Landscape with Goats - Henri-Edmond Cross
Archival giclée
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Description
This Pointillist painting by Henri-Edmond Cross depicts a tranquil scene of goats resting in a sun-dappled landscape. The mosaic of colours creates a harmonious and luminous effect, characteristic of the Neo-Impressionist style.
Henri-Edmond Cross, a French painter born in Douai, is recognised as a significant figure in the Neo-Impressionist movement. His artistic journey began with academic studies, but he later embraced the Pointillist technique, characterised by small, distinct dots of colour applied in patterns to form an image. This approach, influenced by Georges Seurat, aimed to achieve a greater degree of luminosity and colour interaction than traditional methods of blending pigments. Cross's work often depicted idyllic scenes of the Mediterranean coast, reflecting his move to the south of France in 1891. 'Landscape with Goats' exemplifies Cross's mature style. The canvas is filled with a mosaic of small, carefully placed dots of colour. Predominantly blues and greens create a cool, shaded foreground, while touches of yellow and orange suggest sunlight filtering through the trees. Goats are scattered throughout the scene, some reclining in the shade and others grazing in the distance. A building is visible in the background, adding a sense of human presence to the natural setting. The overall effect is one of tranquil harmony, capturing a moment of peaceful coexistence between animals and their environment.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Landscape with Goats - Henri-Edmond Cross
Artist Biography
Henri Edmond Cross
He trained conventionally, painting in the dark realist manner of Bastien-Lepage and Manet. The conversion to Neo-Impressionism came slowly: he did not adopt the pointillist technique until 1891, years after Seurat and Signac had established the method. Once he committed, he moved south. Diagnosed with rheumatism, he left Paris and settled in Saint-Clair on the Mediterranean coast, where the climate was gentler and the light was entirely different.
The move changed his painting. Working alongside Signac, who had also moved south, Cross developed a second phase of Neo-Impressionism: broader, looser brushstrokes than the granular dots of Parisian pointillism, in colours heated by Mediterranean light. The palette shifted from grey and blue to orange, violet and turquoise. The brushstrokes grew from points to mosaic-like blocks of colour.
The late paintings influenced Matisse directly. When Matisse visited Saint-Tropez in 1904, he saw Cross's work and recognised something he could use: the liberation of colour from description. Fauvism, which Matisse would lead the following year, grew partly from what Cross and Signac were doing on the Mediterranean coast.
Cross died in 1910, aged fifty-three. He spent the last nineteen years of his life painting the same coastline in colours that got more intense with each passing year.
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