Helen Burke - Childe Hassam
Archival giclée
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Description
A 1927 etching by American Impressionist Childe Hassam, featuring a portrait of Helen Burke set against a textured, foliage-filled background.
This etching by Childe Hassam, dated 1927, depicts Helen Burke in a quiet, contemplative pose. Hassam, a central figure in American Impressionism, turned his attention to printmaking later in his career, producing over 350 etchings and lithographs. His approach to the medium relies on the expressive potential of the line, using dense cross-hatching to build form and shadow rather than relying on tonal washes.
The subject stands before a background of foliage, rendered with rapid, rhythmic strokes that suggest the dappled light characteristic of Hassam's paintings. The contrast between the dark, textured background and the lighter, more softly defined features of the sitter creates a sense of depth. The figure wears a patterned garment, which Hassam captures through varied line weights, adding a decorative quality to the composition. His signature monogram and the date are visible in the lower right corner, consistent with his standard practice for his graphic works.
This print demonstrates Hassam's technical proficiency with the copper plate. He manipulates the needle to create a range of textures, from the fine, delicate lines defining the face to the bolder, more aggressive marks in the surrounding environment. The work avoids excessive detail, focusing instead on the atmospheric quality of the scene. It provides insight into the artist's transition from the colour-focused concerns of his earlier Impressionist canvases to the monochromatic discipline of the printmaker's studio. The composition remains balanced, with the sitter positioned centrally, allowing the viewer to focus on the interplay of light and shadow across the surface of the paper. This piece is a representative example of his later graphic output, where he continued to explore the subjects that occupied him throughout his career, including portraiture and the natural world.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Helen Burke - Childe Hassam
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