Jan-van-gent (Northern Gannet) - Samuel Jessurun de Mesquita
Archival giclée
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Description
A minimalist woodcut of a Northern Gannet by Dutch artist Samuel Jessurun de Mesquita, featuring bold lines and high-contrast forms.
This woodcut by Samuel Jessurun de Mesquita depicts a Northern Gannet, known in Dutch as a Jan-van-gent. The composition is defined by a stark, high-contrast aesthetic that characterises much of the artist's graphic output. De Mesquita employs a minimalist approach, reducing the avian form to its essential contours and silhouettes. The bird rests upon a solid, dark triangular base, which provides a heavy visual anchor against the lighter background.
De Mesquita was a master of the woodcut medium, often favouring clean lines and bold blocks of ink. His work frequently explored animal subjects, which he observed with a keen eye for anatomical structure and posture. In this print, the economy of line is particularly effective. The artist avoids unnecessary detail, allowing the shape of the gannet to communicate its presence. The surrounding frame adds a sense of containment, typical of his graphic design sensibilities.
Born in Amsterdam, de Mesquita was a significant figure in the Dutch art scene during the early twentieth century. His practice was marked by a disciplined focus on printmaking and drawing. This specific work demonstrates his ability to balance negative space with solid form, a technique that creates a clear, graphic impact. The print is a representative example of his later career, where his style became increasingly refined and stripped of superfluous elements. It remains a clear study of form and subject, presented with the precision expected of his technical skill.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jan-van-gent (Northern Gannet) - Samuel Jessurun de Mesquita
Artist Biography
Samuel Jessurun De Mesquita
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
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