Halfbeak on a Lacquer Tray with Turnips and White Baits on a Porcelain Dish with Plum Blossoms on Broken Ice - Ryūryūkyo Shinsai
Archival giclée
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Description
A refined Japanese surimono woodblock print by Ryūryūkyo Shinsai, depicting a still life of a halfbeak, turnips, and white baits with elegant calligraphy.
This surimono print by Ryūryūkyo Shinsai displays the refined aesthetic typical of private commissions during the Edo period. Surimono were produced for small circles of poets and connoisseurs, often featuring a combination of high-quality printing techniques and calligraphic poetry. Shinsai, a student of Katsushika Hokusai, demonstrates his technical skill through the precise rendering of the halfbeak fish, the glossy surface of the lacquer tray, and the delicate blue-and-white pattern of the porcelain dish.
The composition is sparse, focusing on the arrangement of objects rather than a narrative scene. The halfbeak rests upon a black lacquer tray, accompanied by white turnips, while a rectangular dish nearby contains white baits. The inclusion of plum blossoms on the porcelain dish suggests a seasonal theme, likely referencing the transition from winter to spring. The surrounding calligraphy provides a literary context, as these prints were frequently exchanged as gifts during the New Year or other seasonal celebrations. The paper quality and the subtle application of colour reflect the luxury status of such prints, which were intended for private appreciation rather than mass distribution.
Shinsai captures the textures of the various materials with clarity. The contrast between the dark, reflective lacquer and the pale, organic forms of the fish and vegetables creates a balanced visual weight. The print avoids unnecessary ornamentation, allowing the viewer to focus on the interplay of shape and line. This work provides an insight into the cultural practices of the Japanese literati, who valued the fusion of visual art and poetry in their daily lives. The print remains a clear example of the technical mastery achieved by Ukiyo-e artists working within the surimono format.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Halfbeak on a Lacquer Tray with Turnips and White Baits on a Porcelain Dish with Plum Blossoms on Broken Ice - Ryūryūkyo Shinsai
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