Bush fire between Mount Elephant and Timboon - Eugene von Guerard
Archival giclée
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Description
A dramatic 1859 oil painting by Eugene von Guerard depicting a bushfire at night, contrasting the intense glow of flames with the cool light of the moon.
Eugene von Guerard, an Austrian-born painter who settled in Australia, produced this work in 1859. It captures the dramatic and often destructive nature of the Australian environment. The composition is divided horizontally: the foreground remains in shadow, while the middle ground and horizon are consumed by a massive bushfire. The flames create a wall of light that illuminates the smoke, which billows upwards to dominate the sky.
Von Guerard employs a precise, observational technique typical of his training in the Düsseldorf school. He balances the terrifying power of the fire with the calm, cool light of the moon, which hangs in the upper centre of the canvas. This contrast between the heat of the blaze and the celestial stillness creates a tension that defines the work. The foreground features small, silhouetted figures, providing a sense of scale and human presence against the vast, untamed wilderness.
This painting is a record of the environmental conditions experienced by settlers in the mid-nineteenth century. Von Guerard was known for his meticulous documentation of the Australian terrain, and this piece is no exception. The application of paint is controlled, allowing for the subtle gradation of colours in the smoke and the sharp definition of the trees in the foreground. The work remains a primary example of how European artistic traditions were applied to the unique conditions of the Australian continent during the colonial period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Bush fire between Mount Elephant and Timboon - Eugene von Guerard
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