Gezicht op Ternate en de rede van Ternate - Adrianus Johannes Bik
Archival giclée
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Description
A detailed nineteenth-century topographical watercolour depicting the harbour and coastal settlement of Ternate in the North Moluccas.
This topographical watercolour by Adrianus Johannes Bik captures the coastal geography of Ternate in the North Moluccas during the early nineteenth century. Bik, a Dutch official and amateur artist, travelled extensively through the East Indies, documenting the colonial outposts and natural surroundings with a focus on clarity and precision. The composition is structured to provide a wide, panoramic view of the bay, with the settlement of Ternate visible along the shoreline.
In the foreground, two figures are positioned on a rocky outcrop, providing a sense of scale to the expansive harbour. The artist employs a muted palette of sepia, ochre, and soft grey tones, which reflects the typical aesthetic of colonial documentation from this period. The use of ink for fine detailing, combined with light washes of watercolour, allows for the depiction of architectural forms and maritime activity without overwhelming the atmospheric quality of the scene.
Beyond the immediate foreground, the eye is drawn across the calm waters of the bay towards the distant coastline of Halmahera. The inclusion of small sailing vessels and the quiet, orderly arrangement of the town buildings suggest a period of relative stillness. This work functions as a historical record of the region, capturing the intersection of local topography and the colonial presence. The artist's technique relies on careful observation, prioritising the accurate rendering of the harbour and the surrounding hills over dramatic interpretation. This print offers a view into the visual culture of the Dutch East Indies, documenting the physical environment as it appeared to European travellers during the 1820s.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op Ternate en de rede van Ternate - Adrianus Johannes Bik
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