Gezicht op de Eerste Sint-Antoniespoort te Amsterdam - Simon Frisius
Archival giclée
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Description
A detailed seventeenth-century etching by Simon Frisius documenting the original Sint-Antoniespoort gate in Amsterdam.
This etching by Simon Frisius depicts the original Sint-Antoniespoort, a medieval city gate in Amsterdam. The composition captures the architectural form of the gatehouse, characterised by its round towers and defensive structure. Frisius employs precise line work to delineate the masonry, the texture of the roof tiles, and the surrounding urban environment. The scene includes small figures near the water and the gate, providing a sense of scale and daily activity within the seventeenth-century city.
Frisius was a significant figure in the development of Dutch printmaking. His technique often involved a combination of etching and engraving, allowing for a high degree of control over tonal variation and detail. This specific work documents a structure that underwent significant changes as Amsterdam expanded. The gate, originally part of the city's defensive perimeter, eventually became the Waag, or weigh house, after the city walls were dismantled. The print serves as a visual record of the urban topography before these major modifications.
In the foreground, the canal setting reflects the importance of water transport in Amsterdam. The inclusion of a small boat and figures adds a narrative quality to the architectural study. The artist's attention to the play of light on the stone surfaces and the atmospheric quality of the sky demonstrates the technical proficiency common to the period. This print is part of a broader interest in documenting the changing face of Dutch cities during the early seventeenth century, a time when urban planning and civic pride were reflected in both painting and print media. The work remains a valuable reference for historians interested in the evolution of Amsterdam's built environment.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op de Eerste Sint-Antoniespoort te Amsterdam - Simon Frisius
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