Death of Absalom - Johannes Wierix
Archival giclée
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Description
A detailed 16th-century engraving by Johannes Wierix depicting the biblical scene of Absalom caught in an oak tree during battle.
This engraving by Johannes Wierix depicts the biblical account of Absalom, the son of King David, who met his end during the battle in the forest of Ephraim. Wierix, a member of a prominent family of engravers in Antwerp, demonstrates his technical precision through the use of fine cross-hatching and varied line weights to define the musculature of the figures and the textures of the armour and foliage.
The composition follows the narrative found in 2 Samuel 18. Absalom is shown suspended by his hair from the branches of an oak tree, his arms raised in a gesture of vulnerability. Joab, the commander of David's army, approaches on horseback, poised to strike with a spear. The scene is crowded with soldiers and horses, creating a sense of chaotic movement that is characteristic of the Mannerist style. In the background, a distant city provides a sense of scale, while the foreground is occupied by soldiers observing the event.
Wierix was known for his ability to translate complex theological and historical narratives into small-scale prints. His work often reflects the influence of contemporary painters, yet he maintains a distinct graphic clarity. The Latin inscription at the base of the print, 'Absolon ex pugna fugiens ex arbore pendet. Illius Ioab et ferit hasta latus', translates to 'Absalom, fleeing from the battle, hangs from a tree. Joab strikes his side with a spear'. This print is a fine example of the high level of craftsmanship associated with the Wierix workshop, which produced a vast catalogue of religious and allegorical subjects during the late sixteenth century. The attention to detail, from the individual leaves on the tree to the intricate metalwork on the soldiers' breastplates, demonstrates the technical rigour expected of professional printmakers in the Low Countries during this period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Death of Absalom - Johannes Wierix
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