College van kardinalen, plaat AA - Nicolaas Hogenberg
Archival giclée
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Description
A detailed sixteenth-century etching by Nicolaas Hogenberg depicting a formal procession of cardinals, part of a series documenting the coronation of Charles V.
This etching by Nicolaas Hogenberg depicts a formal procession of cardinals, a subject that reflects the artist's interest in the ceremonial life of the sixteenth-century European elite. Hogenberg, a Flemish printmaker active in the early sixteenth century, is known for his technical precision and his ability to capture the pageantry of historical events. The composition is organised with a clear horizontal narrative flow, typical of processional prints from this period.
The upper portion of the print features decorative heraldic shields and a cartouche containing French text, which provides context regarding the figures represented. Below, the figures are rendered with careful attention to their ecclesiastical attire and the accoutrements of their rank. The horses and attendants are positioned to guide the viewer's eye across the scene, creating a sense of movement despite the static nature of the medium. The line work is fine and controlled, allowing for the depiction of textures in the clothing and the subtle musculature of the horses.
This work belongs to a larger series documenting the coronation of Emperor Charles V in Bologna in 1530. Hogenberg was present at this event, and his prints serve as a visual record of the participants and the scale of the spectacle. The inclusion of Latin inscriptions at the base, such as 'COLLEGIVM CARDINALIVM', identifies the subjects for the contemporary viewer. The print demonstrates the technical capabilities of etching during the Northern Renaissance, where artists sought to balance descriptive accuracy with the decorative requirements of commemorative art. The balance between the heraldic elements at the top and the narrative scene below creates a structured, formal appearance, characteristic of the period's interest in documenting power and lineage through the medium of print.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
College van kardinalen, plaat AA - Nicolaas Hogenberg
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