Frontispiece to Paradigmata graphices variorum artificum - Jan de Bisschop
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Description
A detailed seventeenth-century etching serving as the frontispiece to Jan de Bisschop's drawing manual, featuring allegorical figures of the arts.
This etching serves as the frontispiece for Jan de Bisschop's influential drawing manual, Paradigmata graphices variorum artificum. Published in The Hague in 1671, the work functions as a pedagogical tool for artists, collecting various models of classical sculpture and master drawings for study. De Bisschop, a lawyer by profession and an amateur artist of considerable skill, produced this collection to provide students with a structured approach to the classical tradition.
The composition is an elaborate allegory of the arts. At the centre, a bust of a classical figure rests upon a pedestal, flanked by two female personifications. One figure, seated at a table, engages in the act of drawing, while the other stands, holding a portfolio. Below them, a group of putti study from open books, representing the transmission of knowledge from one generation to the next. Above, a winged figure of Fame blows a trumpet, holding a laurel wreath to crown the artistic endeavour. The setting is a classical rotunda, which provides a sense of architectural order and historical continuity.
Technically, the print demonstrates the precision characteristic of Dutch seventeenth-century printmaking. The use of hatching and cross-hatching creates depth and volume, particularly in the drapery of the figures and the architectural elements of the rotunda. The inclusion of the title and publication details on the central pedestal integrates the text into the visual narrative, a common practice in early modern book design. This print offers a glimpse into the educational methods of the period, where the study of antique sculpture and the works of Italian masters formed the basis of an artist's training. It remains a significant document for those interested in the history of art education and the reception of classical forms in Northern Europe.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Frontispiece to Paradigmata graphices variorum artificum - Jan de Bisschop
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