Gevecht tussen Odysseus en Irus - Jan Harmensz. Muller
Archival giclée
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Description
A detailed 1589 engraving by Jan Harmensz. Muller depicting the mythological struggle between Odysseus and the beggar Irus.
This engraving by Jan Harmensz. Muller depicts the climactic moment from Homer's Odyssey, where Odysseus, disguised as a beggar, defeats the rival beggar Irus. The composition is characteristic of the Northern Mannerist style, prioritising exaggerated muscularity and dynamic, contorted poses over classical restraint. The central figure of Odysseus is rendered with a focus on anatomical detail, his back turned to the viewer to emphasise the tension in his physique.
Surrounding the combatants is a crowd of onlookers, their faces and postures conveying a mixture of shock and curiosity. Muller employs a sophisticated system of cross-hatching to create depth and volume, particularly in the shadows cast by the figures and the architectural elements in the background. The scene is set within a classical portico, providing a structured environment for the chaotic action. The inclusion of a small child in the foreground adds a sense of scale and human vulnerability to the otherwise heroic struggle.
As a printmaker, Muller was known for his technical precision and his ability to translate the complex compositions of painters like Cornelis Cornelisz. van Haarlem into the medium of engraving. This work demonstrates his command of light and shadow, using the stark contrast of the black and white medium to define the forms of the figures against the architectural backdrop. The Latin inscription at the base provides context for the narrative, identifying the figures and the specific episode from the epic poem. The print serves as a record of the period's fascination with classical mythology and the technical capabilities of late sixteenth-century Dutch printmaking.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gevecht tussen Odysseus en Irus - Jan Harmensz. Muller
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