Fiancée with Bouquet - Marc Chagall
Archival giclée
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Description
A dreamlike 1977 composition by Marc Chagall, featuring a woman with a bouquet atop a horse against a warm, expressive village background.
Marc Chagall created this work in 1977, during the final decade of his career. The composition features a central female figure, the fiancée, who stands atop a horse. She holds a large, textured bouquet of flowers. The background depicts a village scene, a recurring motif in the artist's work that draws upon his memories of Vitebsk.
Chagall employs a dreamlike visual language. A violinist plays to the left, while a figure floats in the upper portion of the canvas. The colour palette is dominated by a warm, intense orange-red, which contrasts with the cool blue tones of the woman's dress and the floating figure. This juxtaposition creates a sense of separation between the earthly village life and the ethereal, imaginative realm the artist frequently explored.
The application of paint is loose and expressive. Forms are not strictly defined, allowing the figures to merge with the surrounding atmosphere. The horse, a symbol often used by Chagall to represent freedom or memory, provides a grounding element for the central figure. The inclusion of a crescent moon and small, schematic houses reinforces the folk-art quality of the piece.
This work reflects the artist's preoccupation with themes of love, memory, and nostalgia. By combining personal iconography with a non-naturalistic approach to space and scale, Chagall invites the viewer into a subjective narrative. The painting avoids rigid perspective, opting instead for a flattened, decorative arrangement that prioritises emotional resonance over physical accuracy. It remains a characteristic example of his late period, where his established visual vocabulary continued to inform his exploration of human connection and memory.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Fiancée with Bouquet - Marc Chagall
Artist Biography
Marc Chagall
He was born Moishe Shagal in 1887, in the Pale of Settlement, the restricted zone where Jews were permitted to live in the Russian Empire. His father worked at a herring warehouse. The family was devout Hasidic. After studying in St Petersburg, he went to Paris in 1911 and immersed himself in the Fauvists and Cubists, absorbing their formal innovations without abandoning the narrative imagery of his childhood. The colour and the dreamlike floating figures were already there in Vitebsk. Paris gave him the structure.
He met Bella Rosenfeld, the daughter of a wealthy Vitebsk jeweller, and married her in 1915. She became his primary subject for the next three decades. The flying lovers that recur across his work, gravity-defying couples suspended above rooftops and villages, began with Bella. When she died of a streptococcal infection in New York in September 1944, penicillin existed but the entire supply was reserved for soldiers. He stopped painting for nine months. He continued to paint her memory for the remaining forty-one years of his life.
Picasso once said that when Matisse dies, Chagall will be the only painter left who understands what colour really is. The friendship ended at a dinner at Chagall's home in 1964. Picasso asked when he was going back to Russia. Chagall replied: after you, I hear you are greatly loved there but not your work. They never spoke again.
His late stained glass commissions are among the strongest work of his final decades: the Peace Window at the United Nations, the twelve windows representing the Tribes of Israel at the Hadassah Medical Centre in Jerusalem, and windows at Metz Cathedral. In 1964, Andre Malraux commissioned him to paint the ceiling of the Paris Opera, a decision that provoked fury from critics who objected to a Russian-born Jewish artist working inside a French Baroque monument. He lived to ninety-seven.
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