Bust of an Oriental with a Fur Cap - Jan Lievens
Archival giclée
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Description
A fine etching by Jan Lievens depicting a man in exotic attire, showcasing the technical skill and character study typical of the Dutch Golden Age.
This etching by Jan Lievens, titled Borstbeeld van een oosterling met bontmuts, demonstrates the artist's mastery of the print medium during the Dutch Golden Age. Lievens, a contemporary and associate of Rembrandt in Leiden, shared an interest in the study of character, costume, and dramatic lighting. The work depicts an elderly man in profile, wearing an elaborate fur-trimmed garment and a cap adorned with a feather. The subject is rendered with a focus on texture, particularly in the representation of the fur, which contrasts with the smooth, weathered skin of the sitter's face.
Lievens employs a sophisticated use of line to create volume and shadow. The background is treated with loose, hatched strokes that suggest a dark, atmospheric space, pushing the figure forward. This technique allows the light to catch the contours of the face and the soft edges of the fur, creating a sense of physical presence. The sitter's expression is one of intensity, captured through the sharp profile and the direct gaze directed away from the viewer.
Such works were often referred to as tronies, a genre popular in the seventeenth century that focused on exaggerated expressions or exotic costumes rather than specific portraiture of a known individual. By dressing the subject in attire that would have been perceived as exotic or 'Oriental' to a contemporary Dutch audience, Lievens explores the potential of the etching needle to convey material quality and human character. The print reflects the technical experimentation common in the Leiden circle, where artists pushed the boundaries of etching to achieve painterly effects. This museum-grade print captures the fine detail of the original plate, preserving the delicate balance between the dark, shadowed areas and the lighter, modelled features of the subject.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Bust of an Oriental with a Fur Cap - Jan Lievens
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