Corn Fields - Félix Vallotton
Archival giclée
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Description
A 1906 oil painting by Félix Vallotton, featuring a simplified, graphic depiction of the French countryside with bold colour planes.
Félix Vallotton, a member of the Nabis group, produced this work in 1906. The painting demonstrates his departure from the traditional naturalism of his contemporaries, opting instead for a simplified, almost graphic approach to the rural environment. The composition is divided into distinct horizontal bands: a vast, uniform foreground of green, a middle ground punctuated by clusters of trees and golden strips of harvested corn, and a distant, textured sky.
Vallotton employs a flattened perspective that removes the need for conventional atmospheric depth. The colours are applied in broad, unmodulated planes, which creates a sense of stillness and artificiality. This technique reflects the Nabis interest in decorative surfaces and the rejection of realistic representation in favour of subjective interpretation. The trees are rendered as solid, dark silhouettes against the lighter fields, providing a rhythmic contrast to the horizontal lines of the terrain.
While the subject is a rural scene, the execution is highly controlled. Vallotton avoids the loose brushwork typical of Impressionism, preferring clean edges and a deliberate arrangement of shapes. This work captures the quietude of the French countryside through a lens of modern abstraction. The palette is dominated by intense greens and ochres, which are balanced by the muted, cool tones of the sky. By reducing the visual information to its essential forms, Vallotton invites the viewer to engage with the structure of the image rather than its literal subject matter. This piece is representative of his mature style, where he synthesised his earlier experience as a printmaker with his later explorations in oil painting, resulting in a unique visual language that prioritises clarity and formal balance.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Corn Fields - Félix Vallotton
Artist Biography
Felix Vallotton
He moved to Paris at seventeen and studied at the Academie Julian. His woodcuts, made in the 1890s, revived a medium that most printmakers had abandoned in favour of colour lithography. Working in pure black and white, he carved domestic interiors, street scenes, and a series called Intimites: ten prints depicting the private moments of married life, with an emphasis on adultery, deception and the particular loneliness of two people in the same room. The images are flat, graphic and psychologically sharp.
His support for Alfred Dreyfus, the Jewish officer falsely convicted of espionage, strained his relationship with several of the Nabis. He bought a Kodak camera in 1899 and began using photographs as source material for paintings, manipulating compositions into fictionalised versions of observed reality.
He married the daughter of the art dealer Alexandre Bernheim in 1899, which gave him financial security and access to the Parisian art market. He painted nudes, still lifes and landscapes with a smooth, almost clinical finish that disturbed viewers who expected warmth from pictures of naked women.
He wrote three novels and eight plays, none of which were published in his lifetime. His first novel, La Vie Meurtriere (The Murderous Life), appeared posthumously in 1930. He died the day after his sixtieth birthday.
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