Greyhounds Coursing a Fox - Thomas Gainsborough
Archival giclée
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Description
A dynamic sporting scene by Thomas Gainsborough, capturing two greyhounds in pursuit of a fox within a golden, atmospheric woodland setting.
Thomas Gainsborough, a master of the British school, often turned his attention to the natural world and the activities of the landed gentry. This work depicts a scene of coursing, a popular pursuit in eighteenth-century England. The composition focuses on two greyhounds in the immediate foreground, their bodies angled to capture the tension of the chase as they overtake a fox.
Gainsborough employs a fluid, painterly technique that prioritises the movement of the animals over rigid anatomical precision. The brushwork is loose and expressive, particularly in the rendering of the dogs' coats and the surrounding foliage. The background features a characteristic Gainsborough setting: a wooded area that opens into a distant, sunlit meadow. The light is warm and golden, typical of his later works, which often favoured a more atmospheric approach to the English countryside.
Unlike the more clinical sporting art of his contemporaries, such as George Stubbs, Gainsborough imbues this scene with a sense of drama and motion. The interaction between the hounds and their quarry is the primary focus, yet the environment remains an essential component of the narrative. The trees are painted with quick, feathery strokes, creating a sense of depth that draws the eye from the immediate action into the wider, hazy horizon. This piece reflects the artist's personal interest in the rural life of Suffolk and his ability to integrate animal subjects into the broader context of the natural world. It remains a fine example of his skill in balancing the demands of portraiture and the observation of nature, demonstrating his preference for mood and atmosphere over strict realism.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Greyhounds Coursing a Fox - Thomas Gainsborough
Artist Biography
Thomas Gainsborough
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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