Jongen betrapt op stelen van appels in boomgaard - Pieter van Loon
Archival giclée
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Description
A nineteenth-century Dutch genre drawing by Pieter van Loon, depicting a young boy confronted for stealing apples in an orchard.
This drawing by the Dutch artist Pieter van Loon depicts a narrative scene of a young boy caught in the act of stealing apples from an orchard. Dated 1868, the work captures a moment of social interaction between a youth and an older man, likely the orchard owner or a guardian figure. The composition is balanced, with the two figures standing in a garden setting, framed by a fence and a building in the background. Van Loon employs graphite and white chalk on toned paper, a technique that allows for subtle shading and the definition of form through light and shadow.
The artist focuses on the expressive postures of the subjects. The boy appears caught off guard, his body language conveying a mix of surprise and apprehension. The older man stands with a sense of authority, his posture suggesting a lecture or a stern reprimand. The inclusion of handwritten text at the bottom of the sheet provides context to the scene, typical of nineteenth-century illustrative works that often combined visual storytelling with anecdotal commentary. The style is characteristic of mid-nineteenth-century Dutch genre drawing, where artists sought to document everyday life with a focus on moral instruction and human character.
Van Loon was known for his ability to capture the nuances of daily life in the Netherlands during this period. His work often reflects the social dynamics of the time, using simple, clear lines to convey complex emotional states. The use of white highlights on the paper surface adds a sense of volume to the figures, ensuring they remain the focus against the lightly sketched environment. This piece serves as a record of the artistic practices of the era, demonstrating the technical proficiency required to produce engaging narrative art on paper.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Jongen betrapt op stelen van appels in boomgaard - Pieter van Loon
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