Isleworth Mona Lisa - Leonardo da Vinci
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A fine art print of the Isleworth Mona Lisa, a portrait associated with the circle of Leonardo da Vinci, featuring a younger sitter and distinct architectural framing.
The Isleworth Mona Lisa is a portrait that has generated significant debate within the art historical community. It depicts a woman in a pose similar to the famous version housed in the Louvre, yet the subject appears younger. The painting features a sitter positioned between two columns, a compositional choice that differs from the Louvre version where the columns are only partially visible at the edges of the frame. The background consists of a remote, atmospheric view of a bridge and distant hills, rendered in the sfumato technique characteristic of the period.
Acquired by Hugh Blaker in 1913 from a manor house in Somerset, the work was kept in his studio in Isleworth, London, which provided the name by which it is now known. The painting has been the subject of various technical analyses regarding its authorship and date of origin. Proponents of its attribution to Leonardo da Vinci point to the stylistic similarities in the facial features and the application of paint, while other scholars suggest it may be the work of a contemporary or a later follower. The canvas exhibits a specific handling of light and shadow that aligns with the practices of the Florentine school during the early sixteenth century.
This fine art print captures the tonal qualities of the original work, preserving the subtle transitions between light and dark across the sitter's face and hands. The composition maintains the quiet, contemplative mood associated with the portraiture of the era. By offering this reproduction, Solis Prints provides an opportunity to examine a work that occupies a unique position in the history of Renaissance studies. It remains a subject of ongoing investigation, inviting viewers to consider the complexities of attribution and the stylistic conventions of the Italian Renaissance.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Isleworth Mona Lisa - Leonardo da Vinci
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