Flowers of a Hundred Worlds (Momoyogusa): Nakaguni - Kamisaka Sekka
Archival giclée
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Description
A refined woodblock print from the Momoyogusa series by Kamisaka Sekka, featuring a courtly figure amidst garden flora in the traditional Rinpa style.
This woodblock print originates from the collection titled Momoyogusa, or Flowers of a Hundred Worlds, published in 1909. Kamisaka Sekka was a central figure in the revival of the Rinpa school during the early twentieth century. His work synthesises traditional Japanese aesthetics with modern design sensibilities. The Rinpa school is known for its use of bold colours, gold leaf backgrounds, and stylised depictions of nature. Sekka, however, adapted these techniques to suit the medium of the woodblock print, creating images that feel both historical and contemporary.
The composition features a figure dressed in traditional court attire, positioned amidst a garden setting. The artist employs a flat perspective, typical of the Rinpa style, where depth is suggested through the arrangement of elements rather than linear projection. The bamboo stalks crossing in the background provide a geometric structure that balances the organic forms of the foliage. The blue flowers, rendered with simple, clean lines, contrast against the muted, warm tones of the paper. The figure, depicted with minimal facial detail, serves as a quiet presence within the scene.
Sekka’s approach to this series was to update the decorative traditions of Kyoto for a new era. By simplifying forms and focusing on the essential qualities of his subjects, he created prints that possess a sense of calm and clarity. The printing process for Momoyogusa involved high-quality woodblocks, which allowed for subtle gradations of colour and a soft, painterly texture. This print demonstrates the artist's ability to distil complex cultural references into a singular, accessible image. It remains a clear example of the transition between classical Japanese art and the modern design movements that followed.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Flowers of a Hundred Worlds (Momoyogusa): Nakaguni - Kamisaka Sekka
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