Cherry and Maple Trees - Sakai Hōitsu
Archival giclée
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Description
A classic Rinpa school screen painting by Sakai Hōitsu, featuring a weeping cherry tree against a luminous gold leaf background.
Sakai Hōitsu was a central figure of the Edo-period Rinpa school, a movement known for its decorative aesthetic and use of gold leaf. This work, originally executed as a folding screen, demonstrates the characteristic Rinpa focus on seasonal motifs and the interplay between natural forms and abstract backgrounds. The composition features a weeping cherry tree, its branches laden with blossoms, set against a flat, luminous field of gold leaf. The gold provides a non-representational space, removing the subject from a specific temporal or geographical context.
The artist employs a refined brush technique to render the gnarled bark of the tree and the delicate, drooping foliage. The green mound at the base provides a grounding element, populated by small, seasonal plants that suggest the transition of time. Hōitsu was a devoted follower of Ogata Kōrin, and this piece reflects the stylistic lineage of the school, which prioritised the balance of negative space and carefully placed natural elements. The use of gold leaf serves to reflect light, creating a sense of presence within a room that changes depending on the viewing angle and ambient light conditions.
Unlike the more rigid structures of other schools, the Rinpa aesthetic here allows for a fluid, asymmetrical arrangement. The branches of the cherry tree extend across the panels, creating a sense of movement that guides the eye across the surface. The work is a study in the observation of nature, filtered through a highly stylised, decorative lens. It avoids the clutter of realistic detail, opting instead for a clarity of form that defines the Rinpa approach to screen painting. The result is a work that functions as both a piece of art and a structural element within an interior space, harmonising the organic beauty of the cherry tree with the metallic brilliance of the gold ground.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Cherry and Maple Trees - Sakai Hōitsu
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