Fall at Inversnaid - George Washington Wilson
Archival giclée
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Description
A nineteenth-century albumen silver print by George Washington Wilson, depicting the waterfall at Inversnaid in the Scottish Highlands.
This albumen silver print, titled Fall at Inversnaid, captures the rugged beauty of the Scottish Highlands. George Washington Wilson, a pioneer of Scottish photography, produced this image as part of a series illustrating Sir Walter Scott's poem, The Lady of the Lake. The photograph depicts the waterfall at Inversnaid, a location frequently visited by tourists and writers during the nineteenth century due to its association with the romanticised literary history of the region.
The composition employs a long exposure technique to render the cascading water with a soft, ethereal quality, contrasting against the sharp, textured rocks in the foreground. A lone figure stands near the base of the falls, providing a sense of scale to the natural formation. Above the waterfall, a small wooden bridge spans the gorge, where two tiny figures are visible, further emphasising the height and depth of the site. The print is presented here in its original context, mounted on a page from a published volume, complete with the printed caption and a line from Scott's poem: Each pass by mountain, lake and heath, he knew through Lennox and Menteith.
Wilson was known for his technical precision and his ability to document the Scottish terrain with clarity. His work contributed to the popularisation of the Highlands as a destination for travellers. By integrating photography with classic literature, this piece reflects the Victorian interest in combining visual documentation with national heritage. The sepia tones, characteristic of the albumen process, add a warmth to the image, preserving the atmosphere of the site as it appeared in the mid-nineteenth century. This print offers a glimpse into the early history of travel photography and the ways in which visual media shaped the public perception of the British countryside.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fall at Inversnaid - George Washington Wilson
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