Kerk te Asten in Peelland - Hendrik Spilman
Archival giclée
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Description
An eighteenth-century etching by Hendrik Spilman documenting the church at Asten in the Peelland region of the Netherlands.
This etching by Hendrik Spilman depicts the church at Asten, situated in the Peelland region of the Netherlands. Spilman was a prolific Dutch engraver and draughtsman, known for his topographical documentation of various towns and buildings across the Dutch Republic. His work provides a clear, objective record of architectural structures as they appeared during the eighteenth century.
The composition follows the conventions of topographical printmaking, where the church occupies the primary position within the frame. The artist employs fine, controlled lines to define the masonry of the tower and the roofline of the nave. Small figures are placed near the entrance to provide a sense of scale, a common device in period architectural studies. The sky is rendered with light, horizontal hatching, which suggests a calm atmosphere without distracting from the structural details of the building.
Spilman often collaborated with publishers to produce series of prints documenting regional heritage. This particular work captures the specific vernacular architecture of North Brabant, reflecting the interest in local history and geography that characterised the period. The print is characterised by its precision and clarity, qualities that made Spilman a sought-after artist for topographical projects. The surrounding trees and the modest scale of the church suggest a rural setting, typical of the Peelland area at the time. This print serves as a historical document, preserving the appearance of the church before later modifications or restorations. The work is presented with the original plate marks and margins, maintaining the integrity of the eighteenth-century printing process.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Kerk te Asten in Peelland - Hendrik Spilman
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