Jacques Tuboeuf, Comptroller of Finances - Jean Morin
Archival giclée
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Description
A refined seventeenth-century portrait etching of Jacques Tuboeuf by French printmaker Jean Morin, based on a painting by Philippe de Champaigne.
This portrait of Jacques Tuboeuf, Comptroller of Finances, is a fine example of the printmaking output of Jean Morin. Active in Paris during the seventeenth century, Morin gained recognition for his ability to translate the painterly qualities of contemporary oil portraits into the medium of etching and engraving. This work is based on a painting by Philippe de Champaigne, a collaborator with whom Morin frequently worked to reproduce the likenesses of prominent French officials and intellectuals.
The composition features Tuboeuf within an octagonal frame, a device that provides a sense of architectural structure to the print. The surrounding text, integrated into the border, identifies the sitter and his official titles. Morin employs a sophisticated system of hatching and cross-hatching to model the sitter's features and the texture of his clothing. The light source is directed from the upper left, creating subtle shadows that define the contours of the face and the folds of the collar. This technique allows for a nuanced representation of volume and depth, characteristic of the French school of portraiture during the mid-seventeenth century.
Morin's approach to the medium often involved a combination of etching for the initial lines and engraving for the refinement of tone. This hybrid method allowed him to achieve a softness in the skin tones while maintaining precision in the details of the costume. The result is a balanced image that captures the gravity and status of the subject. The print reflects the formal conventions of the period, where the sitter is presented with a direct gaze, conveying a sense of authority and intellectual composure. As a historical document, the work provides insight into the visual culture of the French administration under the reign of Louis XIII and the early years of Louis XIV.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jacques Tuboeuf, Comptroller of Finances - Jean Morin
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