domestic intimacy.
The figures are rendered with delicate line work, typical of the mid-Edo period. The man, identifiable by his topknot and sword, sits alongside two women. Their clothing displays subtle patterns, and their postures suggest a moment of calm conversation during a boat trip. The background is simplified, with a distant, low-lying hill providing a sense of space without overwhelming the primary subjects. The water is indicated by rhythmic, flowing lines that suggest gentle movement.
Harunobu's approach to colour is restrained, relying on soft tones that harmonise across the print. The palette includes muted greens, soft pinks, and earthy browns, which create a balanced visual experience. Unlike later, more dramatic ukiyo-e works, this print maintains a focus on the human element and the gentle atmosphere of the setting. The print demonstrates the technical precision achieved by the carvers and printers of the period, who worked in close collaboration with the artist to achieve such refined results. This piece offers a glimpse into the leisure activities of the urban population in Edo, capturing a fleeting moment of daily life with clarity and poise.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Boating on Edo Bay - Suzuki Harunobu
Artist Biography
Suzuki Harunobu
Harunobu moved away from the stiff portraits of kabuki actors common in his era. He preferred to depict young women in their daily lives, often using an elevated viewpoint to look into private spaces. His series Zashiki hakkei, or Eight Parlour Views, provides a clear example of his method. He took classical Chinese themes and reimagined them as domestic scenes. A temple bell might become a chiming clock. A distant storm is represented by a woman drying herself after a bath.
Modern collectors value these prints for their quiet atmosphere and precise compositions. Harunobu avoided the aggressive energy of later ukiyo-e artists. He chose instead to focus on slender figures and soft colour harmonies. His work captures specific moments of leisure, such as playing cat's cradle or walking by the shore. These scenes offer a calm window into eighteenth-century Japan. They remain popular because they balance historical detail with a clean, graphic sensibility that suits contemporary interiors.
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