In the Tepidarium - Sir Lawrence Alma-Tadema
Archival giclée
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Description
A detailed oil painting by Sir Lawrence Alma-Tadema depicting a woman resting in a Roman tepidarium, noted for its precise rendering of textures.
In the Tepidarium, painted in 1881, is a representative work by Sir Lawrence Alma-Tadema. The artist, a Dutch painter who settled in Britain, gained recognition for his meticulous depictions of life in ancient Rome. This painting features a female figure reclining on a marble bench within a tepidarium, which was the warm room of a Roman bathhouse.
The composition focuses on the contrast between textures. The smooth, cool surface of the marble bench and the surrounding walls provides a backdrop for the soft skin of the subject. In contrast, the heavy, dark animal pelt draped beneath her adds a tactile element to the scene. The figure holds a strigil, a tool used in antiquity to scrape oil and dirt from the skin, and a feather fan. To the left, a small pot of orange azaleas introduces a splash of colour against the otherwise neutral tones of the interior.
Alma-Tadema was known for his archaeological accuracy and his ability to render materials with precision. He often incorporated authentic Roman objects into his compositions to ground his subjects in a specific historical context. The lighting in this work is soft, suggesting the diffused atmosphere of a bathhouse. The painting is executed on a cedar panel, a support the artist favoured for its stability and smooth surface, which allowed for the fine detail visible in the rendering of the marble veins and the texture of the fur. This work remains a clear example of the Victorian interest in classical antiquity, presented through a lens of domestic intimacy rather than grand historical narrative.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
In the Tepidarium - Sir Lawrence Alma-Tadema
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