Gezicht op de sluis bij de IJsselpoort te IJsselstein - Abraham Rademaker
Archival giclée
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Description
A detailed 18th-century etching by Abraham Rademaker depicting the historic sluice gate at the IJsselpoort in IJsselstein.
This etching by Abraham Rademaker depicts the sluice at the IJsselpoort in the Dutch town of IJsselstein. Rademaker was a prolific draughtsman and printmaker, known for his extensive documentation of Dutch towns, castles, and historical buildings during the early eighteenth century. His work often captures the architectural character of the Netherlands, providing a visual record of structures that have since been altered or lost to time.
The composition focuses on the stone sluice gate and the adjacent fortification. Rademaker employs precise, controlled lines to define the masonry of the gate and the textures of the surrounding foliage. The water surface is rendered with subtle horizontal strokes, suggesting a calm, reflective quality. A small boat occupies the foreground, adding a sense of scale and human activity to the scene. The sky is filled with voluminous, lightly hatched clouds, which provide a sense of atmosphere and depth to the print.
Rademaker’s approach to topographical illustration is characterised by a balance between technical accuracy and artistic interpretation. While the primary purpose of such prints was to document specific locations, the artist introduces elements of light and shadow to create a cohesive image. The inclusion of the date 1625 in the plate refers to the historical period of the structure rather than the date of the print's creation, as Rademaker was active in the early 1700s. This work is typical of his output, which was frequently collected by contemporaries interested in the history and geography of the Dutch Republic. The print offers a clear view of the defensive architecture of the period, showing the integration of water management systems with town fortifications. It remains a valuable resource for those interested in the history of Dutch urban development and the tradition of topographical printmaking.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op de sluis bij de IJsselpoort te IJsselstein - Abraham Rademaker
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