Chevaux de poste anglais - Horace Vernet
Archival giclée
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Description
A refined lithograph by Horace Vernet depicting a rider with two horses, capturing the quiet atmosphere of nineteenth-century equestrian travel.
This lithograph by Horace Vernet, titled 'Chevaux de poste anglais', captures a quiet moment of equestrian life in the early nineteenth century. Vernet, a prolific French painter and printmaker, possessed a keen ability to render the anatomy and temperament of horses with precision. In this composition, a rider sits atop one horse while leading another, both positioned before a simple, rustic structure. The scene is rendered with the characteristic clarity of early lithographic techniques, which allowed artists to achieve a tonal range similar to pencil or charcoal drawings.
The rider wears a top hat and riding attire, suggesting a professional or formal context for the journey. The horses are depicted with a focus on their muscular form and steady posture. To the right, a birdhouse stands on a post, adding a domestic detail to the otherwise sparse environment. The background remains largely suggested, allowing the viewer to focus on the interaction between the rider and the animals. Vernet often explored themes related to military life, hunting, and travel, reflecting the interests of his contemporary audience in France.
Technically, the work demonstrates the artist's command over light and shadow. The soft grey tones of the lithographic stone create a sense of atmosphere, particularly in the way the light falls across the horses' flanks and the textured wall of the building. This print belongs to a period when lithography was gaining popularity as a medium for reproducing fine art, making such scenes accessible to a wider public. The composition is balanced, with the vertical lines of the building and the birdhouse providing a stable frame for the horizontal movement of the horses. It is a study of form and character, typical of Vernet's output during his most active years in Paris.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Chevaux de poste anglais - Horace Vernet
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