Fine Art Poster
From $120
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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A fine Renaissance engraving by Giovanni Antonio da Brescia, depicting the Holy Family with St. Elizabeth and the infant St. John the Baptist.
This engraving by Giovanni Antonio da Brescia depicts a traditional devotional scene featuring the Holy Family alongside St. Elizabeth and the infant St. John the Baptist. The composition is arranged with the Virgin Mary seated at the centre, holding the Christ Child. St. Joseph stands to the right, leaning on a staff, while St. Elizabeth stands to the left, guiding the young St. John as he offers a small plant to the Christ Child.
Giovanni Antonio da Brescia was an active engraver in Northern Italy during the late fifteenth and early sixteenth centuries. His work often reflects the influence of Andrea Mantegna, particularly in the treatment of drapery and the use of parallel hatching to define form and shadow. The figures are rendered with a sense of sculptural weight, typical of the period, and the background is kept minimal to focus attention on the interaction between the figures.
The print demonstrates the technical precision required for early copperplate engraving. The lines are clean and deliberate, creating a clear distinction between the figures and the surrounding space. The expressions of the figures are restrained, adhering to the conventions of religious art of the time. This work provides an example of how Renaissance artists disseminated religious imagery through the medium of print, allowing such compositions to reach a wider audience beyond the confines of private chapels or churches. The focus remains on the narrative connection between the children, a common motif in depictions of the Holy Family, which serves to prefigure the future roles of Christ and the Baptist. The print is a study in balance and classical proportion, reflecting the artistic priorities of the Italian Renaissance.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $120
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $250
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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