Cathedral of Ascension in Pereiaslav - Taras Shevchenko
Archival giclée
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Description
A precise 1845 watercolour study of the Cathedral of Ascension in Pereiaslav by Ukrainian artist Taras Shevchenko, capturing the site's architectural form.
This watercolour study by Taras Shevchenko depicts the Cathedral of Ascension in Pereiaslav, a site of significant historical interest in Ukraine. Executed in 1845, the work captures the architectural character of the structure with a focus on its distinctive domes and the surrounding monastic grounds. Shevchenko, who was trained at the Imperial Academy of Arts in Saint Petersburg, often travelled through the Ukrainian countryside to document historical monuments and local life. His approach here is observational and precise, prioritising the structural integrity of the cathedral over decorative embellishment.
The composition is balanced, placing the main cathedral building in the centre, flanked by smaller structures and trees. The artist employs a muted palette of earth tones, soft blues, and greys, which reflects the atmospheric conditions of the day. The watercolour technique allows for a degree of transparency in the sky and the shadows cast upon the ground, providing a sense of depth without relying on heavy impasto. Small figures are placed near the base of the buildings, providing a sense of scale to the massive stone architecture.
Shevchenko's work from this period is noted for its documentary quality. He sought to preserve the appearance of Ukrainian heritage sites during a time of rapid change. The drawing shows his proficiency with ink outlines, which define the edges of the cathedral walls and the intricate shapes of the cupolas before the application of colour. This piece is a clear example of his topographical interest, combining technical skill with a deep connection to his native geography. The work remains a valuable record of the cathedral's appearance in the mid-nineteenth century, offering a glimpse into the architectural history of the region through the eyes of one of its most celebrated cultural figures.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Cathedral of Ascension in Pereiaslav - Taras Shevchenko
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