For Kate - Kurt Schwitters
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Description
A 1947 collage by Dada artist Kurt Schwitters, featuring layered comic illustrations and postal ephemera.
Kurt Schwitters, a central figure in the Dada movement, produced this collage during his final years in the United Kingdom. The work exemplifies his Merz practice, which involved the assembly of discarded ephemera into new compositions. By repurposing printed materials, such as comic strips and postal stamps, Schwitters transforms mass-produced imagery into a personal, tactile arrangement.
The composition features fragments of illustrated figures, likely sourced from popular media of the 1940s. These disparate elements are layered with translucent paper and a registered postage stamp, creating a sense of depth through physical texture rather than traditional perspective. The inclusion of the handwritten dedication 'For Kate' and the artist's signature at the bottom provides a direct link to his personal life during his exile in the Lake District. The work reflects his interest in the aesthetic potential of everyday objects, a method he developed in Hanover and continued to refine until his death.
Schwitters maintained a consistent approach to his late collages, often using small-scale formats that allowed for precise placement of torn edges and printed text. The colour palette is dominated by the aged, warm tones of newsprint and paper, punctuated by the bold, flat colours of the comic illustrations. This piece offers a glimpse into the artist's process of recontextualising the mundane. It demonstrates how he found order within the chaos of post-war life, using the debris of contemporary culture to construct a private narrative. The work remains a clear example of his ability to elevate humble materials through careful, deliberate placement.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
For Kate - Kurt Schwitters
Artist Biography
Kurt Schwitters
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
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