Gezicht op de kerk te Noordwijkerhout - Abraham Rademaker
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed eighteenth-century etching by Abraham Rademaker, documenting the church and village life of Noordwijkerhout in the Netherlands.
This etching by Abraham Rademaker depicts the church at Noordwijkerhout, a village in the Dutch province of South Holland. Rademaker was a prolific draughtsman and printmaker, known for his extensive documentation of Dutch towns, castles, and religious buildings during the early eighteenth century. His work provides a visual record of the architectural heritage of the Netherlands before the industrial changes of later centuries.
The composition follows the conventions of topographical illustration common to the period. The church stands as the primary subject, rendered with precise lines that define its steeple, nave, and surrounding low walls. Rademaker employs a system of hatching and cross-hatching to suggest texture on the masonry and to create depth within the sky. The foreground features small figures of villagers and a horse-drawn cart, which provide a sense of scale and daily activity within the rural setting. The trees are depicted with a stylised approach, typical of the artist's graphic style, which prioritises clarity and structural accuracy over atmospheric effects.
Rademaker often published his drawings in series, such as his 'Kabinet van Nederlandsche Outheden en Gezichten', which aimed to preserve the appearance of historical sites for posterity. This print reflects the meticulous observation required for such projects. The bilingual caption at the base, provided in both French and Dutch, indicates the intended audience for these prints, which were collected by antiquarians and travellers interested in the geography and history of the Low Countries. The work remains a clear example of the Dutch tradition of topographical documentation, where the focus is on the accurate representation of built environments and their immediate surroundings.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op de kerk te Noordwijkerhout - Abraham Rademaker
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

