Gezicht op Venlo, gezien vanaf de Maas - Hendrik Spilman
Archival giclée
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Description
A detailed 1741 etching by Hendrik Spilman depicting the Dutch city of Venlo from the banks of the River Maas.
This etching by Hendrik Spilman, dated 1741, presents a topographical view of the Dutch city of Venlo as seen from the banks of the River Maas. Spilman, a prolific draughtsman and engraver, was known for his precise documentation of urban centres and rural locations across the Netherlands. His work often appeared in topographical collections, providing a visual record of regional architecture and geography during the eighteenth century.
The composition is structured horizontally, typical of the period's interest in panoramic city views. On the left, the prominent silhouette of the church tower dominates the skyline, while the city walls and various gabled houses extend towards the centre. The foreground features a riverbank path where figures on horseback are depicted, adding a sense of scale and human activity to the scene. Small vessels are moored along the water, indicating the importance of the Maas for local trade and transport.
Spilman employs fine, controlled lines to define the architectural details and the textures of the riverbank. The sky is rendered with delicate horizontal hatching, which creates a sense of atmospheric depth without distracting from the primary subject matter. The print captures the quiet, orderly nature of the city, reflecting the conventions of Dutch topographical art that prioritised clarity and accurate representation. This piece offers a glimpse into the appearance of Venlo before the industrial expansions of the following centuries, preserving the character of the fortified town as it existed in the mid-eighteenth century. The work is a clear example of the technical proficiency required for copperplate engraving, where every mark contributes to the overall legibility of the urban form.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Gezicht op Venlo, gezien vanaf de Maas - Hendrik Spilman
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