Bookplate of Charles Eliot Goodspeed - Sidney L. Smith
Archival giclée
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Description
A 1915 etching by Sidney L. Smith featuring a classical figure and Greek script, designed as a personal bookplate for Charles Eliot Goodspeed.
This etching by Sidney L. Smith, dated 1915, functions as a personal bookplate for the American bibliophile Charles Eliot Goodspeed. The composition draws heavily upon classical architectural motifs, framing a central figure of a seated woman in a manner reminiscent of antique funerary stelae or votive reliefs. The figure, draped in traditional robes, sits upon a block, conveying a sense of quiet contemplation appropriate for a library setting.
The frame surrounding the central image incorporates geometric patterns and scrollwork, typical of the refined, academic approach to engraving favoured by Smith. Below the central figure, the artist has included a Greek inscription. This text is taken from the Epistle to the Philippians (4:8), which encourages the reader to focus on things that are true, honourable, just, pure, lovely, and commendable. The inclusion of this passage reflects the intellectual and moral values often associated with private book collections during the early twentieth century.
Sidney L. Smith was a highly regarded engraver, known for his technical precision and his ability to adapt historical styles to the requirements of modern book ownership. His work often prioritised clarity of line and balanced proportions. This particular print demonstrates his skill in managing tonal variations through cross-hatching, which gives the draped fabric and the architectural frame a tactile quality. The print is presented on a neutral background, maintaining the aesthetic of a collector's proof. As a piece of ephemera, it offers a glimpse into the personal identity of its owner, Charles Eliot Goodspeed, who was a prominent bookseller and publisher in Boston. The work remains a fine example of the American ex libris tradition, where the marriage of classical iconography and personal identity was a common pursuit for those building private libraries.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Bookplate of Charles Eliot Goodspeed - Sidney L. Smith
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